If you don't catch the reader in the first chapter, you probably won't catch their attention. To do this there are a number things that will catch the reader's attention.
The major conflict -This is the driving force of the book. Could be a meeting, a murder, a testing of wills. The major conflict needs to be strong enough to carry the book.
A minor conflict that has something to do with the major conflict. A meeting between a hero and heroine that doesn't go well. The murdered completelyescaping. Someone planning a crime that will have an impact on the other characters.
Presenting a "plant." Easy to do in a murder mystery, This needs to be unobtrusive. The plant could be something the characters learn later in the book. In a story I'm reading the heroine takes a job where it is absolutely forbidden for one of the employees to be sought out for romance by the owner's son --unless he ahs met her before.
Making the reader care about one or more than one of the characters. At present I'm working on a story where the heroine garners this kind of interest by the reader and the other characters now to much. Even the hero will need to make a great change before he can be the hero.
In the first chapter the kind of story needs to be established. Tone and style are important. I judge a lot of questions and have seen stories start out to be one thing and end up another. A historical where the language sounds modern. I've read romances that sound like something other than a romance or a mystery when there is no puzzle to interest the reader in the story because the mystery isn't strong enough in the first chapter.
Showing posts with label conflicts and other needs.. Show all posts
Showing posts with label conflicts and other needs.. Show all posts
Wednesday, November 11, 2015
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