Showing posts with label Jude Pittman. Show all posts
Showing posts with label Jude Pittman. Show all posts

Saturday, November 24, 2018

Saturday's Blurbs featuring Books by Gail Roughton and Jude Pittman #MFRWAuthor #BWLPublishing #Paranormal


Sisters of Prophecy

So for both of us, Sisters of Prophecy

The Shipton history is—well—complicated. Some families have a guardian angel. The Shiptons have a guardian ancestor, one who jumps right in, boots first, whenever one of her girls has a problem.

Of course, Mother Shipton's girls aren't always limited by blood ties. They're connected by power, shared and used wisely. That power needs to get busy, too, or Katherine's oilman fiancé is going to disappear for good in the Gulf of Mexico, Katherine's best friend Sylvia is never going to reconnect with her childhood soul mate, and Irene's world champion saddle bronc rider fiancé Matt Dillon (yep, that's his real name) might end up under the hooves of one of those bucking broncos. It's a good thing Mother has back-up in the form of Lillian Shipton, this era's family troubleshooter. The spider-web of trouble stretching between these three modern Sisters of Prophecy might be too much for even a time-traveling guardian like Mother Shipton to handle on her own!

Then here’s one for me, and one for Gail

Deadly Secrets, Kelly McWinter PI, Book 1
Welcome to the world of Indian Creek, Texas, where you'll meet some of the most amazing characters to ever grace the pages of fiction. Kelly McWinter, a retired cop who has sought out a simpler life in Indian Creek while trying to put a personal tragedy behind him. Kelly's dog, Jake,  a German Shepherd who has fought some battles of his own and is still the best partner a man could ever hope for. Anna Davis, an old woman hiding from her past whose secrets come back to haunt her.

 Kelly McWinter is a former Fort Worth police officer who suffered a personal tragedy that caused him to quit the force and isolate himself in the community of Indian Creek, Texas. Kelly is the Clint Eastwood, John Wayne type who makes everyone feel safe.  The inhabitants of Indian Creek are so unique and eccentric that readers and reviewers alike have fallen in love with the regulars who frequent Cam Belcher's Hideaway Bar and Barbecue

Country Justice


What goes around comes around. That's justice. Especially in small towns where everybody knows how many eggs you ate for breakfast before you've even left the Scales of Justice Café. Funny thing, though. Usually what everybody thinks they know—they really don't. Take the folks in Turkey Creek. Oh, everybody knows Maggie Kincaid doesn't speak to her father. They think they know why. But they don't. They know Billy Brayton died twenty-five years back. Too bad nobody told him. Because now he's home. And it's time to right some past wrongs. Time for justice. Country Justice.

Country Justice Reviews: "One of the best books I've ever read and I read about 100 or more a year. I loved the characters from the very beginning and was sorry when the story ended. I'm ready for the sequel—hint, hint." ~ Amazon Reader tvlgds "I've never been to Georgia—and that's my loss. But Country Justice took me close. Real close. So some inside and meet some new good friends—and some bad ol' boys. Because there's a gray Mustang doing lickety-split over the hill. Because a dead man's coming home—and Turkey Creek doesn't know what's about to hit it." ~ Author Graeme Smith (formerly published as Down Home)





Friday, November 23, 2018

Friday's Guests Gail Roughton and Jude Pittman #MFRWAuthor #BWLPublishing #Genres #Mystery #Paranormal


1.  What’s your genre or do you write in more than one?

Gail:  I honestly don’t think I have a genre.  An idea occurs to me and if I’m lucky, that idea sustains itself long enough to become a book. And that book is whatever genre it turns out to be, and is usually a mix of several, most likely paranormal suspense or thriller, usually with some romance, a good bit of humor (I hope), and occasionally a tad bit of horror though there has been one I myself consider pure Southern Gothic Horror. There’s even been a paranormal romantic fantasy.

Jude: It’s mystery for me. I do write romance, but even then there’s always a mystery component.  I cut my teeth on Rex Stout and Agatha Christie mysteries and the habit’s never lef tme.

2. Did you choose your genre or did it choose you?

Gail:  See answer to No. 2.  I most definitely don’t choose my genre(s).

Jude:  It chose me, no question about that, drew me in and hooked me good.

3.  Is there any genre you’d like to try?  Or is there one you wouldn’t?

Gail:  I’ve never consciously picked any genre, I just follow along down whatever path the story and characters take.  That being said, I can’t imagine any story leading me along a pure sci-fi genre path because I don’t have the expertise or knowledge to write pure sci-fi.

Jude: One I definitely would not try is fantasy where you have to create an entire world as well as all the characters that inhabit it.  I have tremendous admiration for those who can do that, but it’s just not a place where I’d excel.

4.  What fiction do you read for pleasure?

Gail:  The older I get, the more I value humor, so I prefer light reads such as cozy mysteries or romantic/paranormal suspense with lots of humor thrown in.

Jude.  Mystery all the way; I read romantic suspense to but my very favorite read is a really good who-dunnit.

5.  Tell me a bit about yourself and how long you’ve been writing.

Gail:  I’m a retired paralegal who lived in a law office for forty-one years, during which time my husband and I raised three kids and I raised quite a few attorneys on the side.  We’re lucky in that our kids didn’t run away from home when they were old enough and live very near us, which means we have a very active role in our grandchildren’s lives; in fact, we’re Grandparent Day Care. Our grandson is 12 and our granddaughter is almost 6.  After retirement two years ago, I enjoyed staying home and doing nothing so much I was afraid my brain would turn to mush, so I started substitute teaching in my grandchildren’s school system. A good day in a classroom is like nothing else. And of course, the same can be said for a bad day in a classroom, lol.

Jude:  As you know I’m also a publisher, having gravitated to that after years of writing, publishing, then getting involved in marketing for myself and a bunch of other authors, and finally taking the leap into publishing.  I love what I do but I confess that there’s a lot less time for reading and writing for my own pleasure than I used to have.  But in place of that I get a lot of pleasure out of seeing our BWL books enjoyed by more and more readers and I get to bask in the glow of the great reviews our authors receive, so that’s a pretty special tradeoff for the time I don’t have anymore.

6.  Which of your characters is your favorite?

Gail:  I don’t have one, or at least, I don’t have the same favorite all the time, it depends on my mood at the time anyone’s asking.  It’s rather like picking a favorite child. Sometimes you might like one of your kids more than you like the others, but you still can’t honestly say you love one more or that one’s your favorite.

Jude:  Kelly McWinter has been with me so long and is so much a part of the 12 years I spent in Texas, that he’s got to be my favorite.  He’s the PI from my Kelly McWinter PI series, and he and I go way back to Texas in the 1990s.

7.  Are there villains in your books and how were they created?

Gail:  Of course there’re villains in my books! Every hero/heroine has to have an adversary.  But I can’t tell you how they’re created except to say they’re created just like all my characters are.  They just get up and start walking and talking and I transcribe what they say.  If they didn’t, I wouldn’t have a book.

Jude: Oh of course there are villains in my books. You can’t have a mystery without a villain.  Usually it’s a murderer but sometimes it’s a particularly nasty thief or a character everyone loves to hate – usually the boyfriend of a very nice gal you wish had more sense.

8.  What are you working on now?

Gail:  I’m not actively working on anything at the moment.  I have a couple of ideas I’ve scribbled some on, and both of them lean heavy toward humor, but I’m a slow writer, always have been.  Ideas have to sit on the back eye of the stove and simmer.  If they come to a boil, then a book gets finished and if that happens, the actual writing time’s pretty short, usually no more than six months.  But there’s never any guarantee they’ll come to a boil and if they don’t, then there’s no book.

Jude: I wish I could say I was “actively” working, but I am trying to get the 6th Kelly McWinter PI novel, Deadly Ghosts, ready for 2019.  It’s a very slow process with a lot of other stuff interfering, but I am trying.

9.  What’s your latest release and how did the idea arrive?

Gail:  Jude Pittman and I just published a re-work and expansion of Sisters of Prophecy, which is a true genre hybrid of paranormal/suspense/romance.  For years, Jude wanted to write a novel starring a family ancestor, Ursula Shipman, known to history as Mother Shipman, a lady famous for making a great many prophecies.  As previously noted, paranormal’s kinda my thing, and mixing genres is definitely my thing, so she asked me to co-write the story with her, and Sisters of Prophecy is the final product.

Jude:  Gail answered that one just fine.  Loved working with her on Sisters and loved the end result, what a fun book to write and to read.


Friday, July 29, 2016

Friday - A Visit from Jude Pittman and Jamie Hill as a team #MFRWauthor #writing

  
Jude is up first

1. What were you in your life before you became a writer? Did this influence your writing?
Hmmm, according to the Facebook “What were you in your past life” questionnaire I just took, I was, of course, A Witch – just like my ancestor. 
As far as in this past life, I’ve been a writer since I started writing poetry to my mother in grade school.

2 Are you genre specific or general? Why? I don't mean genres like romance, mystery, fantasy etc. There are many subgenres of the above.
I’m fairly consistently specific with writing mystery/romantic suspense.  With Sisters of Prophecy the subject matter – my great, great, great etc. grandmother who was a prophet in Britain reputedly a witch, took the book along some paranormal lines, but with me, there’s always got to be a mystery involved.

3. Did your reading choices have anything to do with your choice of a genre or genres?
Absolutely. I grew up in rural Alberta at a time when reading material wasn’t so easily available to us on the small farms, and I started reading my mom’s Agatha Christie books at a fairly young age, fell in love with the genre and have been a mystery, and eventually a romantic suspense fan all my life.

4. What's your latest release?
Sisters of Prophecy, Ursula, a historical time-travel suspense co-written with author Gail Roughton.

5. What are you working on now?
New Directions, a mystery/romantic suspense co-written with Jamie Hill, taking the Kelly McWinter PI stories in a new direction – and with a terrific romantic suspense writer partner.

6. Where can we find you?
 In addition to writing I am also the publisher at Books We Love Ltd. so you can always find me there.

http://bookswelove.net/authors/pittman-jude/


Here's Jamie


1. What were you in your life before you became a writer? Did this influence your writing?
 
I have never *not* been a writer. I started at age ten, writing novels in spiral notebooks. I remember letting my fifth grade teacher read one, and she said it was 'interesting'. haha! They were total crap, but I appreciate that she didn't dampen my enthusiasm. In high school I wrote scripts for my favorite TV shows. Somewhere around the age of thirty I picked up the writing again but didn't get published until I was forty-five.
 
Having said all that, I have had several careers in my life including hair dresser, administrative assistant, and childcare provider (my longest job, for twenty-one years, which coincided with raising my children.) I currently work in a bustling orthopedic surgery practice scheduling surgeries and working with patients on insurance and financial issues. Being so busy keeps my mind focused during the day. In the evenings and on weekends I like to unwind by watching some TV and creating my own stories.
 
 
2 Are you genre specific or general? Why? I don't mean genres like romance, mystery, fantasy etc. There are many subgenres of the above.
 
I would say I'm fairly genre specific. I only write contemporary, I've never been able to master the research needed to write historical fiction. Although I did write one story set in the 1970's, and that was great fun because I was growing up then and remember a lot of the fads (including avocado colored appliances!)
 
I write either straight romance or romantic suspense, as I love a touch of mystery, but there has to be a romance in there too.

 
3. Did your reading choices have anything to do with your choice of a genre or genres?
 
Growing up I was all about the bodice rippers and mysteries. I have to believe that influenced what I like to write myself, romance and romantic suspense.
 
4. What's your latest release?
 
Cover of Darkness is the third book in my Witness Security series, it was released earlier this year.
 
 
5. What are you working on now?
 
I am playing with the fourth and final book in the WS series, Darkest Before Dawn. At the same time I'm actively co-authoring a book with my friend Jude Pittman, New Directions, which is the first book in our new McWinter Confidential series. She created the character of Kelly McWinter and I'm bringing my own private investigator into the mix. We think it will be great fun, and a great read.
 

6. How can two people speak with one voice?
 
It's interesting when you first start out, finding the rhythm. One of us will write a segment, the other will edit it and add another segment. I was pretty heavy-handed when we started, admittedly guilty of trying to make all the characters sound like me. haha She gave me a couple of virtual hand slaps and when I realized what I was doing, I backed off. I think we've found a smooth system now!
 
7.  Where can we find you?
 
At my publisher's website, Books We Love: http://bookswelove.net/authors/hill-jamie/

Friday, January 23, 2015

Friday - Jude Pittman Talking About Heroes, Heroines and Villains

Do you write a single genre or do your fingers flow over the keys creating tales in many forms? Does your reading choices reflect your writing choices? Are there genres you wouldn’t attempt?

Mainly I write mystery, however, I’ve also co-written a paranormal time travel with author Gail Roughton.  My reading choices definitely reflect my writing choices, I’m an avid mystery fan and always have been.  I would never attempt horror because I’m sure I’d scare myself too badly to finish my book.  I’m also not a fantasy writer – my mind is too full of this one world without trying to invent worlds on my own, but I really admire people who can do that – what a job building an entire world for your characters to inhabit.


2.     Heroes, Heroines, Villains. Which are your favorite to write? Does one of these come easy and why?

I love writing hero’s – especially detectives and high profile investigators, They come easiest to me, and it’s the most fun for me to imagine myself in one of those personas. 

3.     Heroes. How do you find them? Do pictures, real life or plain imagination create the man you want every reader to love? Do they come before the plot or after you have the idea for the story?

The hero’s in my stories just seem to find me. I have an image of what they’re going to look like before I even have the story.  I don’t know about all writers but for me it’s important that a hero possesses characteristics that I feel are important in a person I would admire.  The characters always come before the plot in my stories. I have a general idea of what’s going to happen and where I want the story to go, but it doesn’t always happen that way, sometimes right out of the blue a character will take off in a completely different direction than what I envisioned. 

4. Heroines. How do you find them? Do pictures, real life or imagination create the woman you want the reader to root for? Do they appear before the plot or after you have the idea for the story?

               Heroines are harder for me because they always have to be smart and good at what they do and strong with definite ideas and attitudes, so I have to be careful not to let the heroine overshadow the hero.  Again, my heroines do pretty much the same as my hero’s, they just come along when I’m writing and  sometimes they take a much bigger role than what I had originally envisioned for them.

5. Villains or villainesses or an antagonist, since they don’t always have to be the bad guy or girl. They can be a person opposed to the hero’s or heroine’s obtaining their goal. How do you choose one? How do you make them human?

               Villains are always bad guys in my stories.  I have very definite ideas of what a makes a bad guy, and they are usually characters that are composites of people that I have known, heard about or read about.  They don’t come to me as full blown characters the way my heros and heroines do – maybe because I do not admire them and am not open to their worming their way into my head, but they are definitely made up of what I consider the least attractive features of my fellow men and women – I just take a bunch of characteristics, shake them up in a jar and pull out the ones that will work the best for the bad guy I’m writing about at the time.


6. What is your latest release? Who is the hero, heroine and or the villain?

My latest release is Sisters of Prophecy, Ursula. This book, co-written with another Books We Love author, Gail Roughton is the fulfillment of a dream of mine.  I’m descended from Mother Shipton of 15th century England.  She’s in the history books as a reputed prophetess who prophesied about all kinds of events hundreds of years before they happened.  Like the Civil war in the USA before America was even discovered and planes and submarines, all kinds of stuff like that.  All my life I wanted to write about her as a young woman, but I’m not a historical fiction author, and it wasn’t until Gail and I met up in Hawaii and started chatting about what if Mother Shipton appeared to Shipton descendants and had them carrying out certain tasks that needed to be done back in the 15th Century, but the girls were modern and the timeframe of the book was contemporary, with little side jaunts back into the 15th century.  The more we talked about it the more the story grew until we were both so excited we could hardly wait to get it written.  It’s definitely one of my favorites.

7. What are you working on now?

               I am working on another Kelly McWinter mystery.  This one, A Murder State of Mind, Deadly Lights  brings back some of my characters from my original Murder State of Mind series, Deadly Secrets, Deadly Betrayal and Deadly Consequences.

8. How can people find you?
               Website           http://bookswelove.net/authors/jude-pittman/#
               Blog                http://bwlpp.blogspot.ca/
               Twitter            @judepittman
               Facebook         https://www.facebook.com/judith.pittman.56

Friday, May 31, 2013

Just a Few Lines featuring Deadly Consequences by Jude Pittman


A Few Lines From Deadly Consequences by Jude Pittman




A shot rang out from the direction of the stables. Kelly

leapt out of his chair, grabbed the gun out of his jacket pocket and slapped

the screen door open.



“What the damn hell?” He yelled as he raced towards the

brood barn, where Jake, alerted by the gunshot, stood in front of the closed

doors barking like a beast gone rabid.



“Easy boy,” Kelly said, approaching the door with his weapon

drawn. “Gilly, you okay in there?” Kelly reached the door and pulled the

handle. It held fast. Someone had apparently locked it from inside.



“Gillian?” Kelly called in a voice laced with fear and Jake

once again started his frantic barking.



“Okay. Stand down.” Kelly spoke to the dog, then placed his

ear against the door and listened.



From inside came the sounds of sobbing.



“Gillian.” Kelly yelled again. “For God’s sake, open the

door.”



http://www.amazon.com/Deadly-Consequences-Kelly-McWinter-ebook/dp/B008ZQTPK2/



Stop back next week for a few lines from Jamie Hill.

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Thursday, October 4, 2012

Thursday - Who I've Been Reading - an Eclectic Mix



This past week, I've been catching up with books written by my friends and colleagues. I do have a thing for trilogies and always have to read all the books in the set but this week I just concentrated on catching up.  The first one was:

Deadly Consequences by Jude Pittman. Love this detective.

Jude Pittman's third Kelly McWinter PI mystery has Kelly McWinter and Gillian Tanner keeping a promise, taking their first vacation as a couple at Bubba’s Paradise Lodge. Of course, the fact that Cam Belscher, the owner of the Hideaway and feisty redhead Stella Davis have picked this particular paradise to tie the knot is the icing on the wedding cake.
Flash forward to the middle of the night. The sound of Bubba Tate banging the hell out of the cabin door is enough to put a damper on any vacation, and when the reason for Bubba's late night intrusion turns out to be the murder of one of Gillian’s stableboys back at her riding stable in Fort Worth, the wedding trip is over. Paradise is in the rear view mirror of the 747 taking Kelly and Gillian back home to Texas.

The small community of Indian Creek is rocked by nasty doings at Eagle Mountain Lake: a dirty rotten snake peddling child porn, a psychopath killer and a monster who beat a pretty teenage girl over the head and left her for dead.

Kelly and his old partner Augustus Graham are hard pressed to discover the truth disguised by the lies and mis-directions hidden in this intricate whodunit. Kelly is desperate to solve these crimes before Gillian sinks in the muck that someone is dumping on her riding stable.

The second book was:  Hawk's Haven by Kat Attalla  A great romance that will warm your heart. One of my favorite heroes.

In Kat Attalla's Hawk's Haven, published by Books We Love, everyone in town knows wealthy Gillian Hughes is a spoiled daddy's girl. When she's arrested after staging a public protest to a social injustice, no one is more surprised than Hawk Carter. Is there more to the society princess than meets the eye? The young lawyer would just as soon not find out. But Gillian's been sentenced to community service on the local Indian reservation and her doting dad has elected Hawk to keep an eye on the errant heiress.
Gillian vows that no one will ever control her again. Not her father, not the judge, and certainly not a hunky Native American attorney whose Harvard education and imported suits surely mean he's turned his back on his proud heritage. But Gillian soon suspects that Hawk might not be a shallow social climber after all. Unless she's mistaken, he really does care deeply about his people, his career -- maybe even about Gillian herself.


Third was No Bells by F.M. Meredith a delightful mystery set in a small California town.

Rocky Bluff reels with the news a woman’s body was found buried in a shallow grave, and the culprit of a series of home break ins leaves a peculiar and disgusting calling card. Detective Milligan develops some concern that his partner has rushed to judgment on the case they are working, and the wrong person is accused of the crime. Officer Gordon Butler has finally found the love he’s been seeking for a long time, but there’s one big problem -- she’s the major suspect in the murder case.









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Saturday, July 28, 2012

Saturday's Chapter - Jude Pittman - Deadly Secrets


This is from one of my favorite books. I've read it three times.

Excerpt from




Deadly Secrets

Kelly McWinter PI – Book 1

by

Jude Pittman



Kelly stretched out in his recliner and dozed. At one-thirty, when the alarm buzzed for his two o'clock rounds at the flea market, he awoke to find that a storm had rolled in while he slept.

Kelly swiped the steaming window and squinted at the steady stream of rain that poured off the eaves. "Looks like a real gully washer." He told the dog.

Jake, who hated storms, paced anxiously back and forth from the front door to the kitchen.

"You might as well settle down. We aren't going out in that stuff. Kelly picked up the coffee pot and flicked the switch for brew then pulled a chair up to the kitchen table. When the coffee finished, he poured a cup and watched as a faint glimmer of light broke through the clouds. Giant maples thick with darkening leaves leaned across the path to the flea market. But by two o'clock the winds had receded. "Looks like it's about blown itself out." Kelly told Jake. He pulled on his boots and then grabbed a slicker out of the closet.

Jake raced across the room and stood expectantly in front of the door.

"Okay, I get it," Kelly chuckled. "Let's get on down there and get it over with."

Inside the barn that housed the flea market, the beam from Kelly's flashlight danced over sheet-covered tables. These tables were for the short-term vendors who rented from Friday to Sunday and covered their goods with sheets when they left for the night.

Permanent dealers had their own shops—enclosed three-sided cubicles with curtained entrances—where they sold everything from cultural standbys like hats, boots, jeans and t-shirts to gaudy jewelry and swirling salsa dresses. Then there were the new and used shops, like Anna's, where treasure hunters could browse through boxes of ornamental plates, old glasses and beer steins and baskets overflowing with everything from spoon collections to buttons and badges dating back to the civil war.

Kelly and Jake walked along the aisles. Gusts of wind whipped across the shrouded tables buffeting the sheets into dancing ghosts. The barn steamed with moisture left by the storm and Kelly itched to complete his rounds. He had an edgy feeling that made him anxious to get out of the barn. Jake seemed to feel it too. He paced the concrete, ears perked and alert, as if listening for something half expected.

When they finally turned into the last aisle, Kelly breathed a sigh of relief and quickened his pace. The refreshment stand, dimly lit by a Budweiser neon guitar cut in the shape of the state of Texas, loomed ahead in the shadows.

Jake had trotted ahead and he now stopped and lifted his nose, then he pulled back his lips and let out a menacing growl. Startled, Kelly clicked the flashlight on high and shone it into the refreshment stand. Inside, an old refrigerator leaned against the wall and a silver coffee urn glinted on the counter.

Kelly moved the light across the stand and shone it on the ground in front of the door. The light picked out a dark bundle that looked like rags. Kelly focused the light and started forward, moving fast. He reached a spot where the light sharpened the shadows into images, the bundle became a body and a sharp odor—the kind you never forgot—stung his nostrils.

"My God," he cried out and sprinted the distance to the booth with Jake hard on his heels.

Kelly had recognized the old, black poncho and instinct told him what to expect. Dropping to his knees, he reached out and pulled back the poncho. Jake stiffened and growled.

Anna Davis' pupils had rolled back under swollen lids and her blood-gorged tongue filled her mouth. Fighting waves of nausea, Kelly gulped air and clenched his hands into fists. After a couple minutes, he pulled himself together and got to his feet.

"Let's go boy." He cleared his throat with a kind of strangled cough. "We've got some calls to make."

Jake fell into step and they crossed to the box in front of the refreshment stand where Kelly flipped the master switch. Bright light flooded the barn and spilled across Anna. Jake growled and Kelly stroked his head. "Easy now." He settled his hand on Jake's back. "I need to call the county." Kelly pulled the phone out of his pocket and dialed the Tarrant County Sheriff's Department.

Seconds later, a crisp efficient voice said hello. Kelly identified himself, and the voice requested a report. Kelly complied. "My cabin's up at the entrance," he said, when asked to keep himself available. "I'll open the gates and wait out front for their arrival". That settled, Kelly pocketed his phone and turned to Jake. "Come on boy, let's get up the hill."

At thirty-eight Kelly still had the smooth, well-paced gait of an athlete and only a practiced eye would notice the stiffness in his left leg—a souvenir from a stray bullet.

The clouds had been swirled away by the storm's wind and now moonlight bathed the cabin in an eerie gray and orange glow that seemed to fit the night. As promised, Kelly opened the main gates, and then he and Jake headed for the cabin. On the porch he settled into an old rocker and Jake flopped at his feet. Silence, like a blanket, covered the flea market. Even the crickets were still. Mechanically, Kelly set the chair to rocking. Pictures of Anna flashed through his mind—a kaleidoscope of memories tracing the years he'd spent at Indian Creek.

Time passed and in the distance a siren sounded. Squinting northward, Kelly spotted flashes of red and blue lights. Minutes later, a patrol car turned into the yard and pulled up to the cabin.

A young deputy jumped from the car and strode to the porch. "Are you Kelly McWinter?" He was just a kid with short blonde hair trimmed close to his ears and wearing an immaculate brown-and-tan uniform. "I'm Deputy Johnson," he said without waiting for an answer. "I understand you've got a body here."

"That's right." Kelly rose and crossed the porch to meet the officer. "She's down by the refreshment stand. I checked to make sure she was dead."

Johnson narrowed his eyes. His right hand, which had been resting comfortably on the butt of his holstered gun, stiffened.

"Nobody ever tell you not to touch a corpse?"

Kelly smiled, remembering the first time he'd been called out on a homicide. "Hey, it's all right." He kept his voice low and friendly. "I used to be on the force myself. I know the drill."

Johnson relaxed a bit but kept his hand on the holster. "Okay, just so's you didn't contaminate anything."

A squeal of tires announced the county ambulance. Two men in white overalls jumped out. A veteran with stooped shoulders and a mop of thick gray hair climbed into the back of the van and handed a large black case to a well-muscled, young Mexican.

Johnson walked over to the van, said a few words then signaled Kelly to lead the way down the hill.

Taking them through the double doors, Kelly approached the refreshr there." He pointed.

The younger medic stepped into the circle of light that beamed from the ceiling, set his case beside Anna's feet and started unpacking.

"Watch what the hell you're doing." The harsh voice boomed through the silent barn startling the young medic and causing him to stumble into Anna's cash box sending it skidding across the cement.

In the wake of the voice, a stocky cop with short legs and long arms stomped onto the scene. "Can't you see this is a friggin' crime scene?" The cop's thick, bulbous nose quivered and his cheeks puffed out as he let loose on the young medic. The red-faced medic bent to retrieve his case and the cop turned to Kelly.

"I'm Sergeant Adams," he said. "You the guy that reported this?"

"That's right. I'm the security guard here. I found her when I made my two o'clock rounds."

"Okay, I'll get to you in a minute."

Adams was a hard ass but Kelly sympathized. If there was any chance Anna was still alive, the medics would have priority at the scene. However, plenty of vital evidence could be destroyed in the first few minutes of an investigation. It was a standing joke with cops that an over-anxious medic was the defense attorney's best friend. They'd been known to smear fingerprints, brush off hair and fibers and wipe away any sign of bodily fluids.

Kelly had seen it all and a vivid memory of one of his own cases where an over-anxious medic had started CPR on a cold corpse popped readily to mind.

Adams and Johnson stood over the body, talking in low voices. Kelly watched as Adams bent down, lifted the poncho then dropped it back in place.

"Only an idiot would think there was any life left in that," he snapped and turned back to Johnson. "Go call the CID, then wait out front to show the lab boys where to bring their stuff."

Done with that, he turned to the medics. "You might as well get your shit out of here," he growled. "You can stick around out front until the coroner arrives, then shove off."

The senior medic, an old-timer who looked like he'd been through this before, shrugged and motioned to his partner to step away from the body. Johnson pulled his cell out of his pocket and pressed a button. His call would bring the criminal investigations division, a team of forensic experts and the county coroner.

Kelly walked over to where Adams stood frowning at Anna's body.

"Suppose you tell me what you know about this," he growled at Kelly. "Let's sit down over there." He turned and marched over to one of the picnic tables. Kelly rolled his eyes and followed him. Adams slid onto one of the benches and Kelly eased his long frame onto the other one.

Adams took out a notebook.

Kelly propped his arm on the table and turned his mind back to the start of his rounds. Jake, who'd stood back from the group of strangers, padded over, sank down and rested his nose on Kelly's boot.

"I was doing last rounds," Kelly said. "That'd make it about two o'clock when Jake here raised his hackles and started growling."

Jake, hearing his name, lifted his eyes to the sergeant.

"You don't know Jake." Kelly reached down and stroked the dog's head. "He doesn't make a fuss without a reason, so I was edgy. There's not much goes on around here after the barn's closed up but sometimes we get kids messing around. This wasn't like that though. Jake knows the difference between kids and trouble and something was damn sure setting him off."

"Whereabouts were you when this happened?"

"About half way down that aisle." Kelly pointed toward the last row of tables. "At first I couldn't see anything but when I trained my flashlight on the refreshment stand, I spotted what looked like a bundle of rags dropped in the aisle. I clicked the beam on high and that's when I recognized Anna's poncho."

"Did you hear anything?"

"Nope, not a sound, except Jake here. He was riled something fierce."

"Okay, then what?"

"Well, like I said, I recognized that old, black poncho of Anna's. She wore it all the time. So I took off down the aisle like a bat out of hell. The poncho was wrapped around her face and I pulled it off. That was tough." Kelly squeezed his eyes shut for a moment. Then he continued. "There was a red scarf sunk so deep in her neck, I thought she'd been slashed."

"Did you touch the scarf?"

"Just the edge. I pulled her skin back a bit, to make sure but there wasn't a chance." Kelly shook his head and shuddered. "After that, I headed for the phone, got the county dispatcher and gave her the details, then Jake and I went to the cabin to wait for your deputy."

"You got any ideas who did this?"

Kelly shook his head. "Just the obvious one that comes to mind from seeing her cash box broken open and coins scattered around the ground." Kelly leaned across the table and fixed his eyes on Adams' face. "It don't make a lot of sense, y'know? If all he wanted was money, why kill her? For that matter, what was she doing prowling around down here at that time of night?"

"He?" Adams questioned.

"He…her…whatever. I guess strangling's kind of fixed in my mind as something a man would do."

"Do you know of anybody who might've had it in for Ms. Davis?"

"Hell, no. Anna was kind of an eccentric. She drank like a fish, ate like a bird and God only knows how old she was. I liked her a lot but she was a bit of a tartar—especially when she'd been hitting the bottle. Still, I can't see any of the Indian Creek folks having it in for her. They pretty much took Anna in their stride."

"We'll be wanting a list of her friends and associates from you. Deputy Johnson will attend to that. In the meantime, it'd help if you could think of someone who might know about anything out of the ordinary happening around here."

"Well, these folks are pretty closed-mouthed with strangers but you might talk to Frank Perkins — you'll find him either up at the Hideaway or down at the bait house. If anybody so much as farts on the creek, Frank knows all the details."

Adams looked up from his notebook and nodded. "We'll talk to him. What about strangers? Was there anybody who paid particular attention to Anna or asked a lot of questions about her?"

"Anna had a bit of a ruckus with one of the shoppers over at her stall this afternoon."

Adams lifted his head and fixed his eyes on Kelly. "Suppose you tell me about it."

"There was a young woman showed up here about four o'clock. She was a real looker." Kelly gave Adams a teasing grin but the officer kept his eyes on his notepad. Kelly shrugged and continued. "For some reason, this woman rushed into Anna's shop and flung herself right on top of Anna's chair. I don't know whether it was deliberate or not. All I know is when I got there, both Anna and the woman were tangled up on the floor and the woman was out cold."

"Did you recognize her?"

"Nope. She wasn't from around here—not the flea market type. I figured she might've been an antique collector. Anna had a lot of collectibles in her stall."

"Can you give me a description?"

Kelly nodded. "She was around twenty-five, about five-six, around a hundred and ten pounds I'd say with plenty of curves in all the right places. Her hair was something long and silky and so blonde it was almost white. She wore it straight down her back, held in place with one of those silk scarves."

Adams scribbled in his book. Finished, he looked up and nodded. "Go ahead."

"I spotted her soon after she came through the front entrance. She was a knockout—that's what drew my eye—but then I noticed the way she acted. It was kind of funny."

"What do you mean by funny? Did you get the impression she might be intoxicated?"

"No, nothing like that. It was more like she was trying to hide from somebody. She kept looking back over her shoulder and when she realized I had my eye on her, she scooted into the crowd like a flushed quail. Her whole manner was suspicious. That's why I followed her down to Anna's."

"Did you happen to notice if anybody was paying any special attention to this woman? Is it possible she was being followed?"

"Nope. Nobody paid her any more attention than what she'd normally get, given her looks and figure."

Adams jotted a few more lines in the book then twirled his pen again.

Kelly grinned.

"The woman?" Adams nudged.

"I was keeping my eye on her but I wasn't making it obvious. When she got next to the refreshment stand, she stopped for a bit and stood there looking kind of nervous. She'd pulled the scarf out of her hair and was kneading it with her fingers."

"What color was that scarf?"

Kelly nodded. "I know where you're going with that," he said. "It was red and yes, it could've been the one that's wrapped around Anna's neck. I'd have a hard time swearing to it though. I didn't give it more than a casual glance at the time."

Kelly paused and Adams tapped his pen on the table. "What happened next?"

"Not much. I got there right after she and Anna went down. The fall knocked her out and after I got Anna back in her chair, I turned my attention to the young woman. She'd gotten to her feet by then."

"Did you get her name?"

Kelly shook his head. "She took off before I had a chance."

"You let her go without asking any questions?"

"I wasn't thinking about questions at that point. I needed to check Anna out and make sure she was okay. Besides, she hadn't done anything except fall into a chair."

"What did Anna have to say?"

"Not a damn thing. I picked her up, brushed off her dress and asked her what happened. She wouldn't say a word, just looked up at me with those big brown eyes of hers, set her teeth on her lip and tuned me out."

"Did you get the impression Ms. Davis knew the young woman?"

"I don't know. There was something going on between them but as to whether it was recognition or just plain shock, I couldn't say." Kelly stood up and shook down his pant legs. "That's all I can tell you. I'd never seen the woman before and I don't expect you'll find anybody around here who had. Now, if you're through with me I'd like to get back to my cabin. I need to call the owner and let him know what's been going on."

Adams closed his notebook. "Okay, go ahead but keep yourself available."

Kelly nodded, signaled Jake and they headed up the hill.

Kelly's first priority was a pot of coffee. That done, he picked up the phone and dialed Shorty.

"I've got one hell of a mess out here," he said when Shorty's voice came on the line.

"Wad'ya mean, mess?"

"Someone's murdered Anna."

"Murdered. What're you talking about? I thought you were supposed to be down at the barn making rounds?"

"Where the hell do you think I've been? I found Anna's body in there about two hours ago. Some son of a bitch had taken a scarf and damn near squeezed her head off."

Kelly's hands tightened on the phone. The events of the night had taken their toll. He moved the receiver away from his mouth took a deep breath, flexed his shoulders then put the phone back to his ear. "Sorry, Shorty. I guess I'm stretched too tight."

The anger in Shorty's voice had been replaced with concern. "Not a problem, Kelly. Sounds like you've had one hell of a night. Do you want me to come over and give you a hand?"

"No. There's nothing you can do now. The place is crawling with cops. I've already told them everything I know. I'll just grab a coffee and wait until they've finished up down below."

"You'll make sure they lock up once they get done in there?"

"Don't worry about that. They'll seal the place up tight. I'll make sure though."

Hanging up the phone, Kelly eased out of his chair and stretched. His hands grazed the ceiling and he flexed his fingers against the tile.

"It doesn't look like we'll get much sleep tonight," he muttered to Jake. "Guess we might as well make ourselves comfortable while those boys take care of business."



Friday, July 27, 2012

Friday's How She Does It - Jude Pittman


We all know there are six elements in writing fiction and often fact. Who, What, When, Where, Why and How. I believe the first five lead to the sixth which for me is the plot. What's your take on this?








I agree. As you know I write mysteries, and answering those five questions is mandatory. If your plot doesn’t include the 5 W’s it’s not going to satisfy your reader. Every mystery must answer these questions: Who did it happen to (victim)? What happened to them (were they robbed, murdered, attacked – what was the crime)? When did it happen (was it in the morning, afternoon, night, weekday, weekend-when was the crime committed)? Where did it happen (in the victim’s home, on the street, in a park, where was the crime committed)? Why did it happen (motive – who had a reason for committing this crime, who wanted the victim dead, who wanted their property, who inherits?) and How was it done (method of the crime – shot, stabbed, poisoned – how did the killer commit their crime).







1. How do you create your characters? Do you have a specific process?



My characters just seem to show up – I think of them as composites of people I’ve seen, known, observed, For instance, in Deadly Secrets I was living in Fort Worth, Texas and one day I was at a flea market where I saw an old woman, partially blind selling pencils and matches. At the time adoption laws were being adjusted to make some concessions for people searching for their birth mothers, and there were a lot of stories in the newspapers about the subject. There were also several stories about a wealthy Texas family and their estranged daughter – heiress. From there my mind went to the idea of what about a daughter discovering she was adopted and hiring a detective to find her birth mother and having the detective find the heiress’ real mother selling pencils and matches in a flea market, but before the daughter can find out what happened to her mother and why she was in this situation the mother was murdered. Of course, Kelly McWinter, my main character and a kind of Clint Eastwood, John Wayne, everybody’s hero type was already in my head. The rest of the story just kind of grew from those characters.







2. Do your characters come before the plot? Do you sketch out your plot or do you let the characters develop the route to the end?







They kind of develop together. As you can see from the answer to the first question, there’s an idea for one character, and then a set of circumstances gives rise to the other characters, who then give rise to still others, so really it’s a blending of the two – sketching the plot, adding the characters who need to be there, and then fleshing them out until the story is there.







3. Do you know how the story will end before you begin? In a general way or a specific one?







No, but I usually have a pretty good idea of the type of ending I’m going to have. I may not know exactly how it will end – in fact, in Deadly Secrets I did not have any idea how the ending that I felt the book needed was actually going to develop until I was pretty well through three-fourths of the book. The ending came out of the characters and the way the story was going, and when it came together it was just definitely the right ending for that story.







4. Do you choose settings you know or do you have books of settings and plans of houses sitting around?



Usually the settings are places that I have either been to or I have a knowledge of. There’s a real tendency on my part to write a kind of fact/fiction – in other words, the setting and minor characters and events are very likely to be true, they are developed from places I know and things I have seen or situations I have encountered. Since I write fiction, of course all of these things are adapted to my story, but the bones, the building blocks of the stories, come out of those experiences and observations.











5. Where do you do your research? On line or from books?







I do almost everything online. Since I’m a publisher as well as an author, it seems like I spend a very large portion of my life online, and I’m the curious type. If there’s a question I can’t answer, I will always head for my computer.







6. Are you a draft writer or do you revise as you go along and why?



I write a basic freehand of every chapter, letting it flow as it does, and then I go back and revise, refine and work in details I’ve missed, get it into a kind of structural order, and then I go on and work a few more chapters, and then go back and prune and whittle some more, until finally I have what I feel is a pretty complete first draft. Then, of course, the fun begins and I have to do it all over again.







Thanks for having me Janet. I love talking about Kelly and the gang at Indian Creek, and I hope my answers have been informative and at least a little bit fun to read.







Jude Pittman





Thursday, May 31, 2012

Books I've Been Reading -- Jude Pittman's mysteries


Jude Pittman is an online friend, partner in one of my publishers but I really discovered her through a group that was a promo group that has evolved into a publisher. I have also read three of her books, all mysteries.

I'll have to admit that I'm a re-reader and I've read her books at least three times. But you know the ending people often tell me. Granted I do. I have a memory that often clings to stories. While I may know the ending, the nuances are what fascinated me. I love mysteries and trying to find the hidden hints to the revelation at the end. Perhaps my love of reading stories again and again is because I do learn how to hone my craft and I'm also a re-writer doing drafts and drafts of a story.

Now back to Jude's stories. Deadly Secrets and Deadly Betrayal take place in Texas. I happen to have two Texas born childr so one of the pleasures in reading Jude's books take me back to my days of living near "the Hospital on the hill" near Ft. Worth. Now the hill was hard to find but that's another story. I have both books on my Kindle and also on two other electronic readers from my past that are now defunct. Kelly the hero is tough and coruageou and the atmosphere of the bar with its characters provides laughter and a few hints to what is going on. I'm really a cat lover but I found Jake, the dog, to be a fascinating creature. The mysteries are well crafted and I do wish there were more of these stories. Sometimes a reader finds a character they don't want to let go and Kelley is one.

I've also read Jude's other mystery Bad Medicine and enjoyed meeting her characters in this story. This is another area to explore and learning about other cultures is a great thing.

So hats off the Jude. Hopefully there will be more books coming.