Friday, July 10, 2015

A look at some of my series MFRWauthor #Medicalromance

Shattered Dreams (Moonchild Book 1)



I somehow manage to get involved in series, that is writing them. Somehow one story turns into another and then there's a series. Two of my series feature nurses, doctors and other characters who work in the medical field I'll share a few of these today. If my guest who was supposed to be here Friday and Saturday doesn't show for Saturday and Sunday, I'll share some other series.

Moon Child - This series was born because I wondered if every heroine was born when the Sun was in the sign Cancer and the heroes hit the other signs. So far there's a Cancer - Cancer make up, A cancer - Aries, A Cancer -Taurus. I'm currently working on Cancer - Gemini.  I have the characters in mind for Cancer - Leo and For Cancer - Virgo. They will make their appearance sometime in the future. This series  takes place in Fern Lake and so there are some common places in the stories.  Here's a look at the blurbs.

Shattered Dreams
.Torn apart years ago by lies and threats, Rafe Marshall returns to town and confronts Manon Lockley. She has been told he died on the night he stood her up for their senior prom.

When she faints, Rafe catches her and realizes he hasn’t stopped loving her. Manon carries anger and now grief that wasn’t real. Rafe wants her in his life, but she doesn’t want to talk about what happened in the past. She can’t be sure if her father or someone else told lies about Rafe and she doesn’t want to know. Can Rafe persuade her to listen? Not without a battle.
Rekindled Dreams

Returning to Fern Lake after ten years for the funeral of his cousin and teenage enemy, Simon Parker learns his high school sweetheart is nine months pregnant and seven months divorced from his cousin. Their meeting is complicated by her labor and driving her to the hospital. An attempted cheek kiss lands on her mouth and those old feelings resurface.

Dana Collins responds to the kiss but Simon walked away ten years before when she refused to go all the way. In those ten years he has never tried to reach her. Her marriage to his cousin lasted less than two years and she knew she’d made a mistake.

Melodic Dreams

 When Maria and a child she says is his arrives on Jay’s doorsteps, he is in the middle of composing a musical. Though the four year old has his eyes, Jay can’t be sure this isn’t a scam. He believes his dead wife took steps to rid herself of the child. A need for his assistance to help with childcare while she works is Maria’s reason for arriving in Fern Lake. She also believes her nephew should know his father. Can Jay accept and learn to love his child and deal with the attraction to a woman who physically looks like his dead wife? Can Maria deal with his trust issues and a threat from her own family?



Thursday, July 9, 2015

Thursday's Villainess - Malera from Temple of Fyre #MFRWauthor #fantasyromance

The whisper of sandals on the stones of the floor brought Ria to her feet. She stared at the doorway. Malera parted the beaded curtain. “Come. ‘Tis time.”

Ria’s hands tightened. She walked toward the older woman. “Are you sure I’m ready for the trial?”

Malera smiled. “I chose you from the slavers’ pens. For five years, I’ve nurtured and honed your abilities. You are the daughter I dared not birth.”

Ria took the chief priestess’ hand and brushed her lips across the back. She tasted anger roiling inside her mentor. A part of Ria recoiled from the strength of Malera’s emotions. Who had angered the chief priestess? Would the fermenting fury guide Malera’s choice for the test?

“When I call fire from the stones, how will I use it?”

Malera’s thin smile increased Ria’s inner quaking. A glint of smug satisfaction in the chief priestess’ dark eyes tinted Ria’s thoughts with uneasiness. What did Malera plan? Suddenly, Ria was afraid. She looked away to keep her mentor from reading these emotions.

“Do not fret. The task will be within your abilities.”

“When you joined the circle for the first time, what was your task?”

Malera pursed her lips. “A most enjoyable one. My mentor bade me cleanse the temple of the malcontents who tried to destroy the rights of the women who use the fyrestones. Though several of the women escaped, I succeeded in destroying most of the rebels, leaving only those who had fled years before for my mentor to purge.”

Ria frowned. “What did the malcontents do?”

“They gave fyrestones to men who were unfit to use the crystals, and to women who were untrained in the proper ways of this temple.”

“How could anyone not trained here use any crystal other than a white?”

“The rebel priestesses diluted their power. They joined with men. They permitted studs to use the stones. They were fools. A wise woman never cedes her power. She does not share control with anyone. As the only temple in the land, all must obey us.” She lifted Ria’s chin and gazed into her eyes.

Malera’s eyes narrowed. They compelled obedience. Something inside Ria made her resist the compulsion. Confusion filled her thoughts. Acid flowed in her gut. A need to rebel arose, but how could she act against the chief priestess’ guidance? The older woman rescued her from forced service in one of the pleasure houses. Malera had shown the kindness Ria’s mother had withheld. Ria’s hands clenched. Just because the old man chosen as her betrothed died under mysterious circumstances, she’d been declared cursed and sold to the slavers. No one had cared about her fate until Malera.

The chief priestess released Ria’s chin. “’Tis time for you to face the test, as all who are selected to serve the temple must.”

Ria nodded. “I am ready.” As the knowledge of how she wanted to use the crystal solidified, her stomach fluttered. Even if she must defy her mentor, she would use the stone to help, not harm.

Malera led Ria into the large rotunda where those who came to petition the priestesses waited for a summons. Tiles reflecting the colors of the fyrestones covered the floor. Benches lined the side walls. Tables where the petitioners placed gifts of food, cloth, spices, and gems, flanked the doorway to the inner chamber. Here also, the tithes from each hamlet were collected.

When Malera parted the curtain made from strings of white crystals like the one Ria had used to light the candles, her stomach clenched. She stepped inside and faced the circle. Three priestesses stood on the first tier and Ria studied the fyrestones in the depressions carved in the limestone of the circle. They glowed with power.

The chief priestess led Ria to the topmost tier where a single scarlet crystal glittered in the cup. With a flourish, the chief priestess handed Ria the scarlet stone. “This is the one you used in practice and have imprinted with your spirit. Use the crystal well.” She retreated to the base of the tiered circle. 
“Prepare for the testing.”

Ria drew a deep breath. She noticed a glint of scarlet in Malera’s hand and wondered why. Ria raised her crystal. The sun edged over the opening in the roof above the circle. “Let us begin.”

The three women holding yellow fyrestones called fire. Then two spires of orange appeared. Ria stared at the stone balanced on her palm. The sun centered in the opening. She basked in the warmth. Her crystal glowed and a flame rose. With care, she blended the yellow and orange tongues of flame with those from the scarlet.

“Seek the hamlet of Gydon,” Malera said.

Ria molded the fire into a sheet. A map of the land from the ocean shore in the south to the northern mountains appeared. Using a finger of fire, she sought the farming hamlet near the hills beyond both wastes and the grove. Houses appeared, then people, mostly women and children. Three elderly men and several youths led scraggly beasts to a pasture beyond the walls. Some of the buildings looked as though they’d been scorched by fire in the past. The gardens were ill tended. The people looked beaten. Ria smiled. She could help them.

“This is your task,” Malera said. “For years, the hamlet of Gydon has failed to send the tithe to the temple. You will destroy the fields, the flocks, the herds, and the orchards, to force the people to leave.”

“Where are the men?” Ria asked.

“Sold into slavery to pay the tithe. Twenty years ago, there were those living near Gydon who attempted to use the fyrestones in ways opposed to the chief priestess’ dictates. I cleansed the temple of their ilk, but three remained until my predecessor challenged them and won. Gydon must become a lesson for all the people of Fyre. They must see what happens to those who defy me.”

Ria held the flames steady. “How can those who remain pay the tithe? Don’t you see how poor the people are?”

“They have children to sell. Young girls for the temple. Older girls, women, and boys, to serve in the pleasure houses. Destroy the flocks, fields, herds, and orchards. Lay waste to all. Show the hamlets of Fyre what happens to those who refuse to pay the tithe.”

Defiance built within Ria. How could she use the flames to punish the innocent? “Do any of the rebel priestesses still live?”

Malera smiled. “They are dead and their studs with them. Do as I command.”


“Priestesses should use fire to help. I’ve visited the scriptorium and have read many scrolls. What you tell me to do is wrong.” Ria saw the thin line of scarlet flame flow from Malera’s hand. Ria felt the chief priestess’s attempt to use the fyrestone she’d been given. “No.” Ria braced and fought her mentor. 

Wednesday, July 8, 2015

Wednesday's Writer's Tip - What About Theme #MFRWauthor #amwriting


Remember those days in college Literature classes when the professor wanted you to identify the theme of a story? The theme was supposed to come to a conclusion as to the meaning of the story. I will admit that I failed every time. Sure many of the stories spoke to me but not because I searched for an underlying theme.

I have friends who have a theme in mind when they begin their works. They feel unless they know their theme they can't write the story. Never worked for me but it might for you. Oh, I could understand a general thing like "Love conquers all" or "Crime doesn't pay." These are general themes that are kind of universal.

While reading Structuring Your Novel: From basic idea to finished manuscript by Meredith and Fitzgerald, I came across this bit of wisdom. This is about a writer stating his theme before beginning the story. They felt "It is our belief that to do so makes both the author and his characters the prisoners of such a thematic statement." What they advise is making a statement of purpose that involves the characters, the plot, local and all other fictional elements.

Seemed to me the theme then grows from what the writer writes and the story he or she tells. So to write down your theme before you begin or not? this is a question for each writer to answer.

Tuesday, July 7, 2015

Tuesday's Inspiration - Finding Your Method of Story Telling #MFRWauthor #Amwriting


Don't know about you but I spent years learning my Method of Story Telling. I read and re-read books on writing. I took a bit here and a bit there. I tried everyone's tips. Some worked and some frustrated me. But what I discovered is each writer approaches the written word in a different way and each of these ways is right.

Now I can lose patience with people who have to write and re-write their stories to have them make sense. I do a number of drafts but some of these aren't re-writes.I also can't understand people who don't have a solid grip on their plot before they begin. I have no patience trying to allow the characters to call the moves in a story. As the author I'm telling my version of some story others have told before and often better than I have.

Over the years I've started to cut down on the number of physical re-writes I do for each story. Part of this is because I write long rough drafts, never longer than the story will be. Where most of my re-writing comes about is in the chapter synopsis. I've written for one story five or six of these. What happens is I must go back and start again since I've written or plotted myself into a corner that allows no way to get out. I may have solved one or more of the problems too soon and the story becomes trunicated.

So I start with the Chapter synopsis, the rough draft, the typing draft. Then there are the drafts done on the printed out copy looking at Plot, Setting, Characters. Then comes the re-write that may be a paragraph, a scene or even a whole chapter. Typing and finally the nit-picking draft for those dumb mistakes or language problems. This is the way I manage my story telling.

How about you, have you developed your own system or do you just trust to luck

Monday, July 6, 2015

Meandering On Monday with Janet Lane Walters #MFRWauthor #amwriting


Meander 1 - Promoting other authors - Some people say you shouldn't do this. I don't agree. When I promote other authors there are people who don't know me but who will come and read my blog. They might see other things there to interest them. I've received new regulars at these times. The one thing I don't do, and I do pass along other people's blogs through Triberr. They also pass my blogs along. Back to what I don't do. I don't belong to one of those things that automatically post especially to Twitter every thing you have marked to pass along. The blogs I promote are done in fifteen minute to half hour occurrances, not ten or twenty in a row and the same ones over and over again. I get to the point that I skip even reading these Tweets. I might miss something interesting, so be it. I'm mainly annoyed.

Meander 2 _ Promoting my books - I do this but not more than twice a week using my blog as the basis. There are two days that I send something Thursday and Sunday. Those I promote a lot of places usually 6 groups I belong to and then 6 to 10 groups on Facebook. Occasionally more. I feel to push my stuff every day even if I change the words begins to annoy people and that's what I don't want to do. Maybe I'll never hit the big time but I do continue to sell steadily.

Meander 3 - Divided Dreams is in the settling mode and will be for another couple of weeks. Meanwhile I'm doing the rough draft of Wizards of Fyre and so far so good. Now blocking in chapter 4 out of twelve. Once this rough draft is finished then I'll begin to turn all those words written into words more than this writer can love. Rough drafts are ones only the author can love. Sometimes critique partners can see the marvel beneath the roughness, too.

Sunday, July 5, 2015

Sunday's Book - Taurus - Scorpio Connection #MFRWauthor #medicalromance

Saturday, July 4, 2015

Saturday's Blurbs - Features books by Karen Wiesner #MFRWauthor

My newest releases include:

TIL SUMMER COMES AROUND, Book 5, Adventures in Amethyst Series
Contemporary Romance Novel
When Quinn Rutledge and Summer Rosales met on a warm summer night on the shores of beautiful Lake Amethyst, they were both young, all was right in the world, and the only thing on their agenda was romance—one that neither of them wanted to end with the summer and closing of resort town Amethyst’s tourist season. Promises and plans were made. Promises were broken…
Find out more, read an excerpt and buy:

MIDNIGHT ANGEL, Book 2, Angelfire II Quartet
Contemporary Romance
Roxanne Hart has endured a jet-set life as a model with everything, but she’s never been satisfied by it. The love of her life was like a midnight angel—there and then gone, reality within a dream. Learning she has cancer, Rox’s determined to do all the things she’s always wanted to without regret…like letting herself love her midnight angel, even with the more-than-a-little-likely chance she’ll lose everything.
Find out more, read an excerpt and buy:

CLUMSY GIRL’S GUIDE TO FALLING IN LOVE, Book 1 of the Friendship Heirlooms Series reissue
Inspirational Contemporary Romance/Chick-lit
Return to the quaint little town of Peaceful, Wisconsin, from Karen Wiesner’s award-winning Family Heirlooms Series, where you first met and fell in love with these colorful, lovable friends. Now you can read the stories of those secondary characters in an all-new spin-off series. Nuggets of faith can be passed down as heirlooms from friend to friend, heart to heart, soul-mate to soul-mate.
They were two abnormal peas in an even stranger pod…
Zoë Rossdale is the clumsy girl who always has her elbows, feet, eyes, and brass-red hair going in the wrong directions. After a lifetime of being evaluated critically—and found wanting—she’s trying to change…until she literally runs into the only man she’s ever gone loopy over. Curt Bertoletti has spent years trying to forget the seriously messed-up Zoë. Even as he vows that he won’t stray again, he can’t help remembering how well they fit together. For better or worse, Zoë will always be Zoë—the clumsy girl with her dress tucked into her pantyhose, the girl whose idea of falling in love is to stand at the edge of the precipice, throw out her arms and confidently jump into a free-fall. Can they both live with that fact? Forever?
Find out more, read an excerpt and buy:

FIRST COMES LOVE, Book 4 of the Friendship Heirlooms Series
Inspirational Romance
At the age of fifteen, Chad Feldmann and Winnie McBride made an impulsive choice that led to pregnancy. Now, years later, they have a precious little girl, they’ve both graduated high school, and they’re married. But all is not well in paradise. They’ve done everything backwards— the baby carriage, then marriage—but, regardless of all the wrongs committed, first came love…
Find out more, read an excerpt and buy:

PERFECT REFLECTION, Book 5 of the Friendship Heirlooms Series
Inspirational Romance
Elaina Houston has been taught to look, act and speak perfectly. When she couldn’t live up to the impossible expectations, she threw herself away. Now she has a second chance. Ethan Lynwood, her best friend and maybe more, seems to accept her just the way she is even when she’s a mess…maybe especially when she is. Ethan found out the hard way that God is in control and we all need humility, humanity, and a helping hand. And sometimes the most accurate reflection comes from accepting that we’re not perfect but we’re loved unconditionally anyway. 
Find out more, read an excerpt and buy:

WOODCUTTER'S GRIM SERIES, Volume I and Volume II (Classic Tales of Horror Retold) reissues
Romantic Horror/Paranormal Romance Novellas
Volume I includes Books 1-3 and The Final Chapter sold separately as well as in a collection including Papa, Blood of Amethyst, Dancing to the Grave, and The Amethyst Tower).
Volume II includes Books 4-7 sold separately as well as in a collection) including Moonlight Becomes You, Bewitched, One Night of Eternity, and Beauty is the Beast.
For the ten generations since the evil first came to Woodcutter's Grim, the Guardians have sworn an oath to protect the town from the childhood horrors that lurk in the black woods. Without them, the town would be defenseless...and the terrors would escape to the world at large.
Volume II is a four-book miniseries within the Woodcutter’s Grim Series, dealing with the curse on the Shaussegeny family.
Find out more, read an excerpt and buy:






Friday, July 3, 2015

Friday -- Karen Wiesner is Talking About Heroes, Heroines and Villains #MFRWauthor

Karen Wiesner is an accomplished author with 109 titles published in the past 17 years, which have been nominated/won 131 awards, and has 38 more releases contracted for spanning many genres and formats. Karen’s books cover such genres as women’s fiction, romance, mystery/police procedural/cozy, suspense, paranormal, futuristic, gothic, inspirational, thriller, horror, chick-lit, and action/adventure. She also writes children’s books, poetry, and writing reference titles such as her bestseller, First Draft in 30 Days and From First Draft to Finished Novel {A Writer’s Guide to Cohesive Story Building} (out of print; reissue available now in paperback and electronic formats under the title Cohesive Story Building). Her third offering from Writer’s Digest Books is Writing the Fiction Series: The Complete Guide for Novels and Novellas, available now. Her previous writing reference titles focused on non-subsidy, royalty-paying electronic publishing, author promotion, and setting up a promotional group like her own, the award-winning Jewels of the Quill, which she founded in 2003 and disbanded in 2014. For more information about Karen’s fiction and series, consult her official companion guide The World of Author Karen Wiesner: A Compendium of Fiction. Visit her website at http://www.karenwiesner.com. Check out Karen's author page at Facebook, where you can like, friend and follow her: http://www.facebook.com/KarenWiesnerAuthor. If you would like to receive Karen’s free e-mail newsletter, Karen’s Quill, and become eligible to win her monthly book giveaways, send a blank e-mail to KarensQuill-subscribe@yahoogroups.com

Day 1 

1. Do you write a single genre or do your fingers flow over the keys creating tales in many forms? Do your reading choices reflect your writing choices? Are there genres you wouldn’t attempt?

I write women’s fiction, romance, mystery/police procedural/cozy, suspense, paranormal, futuristic, gothic, inspirational, thriller, horror, chick-lit, and action/adventure. I also write children’s books, poetry, and writing reference titles. I guess in some ways my reading choices affect my writing, since I have yet to write anything in the historical or western genres. I don't read a lot in those genres either. I haven't written a fantasy novel (though I ventured into futuristic). Haven't written a Regency or science fiction, though I do read a lot of all of these. My favorite genre to read is horror but there is so little truly good horror reading these days. I can't get enough of it so I'd like to write more of that. I never say never though--I might someday write in any genre I haven't thus far written in if a really good story idea came to me.

2. Heroes, Heroines, Villains. Which are your favorites to write? Does one of these come easy and why?

I love heroes and heroines equally--creating these characters are my favorite part of being a writer. Villains…not so much. Funny you ask this lately because I've been reading a certain series I'm not going to mention by name here, and the villains are actual creatures from various locations--some anomalies of this planet, others not. The author keeps getting into the heads of these creatures, the villains in the stories, and I just think it's the most ridiculous thing I've ever seen. It's like getting into the head a dog in a story. It never works, and what can this character think about beyond the mission as the villain? Kill, destroy. It doesn't work at all. Poor writing comes from this. I've also seen *human* villains, for the most part, done so poorly, they're not worth giving POV scenes to. I avoid writing from the villain's POV unless the story absolutely wouldn't work without it. I'm too aware that if it's not done perfectly, it's not done well, and therefore is a weak spot in the story.

4. Heroes and heroines. How do you find them? Do pictures, real life or plain imagination create the man you want every reader to love? Do they come before the plot or after you have the idea for the story?

Every book, this is different. I get ideas in so many ways. I've dreamed up characters and go on to put stories around them. I've dreamed up situations and I craft the characters to go around those. I do like to have physical pictures of hero and heroine before I start writing because it allows me to write about the characters is more realistic, fleshed-out ways. While I might include a trait here and there from a real or even another fictional person, the whole package is always unique. One of the most frequent genres I write in is romance. I have to say that romance writers have to delve into unrealistic areas in order to create heroes that women will love. It's just the way it is. Very few, if any men, are the knights in shining armor that women portray them as in romance novels. A truly realistic hero is someone most women would avoid reading because that's what they get in their every lives, lol. They read romance novels to believe it can be otherwise. We romanticize heroes to make them the man every woman will love. That sounds bad and I'm not saying men are bad in any way, but most are not fit for romance novels *as are*. To be fair, I doubt many women in the real world would make good romance heroines either--we romanticize most characters in romance novels so they can be honorable role models to us. Too much reality can kill fiction.

In my latest release, FIRST COMES LOVE, Book 4 of the Friendship Heirlooms Series, I did actually create a male character that is as close to realistic as I've ever made a hero in one of my novels. Chad is as "unvarnished" as I could make him in a romance novel and still have a satisfying story. I admit, I enjoyed writing his character and crafting a heroine who could live with him and all his traditionally unheroic traits.

5. What is your latest release? Who are the hero, heroine and or the villain?

FIRST COMES LOVE: Chad Feldmann and Winnie McBride were secondary characters in GLASS ANGELS, Book 4 of the Family Heirlooms Series--the Friendship Heirlooms Series is a spinoff of that one. GLASS ANGELS left off with this Christian teenage couple pregnant when they’re still children themselves. FIRST COMES LOVE starts three years later, when they’ve graduated high school with a baby they’ve been switching off caring for in-between getting their diplomas and working part-time to save for their wedding and a life together. I actually consider Chad both hero and villain in this story because most of the problems stem from his selfishness. Somehow Chad has grown up and not only accepted the situation, but he’s taken charge in ways Winnie doesn’t expect…and resents. This isn’t an easy scenario, and I really wanted to show an unclichéd complexity of emotions and reactions stemming from a tough situation. Writing the first draft was incredibly intense. I was so involved with all the characters, I had a hard time leaving them every day and their emotions became mine. The first draft felt like a final draft for that reason.

6. What are you working on now?

I always have a lot of projects going in different stages of the process, including researching/outlining, writing the first draft, revising, editing and polishing, final read-through before editor revisions.  During the first half of this year, I've been switching between the following projects:
PRETTY FLY, Book 5 of the Falcon's Bend Series (coming September 2015)
CLUMSY GIRL'S GUIDE TO HAVING A BABY, Book 5 of the Friendship Heirlooms Series (coming November 2015)
SHADOWS OF THE NIGHT, Book 2 of the Angelfire II Quartet (coming February 2016)
ROSE AND THORN, Book 5 of the Adventures in Amethyst Series (coming April 2016)
CROOKED HOUSE, Book 3 of the Bloodmoon Cove Spirits Series (coming August 2016)

Interested in what else I’m working on? Visit
http://www.angelfire.com/stars4/kswiesner/WIP.html to view my annual WIP, along with information on new and/or unsold projects.  Look for my WIP Moments on my Facebook author page, where I post about what I'm working on and the progress I'm making with each stage of my projects: http://www.facebook.com/KarenWiesnerAuthor


Thursday, July 2, 2015

Thursday's Villain - Petan from Lines of Fyre by Janet Lane Walters #MFRWauthor #fantasyromance


Lines of Fire (The Guild House - Defenders Hall)  


The older woman’s eyes opened. “A bondmate’s duty is to see to her mate’s comfort. You will understand once you wear Petan’s bracelet.”

“I won’t.” Kalia drew a deep breath. She wouldn’t tell her mother how she planned to flee rather than be bonded to him.

“You must. When Robec is named Swordmaster he will need a strong Right Hand. Your father believes Petan will be the one.”

Kalia rose. “I won’t argue with you today.” She walked to the door. ‘Rest and regain your strength. I’ll send someone with broth, citren and kafa.” How long would the recovery take this time? After her mother’s last visit to her mate, a week had passed before her mother’s lines had brightened.

Her hands tightened into fists. Tomorrow was the day of choosing. On the day when the returning patrols celebrated Ingathering, her father would allow Petan to name her as his bondmate. If she must duel, she would. Better to die beneath the blade than be milked of her essence by a man she believed was evil.

Kalia left the area where the women who either weren’t bonded or didn’t live with their bondmates stayed. She raced along the corridors until she reached her father’s office. She tapped on the door and wished for once he would listen. Could she convince the Swordmaster that a bonding with Petan would mean her death? Did her father care?

Petan was a leech. Just the other day his touch on her arm had drained some of her lines of fire. She shuddered. Just like her father changed her mother’s lines.

An image of the pale wiggling creatures used by the Healers to clean wounds made her stomach lurch. Rather than essence, the creatures removed dead tissue from wounds.

Thankfully she had pulled free from Petan before he had stolen more than she could spare. During her mother’s days with the Swordmaster, her father stopped before depletion occurred. Petan wouldn’t. He was greedy. The deaths of his former bondmates told her the truth of his nature.
She knocked louder.

When her father called, Kalia stepped inside and paused before the desk. “I have something to say.”
The Swordmaster’s mouth curved into a smile. His eyes remained cold as bits of green glass. “I’m sure you’ve heard what will happen tomorrow. Secrets are few in the Hall. As you suspect, Petan will claim you as his mate.”

Kalia stared at her father. She dare not cave to his demands. “I heard but I didn’t believe you would do this to me. I will refuse.” A shudder shook her body. She forced the words past her tight throat muscles a second time. “I will refuse.”

He rose and pressed his hands against the mahogany desk top. “You will do as I command. You are my daughter. Your bondmate will stand as your brothers’ Right Hand when he takes my place as leader.”

Kalia quieted her desire to attack her father. She needed to remain calm. “Find another mate for Petan. He has killed his last two mates. Will you see me become the third?”

With a quickness she hadn’t expected he moved around the desk. “Those foolish young women refused to give him what he needs. You are stronger and were bred to do this, just as your mother was.”

So he knew of Petan’s tainted lines. Kalia drew a deep breath. Her fisted hands hung at her sides. “I will refuse. That is my right. I’ve read the archived records. From the first days when our people came to this land, mates were to be freely chosen. She backed toward the door.

“You will obey.” He stalked toward her.

“I would rather die by the sword.”

She didn’t expect his reaction. Like a striking snake his hand lashed out. The blow landed on her face hard enough to send her back until she collided with the door.


“Do not defy me.” He fisted his hands. “I will beat you senseless but you will accept Petan. Go to your chamber and prepare for tomorrow. Do you understand?”

Wednesday, July 1, 2015

Wedensday's Writer's Tip - Third Person Viewpoint #MFRWauthor #amwriting


There are a number of ways to use third person in viewpoint. The first is using the protagonist, or the main character. The advantage here is the intimacy, close to the I viewpoint but you lose the I. Disadvantages - mainly that the reader will only know what this character knows. This can leave a stumbling point or two since the reader can't know what other characters are thinking or actions that may be important that happen off stage.

Third person from a supporting character viewpoint can present problems particularly if they are of the same sex. There is the he or she problem. Is the writer referring to the major character or himself. This can also on occasion present a problem when using the protagonist as the viewpoint character.

Third person from a minor character viewpoint gives a different picture and can be rather detached, This character can view not only the protagonist but also the other characters in the story. This can break boredom.

Third person shifting viewpoints is often used and can be very effective. One thing here to remember is to firmly establish each character in the reader's mind. The switch should be clear. Some writers use this and tend to do what is head-hopping and this can confuse the writer. If you're going to shift within a scene make the break complete so the reader knows who. One or two sentences in another viewpoint can make the reader wonder what it going on. I've found there are ways to show how a character who isn't the viewpoint character in a scene reacts by expression, especially facial and also in dialogue.

Right now I'm writing a story where there are four viewpoint characters, hero, heroine, villain and dragon. I try to do a little backtracking when doing this to show reactions through a characters eyes but I do separate them. This story is a fantasy romance. When doing straight romance I generally stick to hero and heroine except when the story has a great element of suspense.

The one thing to remember is to choose first or third person for viewpoint using what you are familiar with and also what won't turn the reader off.