Showing posts with label Karen Wiesner. Show all posts
Showing posts with label Karen Wiesner. Show all posts

Saturday, February 20, 2016

Saturday's Blurbs featuring Books By Karen Wiesner #MFRWauthor #Mystery, Inspirationalromance, #romance

PRETTY FLY, Book 6, Falcon's Bend Series with Chris Spindler
Mystery/Police Procedural
Available in paperback and electronic formats

Falcon's Bend is a small, sleepy town in Wisconsin that owns more taverns than churches, but fills both on the appropriate days. Teenagers talk of escape from the one-horse town because nothing ever seems to happen. But, even here in the Heartland, police investigators Pete Shasta, Danny Vincent and Amber Carfi fight a never-ending battle to keep their beloved families and hometown safe and sound.

Will you walk in, pretty fly…and will you walk out once you’re trapped inside the spider’s lair?

Shayna Vincent returns home to Falcon’s Bend after her romance turns disastrous. When she and Gage Keveris became a creative design team at the prestigious Bethany Advertising Agency, she’d had no idea he was married to a career-ambitious woman who traveled more often than she came home. Over the last year and half, Shayna found herself falling in love with her partner and friend without a clue what he was hiding. Now that she knows the truth, she can’t bear the pain of being near him when they can’t be together.

While staying with her little brother Danny, a Falcon’s Bend Police Department detective, she meets up with an old crush from high school. Shawn Futrell has been widowed twice, his third wife is missing, and he’s the father of a sixteen-year-old from his first marriage. When Danny finds out his vulnerable sibling has been in contact with Futrell, he tries to put a stop to it by telling her that Shawn’s wives’ deaths were more than a little suspicious—regardless of whether or not the police have been able to find any evidence to pin on him.

But bad boy Shawn is still movie-star gorgeous, and Shayna can’t stop recalling how besotted she was with him as an impressionable teenage girl—one Shawn never took seriously back then but seems intent on making up for lost time now. What pretty fly could resist the invitation of such a seductive spider? 


CLUMSY GIRL'S GUIDE TO HAVING A BABY, Book 6, Friendship Heirlooms Series
Inspirational Romance/Chick-Lit
Available now in paperback and electronic formats

Return to the quaint little town of Peaceful, Wisconsin, from Karen Wiesner’s award-winning Family Heirlooms Series, where you first met and fell in love with these colorful, lovable friends. Now you can read the stories of those secondary characters in an all-new spin-off series. Nuggets of faith can be passed down as heirlooms from friend to friend, heart to heart, soul-mate to soul-mate.

Book Six Friendship Heirloom: Maturity

Clumsy girl Zoë Rossdale is back, married to the love of her life, Curt Bertoletti, and setting off on another crazy adventure—maybe the most fun and dangerous of all. Having a baby!


SHADOWS OF THE NIGHT, Book 3 of Angelfire II Quartet 
Contemporary Romance
Coming February 2016 in paperback and electronic formats

Return to Karen Wiesner’s award-winning Angelfire Trilogy, where you first met and fell in love with these colorful, lovable friends. Now you can read the stories of those secondary characters—and some new faces—in an all-new spin-off quartet.

There are no scars like those inflicted in childhood, and no love like your first. Timeless couples Diane Hoffmann and Mikey Lund, Roxanne Hart and Jamie Dubois, Cherish Stephenson and Ty Foxx, and Sapphire Stephenson and William Decker seek out the unconditional love and healing of an angel and the scorching heat of unending passion. Heaven's promise, desire's flame…

Ty Foxx left home when he was a teenager, taking his brother Jeff with him. The horror they’d suffered as children, along with their other three siblings, at their father’s hands has scarred them both. Ty had tried to take care of and shelter his younger brother, eventually becoming a successful photographer, but in the end he couldn’t save him. He hasn’t looked back for so long, he’s stunned when he learns that his father succumbed to an illness that plagued him for years. The threat and terror he posed is over, dead and gone. Even though Ty is filled with self-loathing and fury at the past with the loss of his brother, he knows the time has come for him to go home and face the rest of his family and all he’s been running from in life.
           
Cherish Stephenson owns a flourishing flower shop and mail-order business. The brutal rape that drove her fiancé away when she was in college and left her terrified of getting close to anyone is the only sign that her life isn’t everything and all she intends it to be. When she meets Ty, her employee Darlene’s brother, and the attraction is instantaneous and mutual, Cherish realizes how much she’s missed in her life by being afraid of the shadows of the night. But Ty may be even more broken than she is by the past. Can they heal each other with the light of love, or is the only thing left for both of them to accept living out the rest of their lives alone, wounded, and scared of the dark?




Friday, February 19, 2016

Friday - What She Was Before featuring Karen Wiesner #MFRWauthor

Creating realistic, unforgettable characters one story at a time…

Karen Wiesner is an accomplished author with 113 titles published in the past 18 years, which have been nominated/won 134 awards, and has 42 more releases contracted for spanning many genres and formats. Karen’s books cover such genres as women’s fiction, romance, mystery/police procedural/cozy, suspense, paranormal, futuristic, fantasy, gothic, inspirational, thriller, horror, chick-lit, and action/adventure. She also writes children’s books, poetry, and writing reference titles such as her bestseller, First Draft in 30 Days and From First Draft to Finished Novel {A Writer’s Guide to Cohesive Story Building} (out of print; reissue available now in paperback and electronic formats under the title Cohesive Story Building). Her third offering from Writer’s Digest Books is Writing the Fiction Series: The Complete Guide for Novels and Novellas, available now. Her previous writing reference titles focused on non-subsidy, royalty-paying electronic publishing, author promotion, and setting up a promotional group like her own, the award-winning Jewels of the Quill, which she founded in 2003 and disbanded in 2014. For more information about Karen’s fiction and series, consult her official companion guide The World of Author Karen Wiesner: A Compendium of Fiction. Visit her website at http://www.karenwiesner.com. Check out Karen's author page at Facebook, where you can like, friend and follow her: http://www.facebook.com/KarenWiesnerAuthor. If you would like to receive Karen’s free e-mail newsletter, Karen’s Quill, and become eligible to win her monthly book giveaways, send a blank e-mail to KarensQuill-subscribe@yahoogroups.com. 

Day 1

1. What were you in your life before you became a writer? Did this influence your writing?

Actually, as I wrote my first book when I was 10, I'd have to say that I was a writer first. Following that, I worked in the school library from elementary to high school, then as an aid at a local school during the summer. I also was a dishwasher and did data entry for quite a few years. I had my first book published in 1997. Since then, I've become an editor and cover artist as well. Other than working in the school library, I wouldn't say any of my "careers" had any influence on my writing--just made me want to write full-time, as I do now.

2 Are you genre specific or general? Why?

I'm all over the place, and I think that's a good thing. Most of my books can be placed in several category of fiction. I don't intentionally set out to write in more than one. I just can't seem to rein myself in. A book ends up what it ends up.

3. Did your reading choices have anything to do with your choice of a genre or genres?

I guess in some ways my reading choices influence my writing. I read across genres in nearly every category I write in. However, I have yet to write anything in the historical or western genres. I don't read a whole lot in those genres either. I haven't written a Regency or science fiction, though I do read in both categories. I never say never, since I might someday write in any genre I haven't thus far written in if a really good story idea comes to me. There are worlds to discover everywhere. Horror, really, really good horror, is a special pleasure to me. I can't get enough of this genre, so I'd like to write more horror in the future.

4. What's your latest release?

CLUMSY GIRL'S GUIDE TO HAVING A BABY, Book 6, Friendship Heirlooms Series, which is one of my featured releases tomorrow.

5. What are you working on now?

I'm never working on just one thing because I believe writing in stages is the only way to make my books the highest quality they can possibly be. In 2016, I'm alternating between the following projects (and you can see how I plan to do it here): http://www.angelfire.com/stars4/kswiesner/WIP.html

CROOKED HOUSE, Book 3, and RETURN TO BLOODMOON MANOR, Book 4, Bloodmoon Cove Spirits Series

PROMISES IN THE DARK, Book 4, Angelfire II Quartet

BRIAR'S PATCH, Book 7, and FOR AULD LANG SYNE, Book 8, Adventures in Amethyst Series

ALL GOOD THINGS, Book 7, Friendship Heirlooms Series

FALCON'S BEND CASE FILES, Volume III with Chris Spindler

6. Where can we find you?


See biography above.

Saturday, July 4, 2015

Saturday's Blurbs - Features books by Karen Wiesner #MFRWauthor

My newest releases include:

TIL SUMMER COMES AROUND, Book 5, Adventures in Amethyst Series
Contemporary Romance Novel
When Quinn Rutledge and Summer Rosales met on a warm summer night on the shores of beautiful Lake Amethyst, they were both young, all was right in the world, and the only thing on their agenda was romance—one that neither of them wanted to end with the summer and closing of resort town Amethyst’s tourist season. Promises and plans were made. Promises were broken…
Find out more, read an excerpt and buy:

MIDNIGHT ANGEL, Book 2, Angelfire II Quartet
Contemporary Romance
Roxanne Hart has endured a jet-set life as a model with everything, but she’s never been satisfied by it. The love of her life was like a midnight angel—there and then gone, reality within a dream. Learning she has cancer, Rox’s determined to do all the things she’s always wanted to without regret…like letting herself love her midnight angel, even with the more-than-a-little-likely chance she’ll lose everything.
Find out more, read an excerpt and buy:

CLUMSY GIRL’S GUIDE TO FALLING IN LOVE, Book 1 of the Friendship Heirlooms Series reissue
Inspirational Contemporary Romance/Chick-lit
Return to the quaint little town of Peaceful, Wisconsin, from Karen Wiesner’s award-winning Family Heirlooms Series, where you first met and fell in love with these colorful, lovable friends. Now you can read the stories of those secondary characters in an all-new spin-off series. Nuggets of faith can be passed down as heirlooms from friend to friend, heart to heart, soul-mate to soul-mate.
They were two abnormal peas in an even stranger pod…
Zoë Rossdale is the clumsy girl who always has her elbows, feet, eyes, and brass-red hair going in the wrong directions. After a lifetime of being evaluated critically—and found wanting—she’s trying to change…until she literally runs into the only man she’s ever gone loopy over. Curt Bertoletti has spent years trying to forget the seriously messed-up Zoë. Even as he vows that he won’t stray again, he can’t help remembering how well they fit together. For better or worse, Zoë will always be Zoë—the clumsy girl with her dress tucked into her pantyhose, the girl whose idea of falling in love is to stand at the edge of the precipice, throw out her arms and confidently jump into a free-fall. Can they both live with that fact? Forever?
Find out more, read an excerpt and buy:

FIRST COMES LOVE, Book 4 of the Friendship Heirlooms Series
Inspirational Romance
At the age of fifteen, Chad Feldmann and Winnie McBride made an impulsive choice that led to pregnancy. Now, years later, they have a precious little girl, they’ve both graduated high school, and they’re married. But all is not well in paradise. They’ve done everything backwards— the baby carriage, then marriage—but, regardless of all the wrongs committed, first came love…
Find out more, read an excerpt and buy:

PERFECT REFLECTION, Book 5 of the Friendship Heirlooms Series
Inspirational Romance
Elaina Houston has been taught to look, act and speak perfectly. When she couldn’t live up to the impossible expectations, she threw herself away. Now she has a second chance. Ethan Lynwood, her best friend and maybe more, seems to accept her just the way she is even when she’s a mess…maybe especially when she is. Ethan found out the hard way that God is in control and we all need humility, humanity, and a helping hand. And sometimes the most accurate reflection comes from accepting that we’re not perfect but we’re loved unconditionally anyway. 
Find out more, read an excerpt and buy:

WOODCUTTER'S GRIM SERIES, Volume I and Volume II (Classic Tales of Horror Retold) reissues
Romantic Horror/Paranormal Romance Novellas
Volume I includes Books 1-3 and The Final Chapter sold separately as well as in a collection including Papa, Blood of Amethyst, Dancing to the Grave, and The Amethyst Tower).
Volume II includes Books 4-7 sold separately as well as in a collection) including Moonlight Becomes You, Bewitched, One Night of Eternity, and Beauty is the Beast.
For the ten generations since the evil first came to Woodcutter's Grim, the Guardians have sworn an oath to protect the town from the childhood horrors that lurk in the black woods. Without them, the town would be defenseless...and the terrors would escape to the world at large.
Volume II is a four-book miniseries within the Woodcutter’s Grim Series, dealing with the curse on the Shaussegeny family.
Find out more, read an excerpt and buy:






Friday, July 3, 2015

Friday -- Karen Wiesner is Talking About Heroes, Heroines and Villains #MFRWauthor

Karen Wiesner is an accomplished author with 109 titles published in the past 17 years, which have been nominated/won 131 awards, and has 38 more releases contracted for spanning many genres and formats. Karen’s books cover such genres as women’s fiction, romance, mystery/police procedural/cozy, suspense, paranormal, futuristic, gothic, inspirational, thriller, horror, chick-lit, and action/adventure. She also writes children’s books, poetry, and writing reference titles such as her bestseller, First Draft in 30 Days and From First Draft to Finished Novel {A Writer’s Guide to Cohesive Story Building} (out of print; reissue available now in paperback and electronic formats under the title Cohesive Story Building). Her third offering from Writer’s Digest Books is Writing the Fiction Series: The Complete Guide for Novels and Novellas, available now. Her previous writing reference titles focused on non-subsidy, royalty-paying electronic publishing, author promotion, and setting up a promotional group like her own, the award-winning Jewels of the Quill, which she founded in 2003 and disbanded in 2014. For more information about Karen’s fiction and series, consult her official companion guide The World of Author Karen Wiesner: A Compendium of Fiction. Visit her website at http://www.karenwiesner.com. Check out Karen's author page at Facebook, where you can like, friend and follow her: http://www.facebook.com/KarenWiesnerAuthor. If you would like to receive Karen’s free e-mail newsletter, Karen’s Quill, and become eligible to win her monthly book giveaways, send a blank e-mail to KarensQuill-subscribe@yahoogroups.com. 

Day 1 

1. Do you write a single genre or do your fingers flow over the keys creating tales in many forms? Do your reading choices reflect your writing choices? Are there genres you wouldn’t attempt?

I write women’s fiction, romance, mystery/police procedural/cozy, suspense, paranormal, futuristic, gothic, inspirational, thriller, horror, chick-lit, and action/adventure. I also write children’s books, poetry, and writing reference titles. I guess in some ways my reading choices affect my writing, since I have yet to write anything in the historical or western genres. I don't read a lot in those genres either. I haven't written a fantasy novel (though I ventured into futuristic). Haven't written a Regency or science fiction, though I do read a lot of all of these. My favorite genre to read is horror but there is so little truly good horror reading these days. I can't get enough of it so I'd like to write more of that. I never say never though--I might someday write in any genre I haven't thus far written in if a really good story idea came to me.

2. Heroes, Heroines, Villains. Which are your favorites to write? Does one of these come easy and why?

I love heroes and heroines equally--creating these characters are my favorite part of being a writer. Villains…not so much. Funny you ask this lately because I've been reading a certain series I'm not going to mention by name here, and the villains are actual creatures from various locations--some anomalies of this planet, others not. The author keeps getting into the heads of these creatures, the villains in the stories, and I just think it's the most ridiculous thing I've ever seen. It's like getting into the head a dog in a story. It never works, and what can this character think about beyond the mission as the villain? Kill, destroy. It doesn't work at all. Poor writing comes from this. I've also seen *human* villains, for the most part, done so poorly, they're not worth giving POV scenes to. I avoid writing from the villain's POV unless the story absolutely wouldn't work without it. I'm too aware that if it's not done perfectly, it's not done well, and therefore is a weak spot in the story.

4. Heroes and heroines. How do you find them? Do pictures, real life or plain imagination create the man you want every reader to love? Do they come before the plot or after you have the idea for the story?

Every book, this is different. I get ideas in so many ways. I've dreamed up characters and go on to put stories around them. I've dreamed up situations and I craft the characters to go around those. I do like to have physical pictures of hero and heroine before I start writing because it allows me to write about the characters is more realistic, fleshed-out ways. While I might include a trait here and there from a real or even another fictional person, the whole package is always unique. One of the most frequent genres I write in is romance. I have to say that romance writers have to delve into unrealistic areas in order to create heroes that women will love. It's just the way it is. Very few, if any men, are the knights in shining armor that women portray them as in romance novels. A truly realistic hero is someone most women would avoid reading because that's what they get in their every lives, lol. They read romance novels to believe it can be otherwise. We romanticize heroes to make them the man every woman will love. That sounds bad and I'm not saying men are bad in any way, but most are not fit for romance novels *as are*. To be fair, I doubt many women in the real world would make good romance heroines either--we romanticize most characters in romance novels so they can be honorable role models to us. Too much reality can kill fiction.

In my latest release, FIRST COMES LOVE, Book 4 of the Friendship Heirlooms Series, I did actually create a male character that is as close to realistic as I've ever made a hero in one of my novels. Chad is as "unvarnished" as I could make him in a romance novel and still have a satisfying story. I admit, I enjoyed writing his character and crafting a heroine who could live with him and all his traditionally unheroic traits.

5. What is your latest release? Who are the hero, heroine and or the villain?

FIRST COMES LOVE: Chad Feldmann and Winnie McBride were secondary characters in GLASS ANGELS, Book 4 of the Family Heirlooms Series--the Friendship Heirlooms Series is a spinoff of that one. GLASS ANGELS left off with this Christian teenage couple pregnant when they’re still children themselves. FIRST COMES LOVE starts three years later, when they’ve graduated high school with a baby they’ve been switching off caring for in-between getting their diplomas and working part-time to save for their wedding and a life together. I actually consider Chad both hero and villain in this story because most of the problems stem from his selfishness. Somehow Chad has grown up and not only accepted the situation, but he’s taken charge in ways Winnie doesn’t expect…and resents. This isn’t an easy scenario, and I really wanted to show an unclichéd complexity of emotions and reactions stemming from a tough situation. Writing the first draft was incredibly intense. I was so involved with all the characters, I had a hard time leaving them every day and their emotions became mine. The first draft felt like a final draft for that reason.

6. What are you working on now?

I always have a lot of projects going in different stages of the process, including researching/outlining, writing the first draft, revising, editing and polishing, final read-through before editor revisions.  During the first half of this year, I've been switching between the following projects:
PRETTY FLY, Book 5 of the Falcon's Bend Series (coming September 2015)
CLUMSY GIRL'S GUIDE TO HAVING A BABY, Book 5 of the Friendship Heirlooms Series (coming November 2015)
SHADOWS OF THE NIGHT, Book 2 of the Angelfire II Quartet (coming February 2016)
ROSE AND THORN, Book 5 of the Adventures in Amethyst Series (coming April 2016)
CROOKED HOUSE, Book 3 of the Bloodmoon Cove Spirits Series (coming August 2016)

Interested in what else I’m working on? Visit
http://www.angelfire.com/stars4/kswiesner/WIP.html to view my annual WIP, along with information on new and/or unsold projects.  Look for my WIP Moments on my Facebook author page, where I post about what I'm working on and the progress I'm making with each stage of my projects: http://www.facebook.com/KarenWiesnerAuthor


Tuesday, February 24, 2015

Wednesday's Writer's Tips from From First Draft To Finished Novel - Karen Wiesner #MFRWauthor


Last week we looked at three ways to bring sexual tension into stories. Today we'll look at at least three more.

4.Start the tension at once. From their first meeting, no matter what the sub-genre you're dealing with. This doesn't have to be too up front but you need to show the interest.  This is called setting the stage for the future love scene whether it takes place in the open or behind closed doors, the reader needs to believe these people really want each other and have from the start. By seting the attraction up early you avoid those awkward moments. You don't make the reader think this scene was inserted for no reason at all.

Use your characters senses of sight in particular here. Other senses can also be used. The rasp of a voice, the allure of a perfume. Just show the attraction.

5. Now we come to exaggerated prose. This can destroy the mood, particularly when words are used grandly and bring not sighs of excitement from the reader but giggles. I've read these kind of things in books and I can't help grinning. I'm sure you have too. It's sometimes easy to get caught in using gaudy language to describe something that is nearly undescrible. So if you've found yourself sprinkling these sort of words into your love scenes, back up a bit and tone down the words.

Let the characters try to describe what they're feeling and maybe all they can do is stumble around thinking wow and not being able to describe.

6.  Set the scene. Now this can be easy or hard. Remember the senses. Think of touches, aromas, visions, spoken words or sighs. Use the senses to set the scene for yourself and the reader.  Let yourself as the writer enter the scene and be the characters.

Wednesday, February 18, 2015

Wednesday's Writer's Tip based on From First Draft to Finished Novel #MFRWauthor #BooksWeLove


Karen Wiesner is a friend, a good writer and gives great advide. I often use one of her reference books as a base for going off on my own. Adding my own take on this. In her book cited above she has some good words on creating sexual tension when writing romance novels. I'll probably use this segment for several Wednesdays.

1, Let your characters decide the level of intimacy.  Of course, as the writer you've created these characters and you're really in control but you need to remember when writing the story that your characters are in charge, so to speak. My experience with this has been interesting. One character I created really liked being physically intimate with the man in her life. He felt the same. Neither of them wanted any emotional baggage between them. Was this a problem? Sometimes. In another story, the heroine stated there would be nothing beyond kisses and a bit of petting in her story. Though I tried for more, I finally realized what I was aiming for didn't fit the character.

The moral of this is while you let your characters choose, as the writer you need to know your characters and listen to them.

2. Make the love scenes realistic. I usually have no problem with this but can err on the side of realism. Too much reality isn't good for fiction. If your characters aren't real, your love scenes won't be either.

Know your characters.

3. Use exaggerated awareness. I read almost as much as I write though not always in the romance field. I've read romance books where hero and heroine have no awareness of each other in more than a wooden way. Think of how they react to a touch, to a smile, to a word. This goes for hero and heroine though not in the same scene by bouncing from head to head. Your hero can notice things about what the heroine does to him physically and emotionally while showing the scene from his point of view. The same goes for the heroine, Sticking with one can heighten the suspense and rev up the anticipation while showing your reader just how these people are becoming aware of each other.

Watch your characters.

More next time.

Tuesday, November 25, 2014

Wednesday's Writer's Tip Step 3 in Planning Your Novel "MFRWauthor

 Karen Wiesner in her book From First Draft To Finished Novel calls the third step Blueprint. In this step there are a number of levels. This becomes an outline and includes a number of features.

Character sketch begin the process for her. For me the first step is designing the plot in a very general way. Much depends on if you're a plot person or a character person.

Let's look at the character sketch. This means writing down everything you can think of about the character. For me I choose a character's Sun sigh, Moon and Ascendant. This gives me a number of character points. Some go together and some are in opposition giving the character questions about what they want and why they want it. I generally don't really know my characters until I finish a rough draft of the story.

Plot Sketch is her second point. As you saw I'm the reverse. The plot sketch depends on the type of story being written. A mystery has one kind of plot. A romance a different one and there are many variations. I decide on the beginning and the end. The middle will come as the rough draft is written.

Then there's the Setting sketch and this can be a minimal or as worked out as needed. This for me is world building and the world may be contemporary, historical or fantasy. Al;l the features here are included even the houses,

These three sketches form the blueprint of the plan of the story you;'re creating.

Wednesday, November 12, 2014

Wednesday's Writer's Tip - From First Draft to Finished Novel - Karen Wiesner #MFRWauthor


For the next few weeks, I'll be looking at this book by Karen who is a friend met once and who was the person who started the promo group, Jewels of the Quill. The group ahs not dispanded but for many years this group helped 12 authors promote their stories.

Karen equates working on a story to building a house that is solid and will last for the ages. I look at my way of writing as an artist who paints a picture. The interesting thing is that the systems are basically the same. I found this to be interesting, There may be a slight difference in the method but the results can be the same. Do they work. Not always since every writer has a story that doesn't quite work as well as their other stories. I've seen this with my own writing and sometimes it's not the story one suspects that continues to sell and sell over the years. Is there an answer. Maybe not. Could it be some elements of the process is flawed in one story and is terrific in another.

Layering is the way to make a story work and often a writer after many years doesn't remember how they did this. The process is something that's learned by repetition. So during the next few weeks, we'll be looking at the ways of layering a story from the start of the idea to the end of the process. While writing these little pieces, I always learn something or remember a step that I'd forgotten or not used to the greatest potential. So join Karen and me while we look at building a novel or painting a picture.

Wednesday, October 29, 2014

Wednesday's Writer's Tip - A Bit More On Series - #MFRWauthor


You have your series planned and the first story written. Now comes the time to market these stories that may take several years to write. What are some things you need to consider? There are a number of places they can be published. You can hope one of the big publishers picks the series up, you can go to a small publisher or you can publish the series yourself. But making the series appealing to readers is something that's very important. Writing the Fiction Series by Karen Wiesner has some hints about this and I'll show you what some of them mean.

When you're writing a series something in the titles of each story contained in the world you've created makes sense. There are many series out there. The series can have an over all title. I've used this several times in my own series. Affinities is one and then each of the titles of the particular stories falls under this major titles. An even better way is for each of the stories to have a particular word in the title of each book. I'm working on a series and though it does have a title for the whole series, each of the so far three stories and the fourth I'm working on has Dreams in the title. So here two markers are there to bring the stories to the attention of readers.

A second method is to make use of a series blurb. This is great for promoting the entire series and is something both general and specific to a series. The best way I can explain what I found about using such a thing is to have a series blurb that is very general and yet somehow leads the reader into the series. Such as Four teens are forced to leave their home and parents to seek teachers to show them how to use their affinities for Earth, Fire, Water and Air. Following this comes the blurb for the story. A reader finding that first line will think aha this is another story in that series.

There are two more suggestions that I'll address next time.

Wednesday, October 22, 2014

Wednesday's Writer's Tip - Continuing with Writing the Fiction Series by Karen Wiesner #MFRWauthor


More things to consider when writing a series and there are many. This book is a trove of good information gathered together by Karen Wiesner.

Promises. When writing a series a writer should keep the promises to the reader. Leaving things dangling can draw a reader to select the next book in the series but leaving too many of these threads dangling can really upset readers. Proposing a single question that is the main one can carry over but all those little questions can be solved book by book and new ones created.

Killing Characters - Unless you have a good reason, don't kill one of the main characters in a series. The reader will become upset since they have invested a lot in said character. Sherlock Holmes was killed off in that series but he miraculously returned to be in other stories. If you're going to kill off a character during the course of a series establish this character and show the potential for death during one or more of the stories. Of course in the end, killing the villain or villainess is fine and can make a grand ending to a story.

Turning the Bad Guy into a Good Guy. - This can trouble a reader, especially if they really hated the bad guy. There are ways to do this if you really want to make this change. Showing a bit of what makes him the bad guy in the story and you have already given him or her a reason to change. In The Amber Chronicles, Emme starts out as the bad one and immediately you hear why she is being sent away for she has lessons to learn about love. In the end she is redeemed but her road to growth becomes a quest for her. I have a villain from a story I would like to redeem, if I ever find time to plot the story out.

Preparing For The next Book. A series needs more than one book and two doesn't do it. Three or more books are needed and when you're nearing the end of book one, two, or more you need to plant the seeds for the next book. This can be done in many ways but needs to be done. In one series, the chance for the trilogy is set up by mentioning the two gods and one goddess of the ancient Egypt I've created. This means there will be three possible stories. Bast's Warrior, Horu's Chosen and Toth's Priest. Some of the characters who will be in the other books are either present in some way in the other books. The preparation for the next book should be somehow made clear in the current one.

Wednesday, October 15, 2014

Wednesday's Writer's Tip - More on Series -Tips - Writing the Fiction Series #MFRWauthor


There are many tips in the book Writing The Fiction Series by Karen Wiesner. If you're contemplating writing a series, here are a few tips.

Set Your Own Ground Rules for the series. A very important thing to do. The series are yours and though there may be other series or stories that use some of the same elements, the series is yours. There may be many vampires in stories but your vampires may have traits and be able to do things other vampires may not. Your shape shifters may be different also. So set your rules and abide to them.

Think Big - If you envision a lengthy series make sure there's room for the short story or the novella or for a change in characters. The world you create can be large enough to show off many stories.

Twists - Both characters and stories can have twists that will carry the stories further. Without these twists, the stories could become clone stories and the reader will lose interest in reading more and more.

Up the Ante - As each story in the series continues. Give the Hero, heroine, villain a bigger reason to want to win. This will add to the tension. In my YA series, the first book shows the characters trying to fine a safe place where they can learn. When they are forced to flee again they have more concerns for the second book means they must find a way to rescue friends from evil. Moving to the third story they must find the necessary items so they can defeat the evil ones. The fourth book is the do or die story. They will either win or lose and the villains bring out the big guns.

Wednesday, October 1, 2014

Wednesday's Writer's Tip - Series and Consistency #MFRWauthor


When I was reading Writing The Fiction Series by Karen Wiesner she mentioned consistency when writing series. My first thought was what exactly did this mean and wasn't this the same as continuity? Suddenly I realized though they seemed the same there was a slight difference. I've read a lot of series and have suddenly stopped reading one or more series and I wasn't sure why. These series had many of the qualities needed to establish them as a series.

I remember one that was a romance series and suddenly the author wrote a story that was a lot different from the other stories. There was no romance. There were elements contained in the story that fit the series but the lack of the romance made me stop reading that series. The series had lost that consistence. Yes, there were similarities. They still took place in the world the writer had established. There were familiar places, even a character or two were the same as in the other books but there was a missing element. There were no characters seeking a happy ending.

I'm reading another series that has I believe 13 books and probably more to come. These books are consistent. Though the characters grow and change most of them are present in each of the stories. The world is the same most of the time. When the world changes there are reasons for the change that make sense in the consistency of the story. The changes in the world are held together by the characters who remain the same as in the other story are ones who have been in the other books. The pattern of the stories remain the same.

I'm not talking about the kind of pattern where something that happens on page 50 of one story are the same in every book. This isn't the consistency That I'm looking for. There are series written where the same action occurs in Chapter 3 or Chapter 7 in every book in the story. This pattern becomes one the reader sees as a habit and though it seems consistent it becomes boring. So when you're writing your series, you need to remember the small details that make for consistency.

Wednesday, July 9, 2014

Wednesday's Writer's Tip - Story and Series #MFRWauthor


Whether a series is planned or just happens, there's such a thing as a road map to follow. Having done a series where the map was present from the first word in the first story to having the series suddenly become a series either by reader request, author decision or editor suggestion. I've done them all.

While reading Writing The Fiction Series by Karen Wiesner I realized series somehow do have some kind of map. While this map may suddenly appear often times there are events in the story that have been placed there almost by magic and they call for another story and perhaps another and another.

Another thing to consider with series is the story a complete stand alone and yet part of the series or does each story end with some kind of cliff hanger that compels the reader to want the next book. That is a good question. Each story has a kind of map or what some writers call a story arc taking the story from beginning through the middle to the end. A series must have the same kind of map but the map may not have been discovered by the writer until the second or third book in the series.

My own Affinities series before I came upon each story plan had an over all series plan stumbled on in an odd way. While working as a nurse, I did little to no writing and every night had trouble falling asleep. I started to tell myself a story and the next day I would write out my bedtime story. Somewhere after nearly a hundred pages, I had the series map. Then I had to go back and break this into stories. I'd been aiming for a trilogy but ended up with four books.

The Katherine Miller cozy mysteries were a different sort of thing. I had fans and readers asking for another story. So each story is a completely stand along yet there are references through continuing characters to the previous stories. The stories also build a romance between Katherine and an old friend. He was barely mentioned in the first two stories but suddenly in book three there was a romance but this was seeded in the first two stories and triggered by my need to have the heroine leave the comfort zone of the Hudson River town where she lived.

The third kind of series for me came about when an editor wondered why the ending of the first story was kind of open ended. I really had no idea until the reason hit me. This was a trilogy in the making. Kind of jumped at me. The series map never managed to come, For me though some of the characters are present in the second book and all are present in the third book for me each was building on the story presented before.

So there are many ways of planning a series but at some point in the development as well as a story map, the writer needs a series map. Early or lately developed this is a must.

Saturday, July 13, 2013

Saturday - Witing the Fiction Series by Karen Wiesner


I usually don't write reviews of books so I'm taking a stab here.

Writing the Fiction Series by Karen Wiesner is a book not to be read in one swallow but to be read in small bites. The information is interesting and if you've ever contemplated writing a series or are even involved in writing one or even more than one this book will give you a lot of insight into how the process works.

Readers enjoy series but there are so many kinds of series and series are written in a variety of genres and for many audiences from children to adults. Writing the Fiction Series gives many hints about constructing the series. A number of series are examined and each type is analyzed. In fact this book is so chock full of information that it will take weeks to read and to enjoy.

The chapter on Series Organization gives a wealth of material to study and is helpful when planning a series. Advice about blurbing the series, and the individual stories, on creating a bible for the series, for creating the ARC plan and creating checklists for the series. These are shown step by step.

This book published by Writer's Digest is worth the study and should help any writer who is working on a series or dreaming of writing one. I know I'll be referencing it frequently as I work on any series I'm contemplating.

Monday, April 1, 2013

Meandering on Monday with Janet Lane Walters #amwriting


Thinking about series. My writing friend Karen Wiesner has a book coming out called Writing The Fiction Series. http://www.angelfire.com/stars4/kswiesner/nonfiction2.html This site gives a bit about the series. I haven't read it yet, but I will since I've fallen into writing a series or two. Some of my series were planned to be just that and some like mold just grew. My Affinities series began as a single book or so I thought but as I was writing out the book's synopsis I realized the story had grown to epic proportions. Book Synopsis for me are usually 8 to 10 pages. This one ended up at close to fifty. The Seduction series was to be four books with the 4 editors of the magazines. Then my publisher put the first 3 books into a paperbacl book leaving one of the family alone so I set out to plan two more books using characters who had appeared in other books. I still have one of these stories to write and will soon begin. I've had other series that fizzled. The Opposition Series ended up with only three books when I'd first designed 12 books but I got bored with the series. Will I ever come back to them. I suppose I will. I've started a new series that I intend to finish and the stories will be only novella length or short novels.

How about you? Do you write in series? Does some character in a story demand their own view in the spotlight?

As to my writing. Am moving closer to the end of moonchild 1 and getting ready to do a draft of what is now turned into 2 books since one would be too long. What I'm doins is making words as my granddaughter used to say. Looking at characters and seeing what makes them tick and moving them through their paces.

I am also trying to figure how to write a tongue in cheek piece about It was a thing that bothers me a great deal. Just decided never to buy one author because of the number of times on the first page I saw it was or it had or just it.

Saturday, December 15, 2012

Saturday's Chapter featuring Clumsy Girl's Guide to Falling in Love by Karen Wiesner


Karen is a friend I've met once and an incredible writer, sort of like the energizer bunny. She is also the leader of the Jewels of the Quill and maintains a fantastic website for the Jewels. I'm Dame Amber and really appreciate all she does for me ant the other Jewels.
Clumsy Girl’s Guide to Falling in Love




Book 1 of the Friendship Heirlooms Series



by Karen Wiesner







Inspirational Contemporary Romance/Chick-Lit



978-1-105-20122-6 (trade paperback) from

http://www.lulu.com/shop/karen-wiesner/clumsy-girls-guide-to-falling-in-love-book-1-of-the-friendship-heirlooms-series/paperback/product-20544258.html



978-1-61160-274-6 (electronic) from



Whiskey Creek Press http://www.whiskeycreekpress.com/store/







Return to the quaint little town of Peaceful, Wisconsin, from Karen Wiesner’s award-winning Family Heirloom Series, where you first met and fell in love with these colorful, lovable friends. Now you can read the stories of those secondary characters in an all-new spin-off series. Nuggets of faith can be passed down as heirlooms from friend to friend, heart to heart, soul-mate to soul-mate.







Book One Friendship Heirloom: Persistence







Zoë Rossdale is the clumsy girl who always has her elbows, feet, eyes, and brass-red hair going in the wrong directions. She floats around in her own world, comfortable there alone, only to be jarred back into the real one when her obliviousness gets her in trouble again. After a lifetime of being evaluated critically—first by her own father, and then by everyone around her—and found wanting, she’s trying to change…for her own good. She’s reaffirmed her commitment to Christ and vowed not to do any of the stupid, possibly illegal, things she’d done for years on the pitiful excuse of surviving. After nearly being fired from the only job she could get to keep her from starving and living on the streets, she’s going to school once more and trying to do better for her über-patient boss. And she’s allowed her best friends to talk her into getting contacts, some new clothes, and a more flattering hairstyle. They tell her she looks beautiful, but she feels more like a dodo bird than ever before—until she literally runs into the only man she’s ever gone loopy over.







Curt Bertoletti has spent years trying to forget the seriously messed-up Zoë and her embarrassing ways. The only person who’d ever approved of the ditzy klutz was his mother, and his mother has become relentless in her cause to get him married and settled down. Surely that’s what conjured the appearance of Zoë... Zoë, who looks so little like the girl he remembers. Even as he vows that he won’t stray again—out of weakness or whatever it was that had him stone-gone over her before—he can’t help remembering how well he and Zoë fit together. They’d truly been two abnormal peas in an even stranger pod. But no other woman had ever gotten that misty look in her eyes when she looked at him, or kissed him like she’d forgotten anyone or anything else existed. No other woman made him so happy, so mad, so sad, and so content. Though he’s walking stronger in the Lord than he ever has before and he finally knows what he wants in life, he’s convinced Zoë Rossdale is not it—matchmaking mother or no matchmaking mother. So why can’t he forget her and be done with it?







For better or worse, Zoë will always be Zoë—the clumsy girl with her dress tucked into her pantyhose, toilet paper stuck to her shoe and trailing in her wake, the girl whose idea of falling in love is to stand at the edge of the precipice, throw out her arms and confidently jump into a free-fall. If Zoë will always be Zoë, the only question left is, can they both live with that fact? Forever?







Find out more about this book and series: http://www.angelfire.com/stars4/kswiesner/fiction9a.html







Excerpt © Karen Wiesner







Chapter 1







“This is like déjà vu all over again.”



~Yogi Berra







I never could come up with a good response right away. Sometimes days went by while I obsessed over what I should have said and didn’t before I thought of a decent reply. When Zsa-Zsa Wu Ling had finished “permanently” straightening my nest of brass-red, frizzy hair and proclaimed her painstaking labor a success, she’d stared at me in the mirror I was sitting before and demanded triumphantly, “Who are you now, sweetie pie?” in that adorable, Japanese baby voice of hers.



Maybe she hadn’t expected an answer. At the time, I’d simply blinked at her—and myself. After all, I’d never imagined my hair looking like anything other than something a rat would love to take up residence in. For the first time, my hair was normal: Long, straight, silky, soft, and presentable! I was afraid to touch it and dissolve what had to be an illusion.



Zsa-Zsa Wu Ling certainly hadn’t waited for my answer before she spun me dizzily in the salon chair so my friends could survey what they’d paid for.



From the time she’d uttered the question on Monday, I’d thought about it. Now, on Thursday, early evening—after waiting the requisite seventy-two hours so my new hair could avoid the humidity of a steamy shower (and exercise, if you can believe that), my three best friends had gathered for our usual girls’ night and allowed me to get cleaned up properly for the first time in as many days. They’d dolled me up like their own personal Barbie and sent me off into town on a manhunt. Oh, they didn’t call it that, of course, but I knew that was what they intended after all their hard work.



So here I was, taking my Maine Coon cat (a feline easily the size of the average dog), Nutmeg, for a walk in Peaceful’s Pet Park. I was dressed and made up as if I was off to some party and feeling pretty uncomfortable and ridiculous. Suddenly, the answer to Zsa-Zsa Wu Ling’s question came to me. Who am I? I’m Zoë Rossdale, the clumsy girl who always has elbows, feet, eyes, and hair going in the wrong directions. I’m the clumsy girl with my dress tucked into my pantyhose, toilet paper stuck to my shoe and trailing in my wake. I’m the clumsy girl who unfathomably ended up with three, gorgeous best friends—all of whom are positively perfect with steady guys who worship the ground they walk on. I’m the awkward, clumsy misfit in the group and they all wish they could find a nice guy to all but worship me…



At the moment of belated revelation, it occurred to me why I’d avoided this park for so long…precisely at the instant my reason for keeping a wide berth appeared directly in my path in flesh and blood. Curt Bertoletti was the jerk who’d turned out not to be my perfect prince three and a half years ago, which was when he’d dropped me without blinking an eye for someone drop-dead gorgeous, rich, sophisticated, and graceful—everything I wasn’t and couldn’t possibly ever be.



I’d never forgotten how much I’d invested in him and in the foolish hope that he’d loved me as much as I’d loved him. At final tally, the damage came out to everything I was, everything I might someday be, everything I possessed. These things had all gone whole-hog into my relationship with him. When it was over, I was left with nothing. Actually, to be more exact, what little remained, I lost. My entire world had seemed to collapse from the inside out.



I’d never doubted that Curt hadn’t given me a second thought when he walked away. But here he was again, just when I’d gotten myself to believe that sometime in the next century I might actually heal from what he’d done to me and to us. His Maine Coon, Cayenne (we’d called our cats sugar and spice), must have recognized his old flame Nutmeg from the distance and took off at a dead run straight for her.



Nutmeg, in turn, also seemed to have scented the male that, as far as she knew, had abandoned her. Fortunately, she’d always been forgiving. But this one time, I wished she wasn’t. She suddenly jerked and yanked me into a similar dead run. Without time to recover from the shock, I ended up flying behind her something like a balloon at the end of a leash instead of a string.



Ahead, Curt was trying to control Cayenne, shouting at him to heel, and I couldn’t do anything but hold on. I could see the outcome from a figurative mile away, and it seemed to happen in slow motion. Nutmeg met up with her true love and abruptly halted only inches before him. Unlucky for me, I was still in flight, an ungainly dodo, as I crashed at full speed right into a flabbergasted Curt. He let go of Cayenne’s leash. I realized at that instant that I should have let go of Nutmeg’s long ago. Now there was no need since my cat had arrived at her destination—namely, by her hero’s side.



With a mighty thud, I sprawled over Curt like an upended bowl of spaghetti over a toddler’s all too willing head. Curt was far from being ecstatic at being knocked over like this. He lay beneath me spluttering while I tried to gain my balance. I’d like to tell you this had never happened to me, that I’d never crashed into someone and ended up in a tangle on the ground, but unfortunately I’m Zoë Rossdale, and this was a common occurrence for an über-clumsy girl.



Without warning, our eyes met. I acknowledged then that Curt hadn’t recognized me in advance, the way I had him from the distance. He was blinking at me, resembling a big, goofy, adorable dope. And then he muttered hoarsely in clear shock, “Zoë? Zoë Rossdale?”



I removed my knee from his stomach—the hard way. He expelled an “Oof!” and then, together, we tried to right ourselves. Only he kept trying to help me get to my feet, and I was abruptly and enormously furious with him. I didn’t want him to look at me, talk to me, or touch me. He was dead to me! As dead as I’d been to him seconds after he’d shoved me off into the lonely stratosphere of One, a place I’d never wanted to be again after I’d met him. He’d probably figured I’d be like the tagline of one of his favorite movies: In space, no one can hear you scream. Sometimes I would lock up tight and wouldn’t utter a word, but other times I let loose with all the restraint of a wild animal. Now was one of those “scream” times. Oh, now he would hear what he hadn’t wanted to back when he decided he no longer had a use for me in his life.



“Zoë…let me… What are you…”



“Get away from me! I’ll kill you, fool!”



Somehow we were both standing upright again, facing each other, and the Italian Stallion Chub started laughing.



“Don’t you dare laugh at me, Curt Bertoletti! You lost that right when you checked out…” Wait a minute. Lost the right to what? Laugh at me? No, that’s not what I meant to say…



“You’re gonna kill me, Zoë? What are you? A hundred pounds soaking wet, and you’re gonna kill me?”



I grabbed Nutmeg’s leash again. “Get out of my way!” I demanded shrilly, trying to stalk around him, but he was talking again and I was too mad to listen until I realized the hard way that Nutmeg and Cayenne’s leashes were so completely tangled up, it would take a dedicated effort to free them.



“Zoë, would you just stop or this knot is gonna get worse!”



“Don’t tell me what to do.”



He bent to the task once more, muttering, “What’s gotten into you anyway?”



Oh, he had nerve. I was about to tell him so when it occurred to me that he looked vastly different than the last time I’d seen him. My Curt had been a big Italian chub. Not when we’d first met actually, but he’d started gaining weight rapidly when we became a couple. And I’d loved him that way. Loved that he’d come from this huge Italian family where everyone was constantly bickering and playing mean jokes on each other, and maddeningly in each other’s business every second of every day. Yet none of them would have had it any other way. I loved that they all worked together in their grandfather’s legacy to the family—at the restaurant where food was always available and flowing, and where his Mamma Cara unceasingly pestered everyone to “Eat! Eat!” I’d never had to be told twice. I’d loved that Curt was as imperfect as I was. But now…now he was a hunk and it made me feel even more inferior than usual. He was tall and slim and muscular, his beloved face carved out of stone instead of dough.



My anger unexpectedly fizzled, seeing him like this. I remembered how intimidated I’d been by his good looks when we met. He’d had such thick, black, wavy hair, that dark olive skin I’d coveted all my life instead of my milk-white opposite, and the most beautiful, deep brown eyes complete with thick eyebrows and long, plentiful eyelashes. I found myself tentatively answering the question I thought he’d asked me: What happened to you? Because I was wondering what had happened to him. “I got my hair straightened. On Monday. My friends’ idea of a good birthday present. A makeover—one that says, “You’re so pathetic that we had to spend gobs of our pooled money to make you look presentable if we can’t get you to look good.” Actually, I think they got a massive discount because Zsa-Zsa Wu Ling wanted to have some guinea pig heads to try out thermal straightening on in her salon. So I got a discount for life on the procedure because I was the first pig to be volunteered, albeit by my friends.”



Curt looked up at me from trying to free our cats and broke into laughter again. My spine went ramrod straight. Why was he laughing? Because of what I’d said or how I looked?



I didn’t trust him when he said, “It looks really good, Zoë.” He put out his hand. “Let me have your leash. Maybe I can get this fixed.”



Stubbornly, I held it away from him, and he gave me that same look he’d worn when he’d muttered, “What’s gotten into you?” I realized that was what he’d been asking me in the first place, not what had happened to my hair. I didn’t pause to get my breath after my last outburst. “Gotten into me? Is that what you have the nerve to ask me, Curt Bertoletti? What’s gotten into me? Gee, let me think about this for a millisecond. How’s Bon Bon Magnífico?”



Curt looked away, shaking his head. “Bonnie Magnoli. That’s… We… It’s…” As he shook his head a second time, he wore a look of humiliation.



I wouldn’t relieve him of that emotion for anything in the world! “What?” I asked, mockingly sweet. “Did she drop you on your head the way you dropped me on mine?”



“It wasn’t like that, Zoë. You know it wasn’t. You must have realized just like I did that… I… Well, that it just wasn’t working between us.”



Hearing this was the ultimate betrayal. The pain I couldn’t seem to leave behind, not totally, flared. I stared at him, my mouth no doubt gaping without an ounce of the prettiness other girls achieved in the same situation. “How can you say that? I’d never been happier! I’d never been happy period. I loved you, you jerk. I tried to make you happy and satisfied…”



He looked positively mortified now by words I couldn’t have held back if I tried…and probably because of the tears filling my eyes and making my new contacts feel like they were swimming. I hated how obvious it became to me—like a ginormous elephant suddenly plopping down between us and our cats—that our time together had meant nothing to him. Nothing…when I still wasn’t over him, still thought about and missed him every single day.



My mind chose that instant to serve up the most treacherous memories: How my whole world used to align perfectly whenever he came into view and I knew we’d be together for the day—and sometimes the night (both of us being such backslidden Christians at that time). I remembered how we used to laugh and do everything as one. Sometimes I truly thought we were two halves of a whole. We seemed to have the exact thoughts at the exact times.



But now I needed to accept that I’d been alone in all that, in all that I’d wanted for him, for me, for our love. He’d been my entire life. Nothing else had mattered to me—literally. But whatever he’d felt for me, if anything, he’d obviously gotten over in a stalled heartbeat when someone better came along and made his cheating heart go pitter-patter.



With the tears spilling over in my eyes, I shouted at him, “Well, I hope Bon Bon Magnífico taught you what it’s like to be on the other side of the drop, Flat Top!” I stomped on his foot and tried to walk away haughtily. Only Nutmeg refused to cooperate and give me my justified, graceful exit. She stood her ground next to her chosen beau. At about eighteen pounds of solid cat, she was strong, and I really had to yell at her, something I’d never done before, to get her to budge. Reluctantly, she finally conceded and did what I wanted her to, all the while doing what I wouldn’t give the Italian Stallion Chub the satisfaction of doing: She looked back longingly until Curt and Cayenne were out of sight.



I hated myself for not having the strength to fight my own heart because I already knew I’d be coming back to Pet Park with my treacherous cat tomorrow night.











* * * *







“If you drink much from a bottle marked ‘poison,’ it is almost certain to disagree with you sooner or later.”



~Lewis Carroll







Zoë Rossdale.



Curt Bertoletti stared after her and her cat, feeling almost numb with a kind of shock that had a guilty edge to it. If he didn’t know his mother was a Christian, he would have assumed she’d gone to some black magic conjurer to bring Zoë Rossdale back into his life. But you know you’ve been waiting for this moment for the past month—since Bonnie made it loud and clear how she really feels about you. You’ve been waiting and going out of your way to make it happen.



Zoë…



Curt let out a sigh that was nowhere as unequivocal as he would have liked it to be. He’d spent years trying to forget the seriously messed up Zoë and all her embarrassing ways. The only person who’d ever approved of the ditzy klutz was his mother, and Mamma had become relentless lately in her cause to get him married and settled down like the rest of his brothers and sisters. Surely her constant harping was what had conjured the appearance of Zoë… The rest was just coincidence. He wanted to believe that anyway.



Zoë, who looked so little like the girl he remembered. Instead of frizzy, fire-engine red hair that stuck out every-which-way—worse when she’d spent hours chewing on the ends—her hair tonight had been soft and smooth-looking, lying flat and straight for the first time ever, as the silken strands curved around her thin, strangely lovely face. The mass was still flaming red, but he wouldn’t kid himself that he’d always loved her hair color, even when her head looked like she’d had the shock of her life. Tonight she’d looked sophisticated, feminine, not frazzled to a pulp. And she hadn’t been wearing those ridiculous, oval-shaped, mile-thick, tortoise shell frames on her adorably bumpy nose, a bump that did nothing to keep the glasses from slipping down, in constant danger of falling right off her face…



Curt had spent years steeling himself against the slightest memory of affection for that woman. He’d put his time with Zoë out of his mind, convinced that he’d done the right thing dumping her so unceremoniously. She’d been too annoying, too embarrassing… But that thought made him feel guilty, and he didn’t want to. Even after more than a month, the horrific situation that had changed his life and his whole way of thinking still had the power to scald him.



“Come on, Cayenne,” he said forcefully, tugging on the leash to get his ultra-strong, classic red and white tabby to go along with him—in the opposite direction as Zoë and Nutmeg. Cayenne protested with his loud, unhappy yowl and looked back yet again. Curt knew he had to get as far from Zoë Rossdale as he could, and fast. He was not going down that road again. No way.



Even still, on the final of his three-times-a-day walks back to his apartment over the family restaurant, he vowed that he wouldn’t stray again out of weakness or whatever had him stone-gone over Zoë before. His life had been a mess back then, trying to find his place in the family business, not wanting to simply do what was expected of him but something bigger and more influential. Something the rest of them won’t consider a joke. He could cook as well as any of his brothers and sisters, but that part had never interested him as much as the business end. But he was the baby of the family, and none of his six siblings took his efforts seriously. Three years ago, he’d realized they wouldn’t until he gave them a reason to. So he’d made a series of decisions to bring their change of heart about. He’d altered his major in college with the purpose of taking over the business side of the restaurant. Ciatti’s Italiano, named after his grandfather Ciatti Bertoletti, who’d started the business and had worked hard to earn two Michelin stars for it, would someday become a three-star chain if Curt could get his hand in the process.



His mother had been doing the administrative business duties since his father died almost four years ago, but the work filled practically every minute of her day. She insisted often that she loved keeping busy, but Curt suspected the truth was that she saw what needed to be done and so she did it.



Since he’d graduated with his business degree, he’d been taking over a little bit from her at a time, and she’d let him without complaint or restraint. Still, she stayed around the restaurant most of the day, as if not knowing what to do with herself and unable to conceive of a life outside of the family business. Despite a huge family of kids and grandkids, she seemed lonely and Curt and his siblings had talked about how worried they were about her.



In addition to pursuing his desire to be taken seriously by his family, possibly with more optimism than warranted, Curt had been regimentally determined to get on with his life, improve his health, and stay on the straight and narrow. He’d lost seventy-five pounds by exercising and cutting down on portions and the snacks his mother was constantly pushing on all of them. When he’d been with Zoë, he’d never possessed her insane metabolism. As thin as she’d probably always be, she could put away three times more food than a normal man. In fact, that’d been how they met. When his family had taken a booth at the annual local fair one summer and offered an eating contest, Zoë had won over a guy who’d been close to three hundred pounds. The prize had been a month of free lunches at Ciatti Bertoletti. She’d never missed a single day they were open. Maybe part of that had been because she’d realized they attended the same college and things had begun to get romantic between them.



In any case, being with Zoë had further spurred his love of food. All his life, Mamma had been forcing food on everyone, and he’d eaten more than his fair share. Despite that, until he’d met Zoë, he’d managed to keep his weight under control. Those few months they’d been together, he’d steadily packed on the pounds to keep up with her. Zoë never seemed to mind, even while his siblings teased him and called him Panzone (fatty), Pallone (big belly), or Botte (barrel) relentlessly. But Curt had become ultra-sensitive to the teasing, mostly because Bonnie Magnoli— Zoë’s Bon Bon Magnífico in that comic strip she wrote and drew like a diary—had begun sending him signals that she was interested in him. Bonnie was the daughter of the owner of an Italian bakery in La Crosse, about an hour from his hometown of Peaceful, Wisconsin, and their families had been old friends. Bonnie attended the same college he did and shared his class schedule almost exactly.



At the time, he hadn’t made the connection between Bonnie’s sudden interest in him and their similar career goals. He now knew that her goal in life had been to take the easy way out of everything. Without the slightest protest, he’d let her copy his homework whenever she asked, peek at his answers during tests. Basically whatever she needed, he’d been willing to do because she’d led him to believe she wanted to be with him. Maybe he’d imagined her outrageous flirtations and what had sounded like promises to him. But she’d used him the whole time. No more kidding himself about that.



In large part, he’d dumped Zoë because Bonnie was an Italian beauty without compare, her body enough to turn him to stone at the mere glimpse of its perfection. She’d been nothing like Zoë, and maybe that explained why his mother had never liked Bonnie, despite their family connections. Mamma loved Zoë from the first time she’d met her as Curt’s girlfriend.



His brothers and sisters hadn’t shared his mother’s zeal for her. They’d pounded it into him that Bonnie was the only woman of the two worth pursuing. Their selfish encouragement had led him to believe he had a chance with Bonnie. Their efforts had been rewarded when he broke up with Zoë, and it’d taken years for Curt to realize the ramifications of what he’d done.



Once he’d scraped up an ounce of his pride from the floor, he’d put all his energy into getting over what Bonnie had done to him when she’d made it brutally clear she’d never had the slightest interest in being with him or seeing him as a serious boyfriend. The sting of her cruelty hadn’t quite left him in the time since The Incident, but he was determined to forget her.



Was it worth it? Duping myself into believing Bonnie had any interest in anything but cheating off me in school? Zoë hadn’t been far off in her estimation tonight of why he’d dumped her as abruptly as he had. All that time together, she’d shown her jealousy only through her comics, and he’d denied any merit in her worries whenever he read them. But she’d known the truth better than he did. Just like Zoë had pointed out, women like Bonnie loved themselves alone, end of story.



Women like Zoë…



Curt let himself into his apartment and unhooked his cat from the leash, his mind on the past. Why couldn’t he stop remembering how well he and Zoë had fit together? They’d truly been two abnormal peas in an even stranger pod. He couldn’t deny that any more than he could refute that no woman had ever gotten such a misty look in her eyes when she gazed at him, or kissed him like she’d forgotten anyone or anything else existed. I don’t like to remember it, but no other woman made me so happy, so mad, so sad, and so content.



Thinking like this was stupid. He couldn’t call to mind the good times. He’d escaped what could have been a fate worse than death, hadn’t he? He was walking stronger in the Lord than ever before and he knew what he wanted in life now. Zoë Rossdale was absolutely not it, and that was true, matchmaking mother or no matchmaking mother. He wouldn’t tell Mamma he’d even seen Zoë again. She’d be a dog on a bone then, and he’d never get loose from her gnawing.



I have to forget Zoë and be done with that whole crazy thing. The biggest reason to forget is that I know she’ll never forgive me for what I did to her. She’s not the forgiving type, remember? She’ll put me through sheer and utter hell and then she might not even decide I’m worthy of her precious forgiveness. How often did she say, “Good intentions do not equal effort or outcome” whenever I failed her, which was more often than not? Worse than that, she hates men. Her opinion of my “species” is so bad…



Curt groaned in realization. If her opinion of men had been monumentally horrible before, he’d tripled it with the way he’d dumped her for a “bon bon” like Bonnie. No, Zoë wouldn’t forgive. She wouldn’t forget. Why put himself through that torture? What could ever make that worth doing? Nothing. Finito!



Stripping off his clothes, he stepped into the shower, trying to convince himself through the whole task that he wouldn’t go there, into that place he and Zoë had created together, ever again—if he knew what was good for him. But the desire to see her again was so strong, he couldn’t shake it and kept coming up with alternatives to avoiding her like the plague for the rest of his life. Could they be friends? He had to be crazy to even consider it. But then he recalled her fury at him tonight. “Get away from me! I’ll kill you, fool!”



Against his will, he found himself grinning…and scheming in his plans for their next encounter.