Janet asked interesting questions
about character development and plot development. Here are my answers using my
novel The Nano Experiment as an example.
How
do you create your characters? Do your characters come before the plot?
My characters come with my plots. I
need a story first before I can think about creating characters.
The Nano Experiment was developed
from a screen play my daughter wrote. Her plot was about a wrongly convicted man
who escapes death row and battles to prove his innocence. Despite being a
lawyer in the entertainment business, she could not find a production company
to produce her movie. I said, “Let me write it as a book with a female lead
because most movies have a male lead with a woman backup yet many woman actors
are looking for a good leading role.
Now I had a plot and a protagonist
which leads me to Janet’s next questions.
Do
you know how the story will end in a general or a specific way? Do
you sketch your plot or do you let the characters develop the route to the end?
There are no direct answers to these
questions. Yes, before I begin writing I have to know how the story will end. I
need a target to write toward. However, writing is not a tutorial. There is no
step one, step two etc.
The more I read the script, the more
I realized my daughter’s ending would not work with the type of endings I liked
for my novels. My endings are satisfying for the reader, but they are not Cinderella
endings.
I cannot tell you the ending because
it will ruin the story. However, I can tell you what one reviewer said. “The
resolution is realistic, with even the winner paying a heavy price for
struggling.”
At this point I discarded the script and began
to develop my own story.
To create my ending I had to create a
story line. While I am creating a story line I am also creating the secondary
characters. I had the basic ending. I wanted my character, whom I named Eileen,
exonerated. But how did I get there? I began asking questions.
How did Eileen get on death row in
the first place?
How did she escape from death row?
Where did she go after her escape?
Who would be chasing her?
How did she prove she was innocent of first degree murder?
And the most important question; What are Eileen’s CONFLICTS?
How did she escape from death row?
Where did she go after her escape?
Who would be chasing her?
How did she prove she was innocent of first degree murder?
And the most important question; What are Eileen’s CONFLICTS?
There can be no story without a
conflicted main character. The anticipation as to how Eileen will resolve her
conflicts is what keeps the reader turning the pages. In addition, the more the
conflicts and how Eileen gets out of them, the more depth she will have.
The outward conflict is obvious.
Eileen must prove her innocence. However, it is inner conflicts that I feel
will be the most interesting to the reader. Creating the first inner conflict
led me to the answer to the first question and a dynamic opening chapter.
Here is a synopsis of the first
chapter:
At fifteen, Eileen Robinson lives in an
ideal, middle class African-American family in Houston, Texas. When her father is murdered, an innocent victim
in a drive by shooting, her sheltered life spirals downward into gloom. Her once stay-at-home mother is forced to go
to work cleaning offices at night.
Instead of enjoying her carefree teenage years hanging with her friends,
Eileen is relegated to babysitting her two younger sisters. One night she
sneaks out on them. Trying to cook something, they die in a fire. Tormented and wanting to kill herself, Eileen
runs away from home. Befriended by a
drug dealer, she moves in with him. At
twenty-one she is a single mother of two.
The
last sentence in the first chapter is: Thomas was a good man. I couldn’t
understand why the Lord had let my life turn out so well, until they sent
Thomas to prison for twenty-five years.
Eileen is now set up for her
destruction. Chapters 2,3 and 4 send
Eileen to the execution chamber where at age 32 she is executed. Or is she?
Where Eileen went after her escape
is why the book is titled The Nano Experiment. Needless to say the experiment, which
is actually a nanomedicine experiment, is an important part of the story. It
leads to the answers to the other questions and also embroils her in her second
inner conflict.
(Note: You may at this point wonder
if you can follow a detail like nanomedicine. This review tells me I made it
interesting and easy for a layperson to understand. “The author’s inclusion of
the concept of nanomedicine in the plot is articulate and intriguing.”)
One major factor missing from my
daughter’s script was a “love” interest. It is very rare that books or movies
only have one gender in the story. While Eileen is involved in the nanomedicine
experiment she meets a charming young man who is a serial killer. She knows he
is a serial killer but she still starts an affair with him because she feels
she is also a killer―her sisters’ deaths. How she gets out of the affair and finally
resolves her issue with her sisters’ deaths is part of the ending.
So now I have my ending and my main
characters and a brief outline to my story from the answers to my questions.
However, that is the only outlining I do. I do not want to bog myself down with
a strict sequence of events. Twists and turns I didn’t think about will arise
as Eileen moves toward her goal of exoneration.
Those unexpected scenes also help me
add additional depth to both Eileen and the supporting characters which I guess
I achieved because another reviewer said, “Don't go in expecting to have
stereotypes filled, because that is the one thing you won't experience…The
characters are uncomfortably realistic.”
I believe they are realistic because
of the CONFLICTS I created for them.
Do you choose settings you know
or do you have books of settings and plans of houses sitting around?
I don’t “have books of settings.” I am personally familiar
with the major settings for my novels although some research is needed when I
take my characters to an unfamiliar place. The travel sections of newspapers
are great sources to learn about unfamiliar settings. Also area specific maps
can helped me move the character around.
Where do you do your research? On
line or from books?
My research for The Nano Experiment was done online. Eileen
is incarcerated in Texas. I had to research Texas’ prison system, death row and
lethal injection.
My daughter had her character uncover the DNA that set him
free. I thought, that was so droll. Every crime story on TV was using DNA and
so are many books. I was searching for something different as well as
educational to the reader. Just because this story was a thriller didn’t mean
it couldn’t be educational too.
When I read an article in the newspaper about nanomedicine,
I thought what a great idea. However, the article was very general and I am not
a doctor so I had to do extensive research. Everything I needed was on the
internet.
Also there are many internet writing groups that can help
with research. For example, I belong to a Yahoo group, crime scene writers (there are no spaces between words if you are
searching Yahoo for this group) where you can ask experts on crime scenes,
police procedure etc. There are many other groups on Yahoo and Goodreads that
can help with research. And of course there are the search engines, Google,
Ask, Bing etc.
Are you a draft writer or do you
revise as you go along and why?
I am a draft writer. I try to get the story on paper as
fast as possible because the story is running around in my head and I want to
get it out as quickly. I say paper because I write long hand then type into my
computer. Transposing from paper to print is my first edit. Then I print out
the book and continue my rewrites.
I hope my experiences have helped you in your writing. To
read the book jacket, excerpts and full reviews of The Nano Experiment and all
my novels please visit my website: www.silklegacy.com
Richard Brawer writes mysteries, historical fiction and
suspense novels. He lives in New Jersey with his wife, Ruth, and has two
daughters and two granddaughters.
Note: The Nano Experiment was originally published as
Beyond Guilty by a wonderful mid-size independent press, L & L Dreamspell.
Sadly one of the partners passed away and the other could not continue without
her life-long friend. She closed the publisher returning the rights to their
authors. This was sorrowful news for L & L Dreamspell’s 100 authors because
the ladies that ran the publisher were wonderful people and highly
professional. Thus Beyond Guilty was no longer available in any format.
For some strange reason Amazon never takes a book off its
website regardless of whether the book is out of print or the publisher is out
of business. To avoid confusion when searching Amazon for my books and finding
that Beyond Guilty is no longer available to purchase, I changed the title and
cover to The Nano Experiment.
The Nano Experiment is available for 99 cents on KINDLE and any e-reader, Computer, Apple or Android device that has a KINDLE APP, or any TABLET that can access KINDLE books for 99 cents. Here is the link.
http://www.amazon.com/The-Nano-Experiment-ebook/dp/B00E2YXSVI/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1374501079&sr=1-1&keywords=The+Nano+Experiment
1 comment:
Richard, I think your post is very helpful. I don't like to lock myself in with my characters journey either.
It sounds like a great story.
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