Showing posts with label Victoria Chatham. Show all posts
Showing posts with label Victoria Chatham. Show all posts

Saturday, October 6, 2018

Saturday's Blurbs Books by Victoria Chatham #MFRWAuthor #BWLPublishing #Romance #Historical


Loving that Cowboy


Loving That Cowboy



Blurb for Loving That Cowboy

Photo journalist Trisha Watts is asked to judge a photography competition at the world-famous Calgary Stampede.

One more rodeo win will fulfill all champion steer wrestler Cameron Carter’s ambitions. When he meets green-eyed, long-legged Trisha those ambitions turn to wrestling of another kind.

Trisha was promised hot cowboys. Will she close the door on the man who could be the love of her life, or is this cowboy too hot for her to handle?


His Dark Enchantress



Blurb for His Dark Enchantress

A London season is the last thing bright, beautiful Emmaline Devereux wants. But her grandfather knows he is dying and insists that she find herself a husband and secure her future. But Emmaline has a past that, if revealed, will undoubtedly bring disgrace on her and those with whom she associates.

Lucius, Earl of Avondale, has sworn to not marry until he is forty, but fate brings Emmaline to his door. Intrigued by her, Lucius swears to unravel her mystery even if it does mean a marriage of convenience with her to appease her grandfather. But then Emmaline’s past catches up with her and she is abducted. Will Lucius want to find her, and will the truth tear them apart or strengthen their love?

BRIDES OF BANFF SPRINGS



Blurb for Brides of Banff Springs

In the Dirty Thirties jobs were hard to come by. Having lost her father and her home in southern Alberta, Tilly McCormack is thrilled when her application for a position as a chambermaid at the prestigious Banff Springs Hotel, one of Canada’s great railway hotels, is accepted.

Local trail guide, Ryan Blake, is taken with Tilly’s sparkling blue eyes and mischievous sense of humor. His work with a guiding and outfitting company keeps him busy but he makes time for Tilly at every opportunity and he’s already decided to make her his bride. On the night he plans to propose to Tilly another bride-to-be, whose wedding is being held at the Hotel, disappears.

Tilly has an idea where she might have gone and together with Ryan sets out to search for her. Will they find the missing bride, and will Tilly accept Ryan’s proposal?

Saturday, January 14, 2017

Saturday's Blurbs - Books by Victoria Chatham #MFRWauthor #regency #romance

Tilly McCormack is thrilled when her application for a position at the prestigious Banff Springs Hotel, one of Canada’s great railway hotels, is accepted. Local trail guide, Ryan Blake, is sure she is the girl for him. When a bride-to-be, whose wedding is being held at the Hotel, disappears, Tilly has an idea where she might have gone. Will they find her, and will Tilly accept Ryan’s proposal?


His Dark Enchantress http://amzn.com/B00BOW42QG

Her grandfather is dying and insists she marry. Emmeline Devereux is under no illusion that her marriage to Lucius, Earl of Avondale, is one of convenience. When her past catches up with her, will the truth tear them apart or strengthen their growing love?


Ship-wrecked Lady Juliana Beamish is rescued by Captain Drake O’Hara. He serves no master and only one mistress— the sea—but undermines her every notion of what desire is. Uncertain if she is still a wife or already a widow, Juliana is unwilling to dishonor her marriage vows. Will she continue to resist Drake, or will she surrender to the unrelenting passions he has stirred in her?

Friday, January 13, 2017

Friday's Guest - Victoria Chatham - Who She Was Before #MFRWauthor #writing

1. What were you in your life before you became a writer? Did this influence your writing?

I’ve always been a writer since I could hold a pencil, but along the way I’ve been many things from a groom in a hunt stables to wife, mother, and grandmother. As far as an actual career is concerned, I’ve mostly worked in administrative or public relations positions. I think the organization needed for administrative work influenced the way I organize my writing, and I know meeting many, many people has given me insight when I’ve needed it for my characters.


2 Are you genre specific or general? Why? I don't mean genres like romance, mystery, fantasy etc. There are many subgenres of the above.

I mostly write historical romantic fiction, but I have also written contemporary western romance. I have many ideas and plots for just about every genre except fantasy and science fiction. I’m not a fast writer so I don’t know how many of these books will ever actually get written.


3. Did your reading choices have anything to do with your choice of a genre or genres?

Yes, definitely. I loved the Regency romances of Georgette Heyer and was so influenced by that era that when I started writing novels that was my first choice. I also love everything western, especially books by Linda Lael Miller and Jo Goodman, which brought me to write my western romance, Loving That Cowboy.


4. What's your latest release?

My publisher, Books We Love, is promoting the Canadian Historical Brides series, one bride for every province and territory to celebrate Canada’s history and 150th birthday in 2017. My book is Brides of Banff Springs, set in Banff, Alberta. I loved writing this book. Banff is not too far from where I live, so I made several day trips and spent a couple of weekends there for my research. It’s such a beautiful area it I sometimes forgot what I was there for.


5. What are you working on now?

My next book will be the third in my Berkeley Square Regency series, His Unexpected Muse. The first two in the series had some quite adventurous action scenes in them, but this book will be a little quieter with an unusual hero/heroine. They are two characters from His Dark Enchantress, the first book in the series. He is not the strong, athletic alpha male, she is not the usual beautiful and enigmatic heroine. They intrigued me when I was writing that first book and I decided I had to write about them, too.


6. Where can we find you?


Wednesday, October 5, 2016

Wednesday's Writer's Tip - Writing ABC - A is for Action and many more #MFRWauthor #writing

Not sure this will succeed but I'm going to try and see if I can find one thing for each letter of the alphabet that applies to writing fiction. With a little help from my friends and fellow writers,

A is for Action - Action is essential to a story. We've all read stories when we're pushing for the writer to give us some action. Now my take on action doesn't mean there has to be a car chase or some equally physical bout of fighting. Action can be softer but there has to be some kind of movement. A good argument can be action so can thinking about what has or will happen. The action cam be how one character responds to another and what steps they are about to take. Showing these steps toward reaching a goal can be action even though there are nothing high speed.

Action can also cause problems and to make the reader weary. Some stories seem to be all action. The characters are never allowed to take a breath. Nor does the reader have this respite. They may finish the book totally exhausted mentally and wonder why they chose this author.

Writing love scenes are definitely a place where action enters the equation. I read a book where the active love scenes continued and continued and continued. I found myself skipping pages. to get past the love scenes happening in two chapters out of three. This also applies to other kinds of action. I've read books where the characters argue or discuss heatedly a certain problem. But they do this again and again in chapter after chapter.

So one has to remember Action is important to a story but there are other elements that also unite with the story. One thing I have when I've gotten that rotten rough draft down is to start rewriting and when a segment of the story seems boring, and if it bores the writer, think of the poor reader. Then I know it's time to throw in a little action to make the slow scene work.

What do you think about Action and do you have other things concerning writing starting with A is for...

A is for Adventure and Anticipation  - Roberta Grieve Adventure - it's always an adventure starting a new novel. You may have an idea of what's going to happen to your hero and heroine but as the story develops things start to happen hat you hadn't anticipated. Anticipation - that's another A.

Never thought of these two. Not only is adventure the start of a new project but some stories are filled with Action and Adventure, What do you think?

A is for Art
A is for art. The art of writing. I was pleased when the board for our local Art Hop recognized writing as an art when they included local authors in the festival. Writers don't paint on canvas, but they do create scenes and characters for readers to "see" on the pages of the story. When viewing a sculpture or painting, emotions flood through me--delight, dislike, wonder, calm. Don't we as authors create emotions for readers--love, hatred, wonder, fright, peace? Art is creating and writers do create scenes and emotions, if not in sculpture or wall hangings, but definitely within the reader's mind. J.Q. Rose at http://www.JQRose.com 


A is for Antagonist: a person who actively opposes or is hostile to someone or something; an adversary.
As writers, we know a good antagonist – call him/her or it villain, nasty character or what you will – are necessary to put in the way of our leading characters getting what they want. An antagonist need not be thoroughly evil. In fact, the more sympathetically they are written, the more real they become rather than just a cookie-cutter villain.
An antagonist need not necessarily be a person, but a character’s alter-ego: good versus bad as in Dr. Jekyll and Mr. Hyde. Or it could be the environment, think movies such as Reese Witherspoon’s Wild or George Clooney and Sandra Bullock’s Gravity. In a fantasy the antagonist could be any type of ‘he who must not be named’ – what fun to create your own version of J.K. Rowling’s Voldemort.
The stronger you make this character, the more blocks he/she puts in our leading characters’ way, makes for a much more interesting and unforgettable read.

Victoria Chatham

http://bookswelove.net/authors/chatham-victoria/
www.facebook.com/AuthorVictoriaChatham
http://victoriachatham.blogspot.ca.

A is for Atmosphere
Renee Simons Just think about that classic cliché, "It Was a Dark and Stormy Night." Sets up the atmosphere for a mystery or an adventure story and puts the reader in the middle of the scene.



Renee Simons

Books We Love Ltd.

https://www.amazon.com/author/bookswelove.netsimons.php


Visit Amazon.com's Renee Simons Page and shop for all Renee Simons books and other Renee Simons related…
amazon.com

A is for Anti-Hero Via Kathy Fischer Brown
Anti-hero An archetype that can be traced back to Greeks and Roman literature and theater, but took off in the 19th century as the Byronic hero. These guys are not always morally correct; they usually serve their own interests, and often act as a foil for the hero. In movies, Clint Eastwood's early spaghetti western characters and his later portrayals in movies such as "The Outlaw Josey Wales" and "Unforgiven" show a man who is a loner with a past who ends up doing good out of circumstance rather than intention. In modern literature, he is Salinger's Holden Caulfield or Kerouac's Dean Moriarty...or those lovable rakes and bad boys across numerous Romance genres, who are reformed in the end through the love of a good woman.
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Saturday, June 11, 2016

Saturday's Blurbs featuring Books by Victoria Chatham #MFRWauthor #Regency #Contemporary romance

His Dark Enchantress. https://amzn.com/B00BOW42QG
A London season is the last thing bright, beautiful Emmaline Devereux wants. Her grandfather knows he is dying and insists that she find herself a husband and secure her future. The only husband Emmaline would consider is her friend’s dark and imposing brother. But Emmaline has a past that, if revealed, will undoubtedly bring disgrace to her and those with whom she associates. Dare she risk pursuing her heart’s desire? 

Lucius, Earl of Avondale, with a secret of his own, has sworn to not marry until he is forty but fate brings Emmaline to his door. Intrigued by her, Lucius swears to unravel the mystery she presents. With a war raging between his head and the heart he is in danger of losing to her, he enters into a marriage of convenience with her. 
But then Emmaline’s past catches up with her and she is abducted. Will Lucius succeed in finding her and will the truth tear them apart or strengthen their love? 
The complete boxed set of all three novellas in the Buxton Chronicles. Cold Gold, On Borrowed Time and Shell Shocked. The story of Lord Randoph Buxton and his wife Lady Serena Buxton.
Loving That Cowboy https://amzn.com/B0161Z7M8A
Trisha Watts has a past she’d rather forget. She lost a career and nearly her life in an accident that sapped her confidence and haunts her dreams. The world famous Calgary Stampede presents a welcome diversion, but her past catches up with her in a way she could never have imagined. 

One more big rodeo win will fulfill all champion steer wrestler Cameron Carter’s ambitions but when he meets green-eyed, long-legged Trisha his ambitions turn to wrestling of another kind. Is this cowboy too hot for her to handle? 

From the pristine wilderness of the Rocky Mountains to the thundering applause of the Stampede Grounds, Trisha fights her growing attraction to Cameron – a man who sweeps her off her feet one minute then ignores her. Not trusting her heart, Trisha can barely wait for the Stampede to finish so she can go home, never expecting that Cameron will cross an ocean to track her down. 
Will she believe this determined cowboy’s explanation? Or will she close the door on what could be the love of her life? 

Friday, June 10, 2016

Friday - Who She Was Before Featuring Victoria Chatham #MFRWauthor


1. What were you in your life before you became a writer? Did this influence your writing?
I think I was always I writer, I just didn’t believe it! Amongst my cousins I was always the story teller, so putting those stories down on paper just followed naturally. I won prizes for essays while I was still in school and then grew into a typical teenager. I was more interested in good ol’ rock ‘n roll and jiving at the local dance hall at least two nights a week. Getting married and having a family put any ideas I might have had about writing on the back burner but I was always going to to write a book one day. Every job I’ve ever had has had a large customer service element and as I find people fascinating it wasn’t too difficult for me to build characters. I joked that if people weren’t nice to me I’d make them a villain in a book.
2 Are you genre specific or general? Why? I don't mean genres like romance, mystery, fantasy etc. There are many subgenres of the above.
I’d have to say general even though I mostly write Regency romance. I like to think I could branch out into other genres if I wanted to. My last release was a western contemporary romance, Loving That Cowboy, and I really had to work hard on that book. That surprised me as I thought I would have no trouble branching into a contemporary story.  My soon to be released His Ocean Vixen has been a joy to write as I’m back in the Regency period. I got so lost in it that for the last couple of months I’ve really thought of very little else.
3. Did your reading choices have anything to do with your choice of a genre or genres?
Yes, I really enjoy historical novels, especially Regency romances. I fell in love with that genre in my teens and although I enjoy a good mystery or thriller I usually come back to the Regency. I also enjoy good western romances, by Kathleen Eagle and Linda Lael Miller especially. For pure westerns I turlike Zane Grey, Louis L’Amour, Larry McMurtry and Owen Wister. I tend to think of them as classical westerns.
4. What's your latest release?
This will be His Ocean Vixen, hopefully coming out mid-June. I’m working on revisions now. It’s the second in my Berkeley Square series.
Newly-wed Lady Juliana Beamish has much to look forward to but her future turns bleak when the ship she is voyaging on is attacked by pirates.

Captain Drake O’Hara serves no master and only one mistress – the sea. On course for Jamaica he is reluctant to waste time investigating wreckage strewn across the ocean’s surface but when the debris offers up a beautiful survivor, he has no option other than to take her aboard.

Drake undermines her every notion of what desire is but, uncertain if she is still a wife or might already be a widow, Juliana is unwilling to dishonor her marriage vows. Returning to England is the only recourse she has to determine her status. Can she continue to resist Drake or will she surrender to the unrelenting passions he has stirred in her?

There are two more to come in this series and might be more because as I create new characters in each story it’s a bit like ink on a blotting paper, the ideas just grow. I like to work with characters I’ve already created as they take on lives of their own and it’s not so hard to write their stories. They feel as familiar to me as old friends and I’m reluctant to let them go.
5. What are you working on now?
I’m already lining up my next book and have started with character outlines and reading histories of the area in which my book is set. This is a secret project so I can’t say too much except that I’m really excited about it. It’s set in 1935 so it is still a historical work.
6. Where can we find you?
All my books are listed on  http://bookswelove.net/authors/chatham-victoria/.  I had got really good at posting every week day on www.facebook.com/AuthorVictoriaChatham but have got a bit behind with finishing up His Ocean Vixen and then being on vacation. I post at least once a month on http://victoriachatham.blogspot.ca and also have a regular blog page on the twenty-third of each month on www.bwlauthors.blogspot.ca.

Friday, September 20, 2013

Just a Few Sentences from Cold Gold by Victoria Chatham



A FEW LINES from  COLD GOLD by Victoria Chatham

 

“Well,
look ‘ee here!” The first rider grinned at her, revealing a mouthful of stained
and crooked teeth that reminded her of broken tombstones. “New blood in town.”
“Hello,
fancy lady,” the second rider said. “You goin’ to share a drink wi’ me before
we share somethin’ else?”
The
other riders dismounted and gathered around her, jostling Serena until her back
flattened against the wall of the saloon. Her mouth quickly dried up. Her heart
pounded. She smelled their sour breath and sweat-stained clothes, felt their
anticipation and wished she had paid more attention to Sheriff Johnson’s
warning.
“Oy,
you lot!” Every head turned at the strident tone of a woman’s distinctly
English voice. “Jasper, you idiot, you don’t know a real lady when you see one.
Cal, you wouldn’t know what to do with one anyway. Tom, Walt, Clarence, stand
back and give the lady some room. Clear off, the lot a’ ya.”
Grumbling,
the men turned away and walked into the saloon. Serena closed her eyes and
sighed with relief.
“Are
you stupid, or what?”
Serena
pushed off the wall and faced her rescuer. The force of the expression in the
woman’s blue eyes almost caused her to take a step back again.
“I...I
wasn’t thinking,” she stuttered.
“That
was perfectly obvious,” the other woman retorted. “Come on, we need to get you
off the street. This way.”
The
woman took Serena’s arm in a strong grip and hurried her along the boardwalk in
the opposite direction to the Eldorado.
“In
here.” The woman opened a door and pushed her into a store redolent with the
warm and wonderful aromas of coffee and fresh baking. “Go on, straight through
that door facing you. I’m right behind you.”
Her
rescuer’s hand, firm on her back, gave Serena no choice but to go where
directed. The moment she passed through the second door, she spun on her heel.
“Just
who are you?” she demanded. “And what gives you the right to push me around?”
“Well,
pardon me for breathing.” Anger spiked the woman’s voice and blazed in her blue
eyes. “You’d rather be pushed around by a bunch of randy miners, would you?”
“No,
of course not. And I do thank you for coming to my aid, but who are you?”
“Someone
you shouldn’t be seen with, that’s for sure.”
“Why
shouldn’t I be seen with you?” Serena looked her rescuer up and down and might
have been looking in a mirror, so similar were they. The woman was her height,
dressed in clothes as fashionable as her own. Tendrils of hair, blonde rather
than dark brown, framed the woman’s face and, just like Serena’s own skin, the
woman had a fresh, clear complexion.
“Because
I’m Lorelei Sutton and I own a brothel just outside of town.”


Buy at http://www.amazon.com/Cold-Gold-Buxton-Chronicles-ebook/dp/B00F04HD1K

Visit Victoria Chatham at
www.bookswelove.com/chatham.php
www.facebook.com/AuthorVictoriaChatham

Join us next week for A Few Lines from
Diane Bator

Saturday, May 11, 2013

Saturday's Chapter By Victoria Chatham


CHAPTER 9


Lucius situated himself at the back of the entrance hall in Countess Esterhazy’s house. Light glittered from hundreds of candles set in wall sconces, candelabras and chandeliers. Footmen stood guard on both sides of the front door. Servants took cloaks, shawls, hats and canes from the early arrivals.

Waiting impatiently, he wanted to see and talk to only one person. He avoided several acquaintances, all of whom would be thoroughly shocked had they known of his infatuation.

Yes, infatuation, he told himself. It could surely not be anything else. She was pretty; no, he corrected himself, make that beautiful. Witty; no, a sharp tongued shrew who would probably never give a husband a moment’s peace. But, he told himself, this woman would never be a bore, could also be his friend as well as his lover if he chose to indulge that fantasy.

His attention focused on the front door. What would she be wearing? Would she see him? Could he stop himself from stepping out and sweeping her into his arms? The thought stunned him. That was a road he did not want to travel.

He fought to keep his warring emotions firmly under control but, when Emmaline at last made her entrance he joined in the collective gasp of admiration from those standing around the foyer.

Sheathed in a simple white satin gown that showed her figure to its fullest advantage, she walked with a grace that quite simply enchanted him. He stepped back behind a colonnade, not wanting his pleasure in seeing her to be seen.

He watched heads turn as gentlemen frankly admired her slim figure. Lucius fumed inwardly at their impertinence, amazing himself with the strength of his reaction. Why should the way other men look at her matter to him? Her exotic good looks could not but delight any eye.

The ladies cast envious glances her way, whispering about the design of the seed pearls stitched to her low cut neckline and the quality of the silver lace stole draped over her arms. Dowagers gasped as her satin skirts clung to her long, shapely legs. Clearly disapproving, some lifted fans to hide their faces while they made comments to their neighbours.

Her determination to combat the openly curious stares directed her way was evident in the tilt of her chin, her ramrod straight back. He watched her return stare for stare, nodding her head and smiling graciously at people as if she knew them. He moved closer and still Emmaline had not seen him. As she turned to speak to her chaperone, Countess Esterhazy appeared and swept her into a warm embrace.

“So good of you to come, my dear,” he heard the Countess say. “Our meeting at Almack’s was fortuitous but all too brief. I look forward to a longer conversation with you later this evening.”

“It was kind of you to send a carriage and chaperone for me,” Emmaline replied.

“My pleasure, my dear.” The Countess took her arm. “Now I must introduce you to some friends of mine.”

Unable to refuse, Emmaline found herself swept along on a tide of bon hommie, being introduced to one group of people after another, until the Countess stopped in front of Lucius.

“And I don’t believe I need introduce you two, n’est pas?” A little trill of laughter bubbled up from inside her as she patted Emmaline’s hand and walked away.

Fury at the subterfuge boiled in Emmaline’s veins. She raised her glance only to see humour lurking in Lucius’ steady gaze. She tightened her fists and would dearly loved to have hit him.

“Not my doing, Miss Devereux, I do assure you,” he said, putting up his hands as if in defeat. ”Although I can’t say I’m sorry. You look quite charming this evening.”

“I should do after all the effort that went into it,” Emmaline replied through gritted teeth.

“I see.” A ghost of a smile played across his face. “You would perhaps be happier in the country wearing homespun and half boots?”

“Much.”

“And why would that be?”

“I prefer the simple honesty of country life to the so called manners of people in Town, my Lord.”

“Really? Pray educate me.”

Dazed at finding herself so close to him again, Emmaline allowed Lucius to take her elbow and steer her to a seat in a window embrasure. When she saw where he led her, she glanced around but her chaperone was close by. Composing herself as best she could, she took the proffered seat.

“Now, you were going to educate me in the ways of honest country life and ill mannered Town people, were you not?”

For a moment Emmaline thought she detected mockery in his voice. She dared to look at him, but saw nothing other than interest in his face.

“As master of Avondale Park, I am sure you are well acquainted with country life and need no instruction from me.”

“To an extent that may be true, but I am not sure how best to respond to your argument. Pray enlighten me.”

“Why, my Lord, do your horses not bite at one end and kick at the other? Do your dogs not steal scraps from your table, the cat get into the cream or the foxes ravage your chickens?”

“And there is honesty in that?”

“But of course, for they are simply being themselves.”

“And in Town we are not?”

“Of course not.” The look Emmaline gave him was beyond scathing. “Countess Esterhazy very clearly arranged to put us together this evening. Mamas scheme to marry their daughters off to the richest man possible every Season, regardless of how they may feel about each other. You only have to consider Lord and Lady Fletcher to see that.”

“How so?”

“Miss Stephanie Howard’s parents married her off to Lord Fletcher for his fortune and his estates but she is now carrying Lord Burrough’s child. Tell me, what is honest about that?”

“How the devil did you know about Lady Fletcher?” asked Lucius, clearly astonished.

“It doesn’t matter.” Emmaline shook her head.

“And what of you, Miss Devereux, are you honest?”

Emmaline’s stomach turned upside down and she quaked in her white satin slippers. Oh, how much she wanted to tell him the truth, to trust that he would not turn away from her. But it was impossible. She steeled herself and dared to look directly into his eyes.

“At this moment, my Lord, no I am not.”

Her response surprised and intrigued him but before he could question her further, a buzz of conversation stirred in the crowd. People pressed back to clear the centre of the room. Lucius stood up as they heard the murmur of anticipation.

“It is the Prince Regent himself,” the chaperone whispered with awe.

Emmaline left her chair and stood beside Lucius, hoping to remain at the back of the crowd. To her horror Countess Esterhazy was forming a reception line and she quickly found herself at the forefront.

The Prince, with his entourage behind him, slowly made his way down the line. Emmaline looked down and bit her lip, hoping that he would pass by her but the Countess and the Prince Regent stopped in front of her.

“Miss Devereux, delighted to make your acquaintance again.” In the ensuing silence she heard the creak of his stays as he bent towards her.

“Your Royal Highness is too kind.” She dropped a deep curtsy and bowed her head.

“Nonsense.” The Prince lifted her hand to his lips. “England salutes you. And how is your grandfather and your army of wounded warriors, hmm?”

“As well as can be expected, your Highness,” Emmaline assured him, but the Countess had already moved on.

“Escorting Miss Devereux this evening, Avondale?” the Prince asked as the Countess introduced them. “If you ain’t, I might have to snaffle this pretty little thing out from under your nose.”

There were snorts of laughter and protestations from those around them and the Prince continued down the line, a fat chuckle emanating from his lips.

Lucius took two glasses of champagne from the salver presented by a footman and gave one to a still dazed Emmaline. She took the glass without a word, but turned with everyone else when Count Esterhazy proposed a toast to the Prince.

“So how come you’re acquainted with Prinny?” Lucius asked quietly once the Prince’s party moved on to take their seats in readiness for Catalani’s performance.

“I met him just once at a military function when in the company of my grandfather.” Emmaline sipped on her champagne.

“So why would England salute you?”

Emmaline sipped on her champagne and swallowed it slowly. Here was the core of her problem. She sipped thoughtfully on the champagne again. How could she possibly tell him anything without having to tell him all? There was no way at all. She recklessly tossed back the remainder of her champagne and placed her empty flute on a passing servant’s tray. Lucius stood close behind her. She sensed the heat in his hard muscled body. Her heart leapt, skipped a beat as he moved closer still. Her skin burnt as the backs of his fingers pressed lightly against her arm. She took a deep breath to compose herself and wished she had not drunk her champagne so quickly. Her head spun a little as she turned to Lucius.

“His Highness simply referred to the work my grandfather took upon himself to repatriate wounded soldiers. You must know they were shockingly neglected.”

“I have heard something of the sort, but I do believe there is more to it than that.”

Emmaline moved away a little and looked up at him. “But without calling me a liar, which would be most ungentlemanly of you, you will have to accept it will you not?”

“No, minx. I will not.”

Lucius leaned in towards her. His breath on her neck made her stiffen. Little licks of heat danced down her veins, twirled her pulse into a rapid tattoo. She tried to keep her back straight and to look ahead while all she wanted was to close her eyes and drop her head onto his shoulder. How could her body betray her so? She gave herself a mental shake and lifted her chin.

“I wish . . “ she began.

“What do you wish, Emmaline?”

She inhaled deeply. His words must have ridden on the cloud of her breath and detached themselves in her brain for she could not possibly have heard them.

“I mean, I want . . “

“What?” His lips were close to her ear. “Tell me what you want.”

He stood so close. She knew that if she leaned back she would feel the hard wall of his chest. She took a step away, but he moved beside her. She felt the firmness of his thigh against her hip. Shocked at the instant tremor this elicited in her, she moved away again. His whisper, soft and low and surely not heard by anyone but her, tickled the delicate shell of her ear.

“What I want is you in my bed.”

Emmaline gasped. This was wrong. She could not have heard him correctly. She blinked and looked up at him. The longing she saw in his eyes matched the longing in her heart and nearly overturned her resolve, but she lifted her chin even more and tried to smile.

“Ah, a jest to set the tone for the evening,” she said as glibly as she could

“I do not jest, I assure you, but I believe we should take our seats in readiness for the performance.”

In stunned silence, Emmaline took the arm he offered her. Lucius escorted her into the already darkened drawing room in which the evening’s entertainment was to take place. He procured seats for them, just as the performer made her entrance.

Catalani’s dark eyes swept her audience and commanded immediate quiet. She held them spellbound. Her audience waited. Her rich soprano voice began to fill the room and Emmaline felt a slight pressure on her hand. She glanced down to see Lucius’ hand resting gently on hers.

Her heart soared. Her pulse thumped as the soprano’s voice effortlessly rose and fell from one octave to another. Eyes closed, Emmaline remained motionless. She prayed that Lucius would not remove his hand and revelled in the warmth that radiated through the thin kidskin barrier of her gloves.

Her mind drifted. What if there were no barriers between them? What if she could remove his coat, his shirt? What if he slipped her gown off her shoulder? She shivered with pleasure at the image of his skin against hers.

Lucius turned her hand over and she felt the light pressure of his finger as he began to prescribe lazy circles in the palm of her hand. She gasped in shocked delight and, as that exploring finger travelled to the inside of her wrist and began to caress, felt a tremor run through her body.

Lulled by the melodies that washed over her, aflame from the sensations he stirred in her, she gave in. Relished the heat that emanated from Lucius’ hand and warmed her entire body. Wished the moment could last forever. When the song was at an end she reluctantly pulled her hand loose, rose from her chair and joined the audience in applauding the performance.

“She is magnificent, is she not?” Emmaline whispered to Lucius.

“Yes, you are,” he whispered back.

Suddenly breathless, Emmaline quickly sat down and folded her hands together in her lap to prevent them trembling. She peeped at Miss Stevens, hoping that she had not heard Lucius but her chaperone was still on her feet applauding. Catalani hushed the audience and sang two more pieces before making her exit amidst thunderous applause.

“However they managed it, the Esterhazy’s have outdone themselves,” Lucius said as the room began to empty. He held Emmaline’s chair as she stood up. “Were you perhaps invited to dine at Lady Darnley’s this evening?”

She nodded, unable to find words with which to reply.

“May I escort you?”

Fighting to control her breathing, she desperately hoped he did not notice her hesitation. “You do not have your own carriage this evening?”

“Yes, but it can follow.”

“And keep your horses waiting?”

A smile broke the lean face that loomed so close to hers. “There are times when it does not hurt them. Tonight is one of those times.”

Lucius beckoned to a footman and asked that his carriage be re-directed to Lady Darnley’s residence. He offered Emmaline his arm. She placed her hand in the crook of his elbow.

It felt so right, so good, as if it had always been so as she stepped out with him to her carriage. He had not said he loved her, had not asked for her hand in marriage, but his whispered words rang in her mind.

He wanted her.

Friday, May 10, 2013

Friday's How She Does It featurning Victoria Chatham


Thank you Janet! This is a new and exciting venture for me. Here are my answers and attached pdf file. The chapter is quite innocuous and suitable for general reading as requested. I hope this works but if you need anything else please let me know. Thanks again. Victoria C.






We all know there are six elements in writing fiction Who, What, Where, When,Why and How. I believe the first five lead to the sixth which for me is the Plot. What's your take on this?



I quite agree with you. I think it was Rudyard Kipling who first coined the five W’s in his poem The Elephant’s Child. It’s the most concise way of encapsulating the bones of a story and the most basic framework from which to work. ‘Who’ is your cast of characters. ‘Where’ is the world, or setting, in which you place them. ‘When’ is the time period whether it’s historical or contemporary. ‘What’, ‘Why’ and ‘How’ is all the stuff that happens along the way to the conclusion, the story arc if you will.



1.How do you create your characters? Do you have a special system?



I don’t think I have ever consciously created my characters. They come to me in their own good time. Sometimes singly, sometimes in a rush. I write them all down and promise them I’ll get to them eventually. When that time comes, I create a profile for each character. I determine their birthday and build their strengths and weaknesses based on their astrological sign. I create their personal timeline to further confirm why they are the way they are, influences from parents and siblings, school and profession, and for my Regency, the mores of the era. Then I have material to draw on when I start putting them in situations they are not expecting.



2. Do your characters come before your plot? Do you sketch out your plot or do you let your characters develop the route to the end?



My characters definitely come before my plot. Once I have my cast of characters, then I create a rough one page outline in bullet form of what happens to them and up the ante once I start writing.



3. Do you know how the story will end before you begin? In a general or a specific way?



Not always, but because I write romance there has to be a HEA so that’s what I try to build up to through all the problems my characters have to overcome.



4. Do you choose settings you know or do you have books of settings and plans of houses on your book shelf?



I love placing my characters in settings I know, or create a setting to suit my story based on settings I know. That might be places I have actually lived or visited, or even pictures from magazines that catch my eye. My home up until I was five years old was my grandmother’s Georgian house. I used the sitting room in that house for a scene in His Dark Enchantress. I made Sidmouth, Devon the home for my heroine in that book, based on what I remembered from visits there as a child. If I want to use a setting to which I have never been, I Google it and, if at all possible, visit it.. God bless Google! As for houses, I’m blessed with a knack for ‘seeing’ the homes my characters live in and usually draft them before I start writing so I know where rooms, hallways, stairways and doorways are. It’s just a rough sketch that works for me a bit like a road map. If I’m creating a village or town, that gets drawn out too. I like to know where I’m going, so if I can see it then I don’t have my characters getting lost. I’m a very visual person so this helps me to get what I see into words on the page and hopefully create a better flow for my reader to follow.



5. Where do you do your research? From books you won, the library or the internet?



I love research! It can easily draw me away from the writing. In an early writing class the tutor told me to forget the research, write the damn book and fill in where I needed to later. I have a magpie mind and tend to recall the most obscure facts. First and foremost I use the internet, but for the best research I love talking to people. If I really need something specific then I will go to a professional or an organization. Once I was stuck on not being able to see the roofline for the house I’d created for a particular story. I picked an architect out of Yellow Pages and spent a very enjoyable and informative two hours with him. For another story I needed to know what life was like in Montreal in 1939 just before WW2. For that I approached a local seniors organization and consequently spent a most delightful afternoon with a very charming lady who gave me the most wonderful insight of her life back then. Her record of how she and her sisters washed their hair is in that book. That’s the kind of detail I look for as I think it creates a very human touch. I do use the library but I’m a much slower reader these days so I like to have books for my own shelves so I can pick at them as and when I’m ready.



6. Are you a draft writer or do you revise as you go along?



I revise as I go. I have the most wonderful critique partner in A.M. Westerling so when I’ve got a few chapters under my belt I send them to her. I just keep writing, but when I get her critique back I revise the returned chapters and I know I’m pretty well done with them. Sometimes a thread gets changed and, of course, there is always the final read through. I want to make sure all the plot points are satisfactorily concluded and I have achieved that HEA that all romance readers expect.