Showing posts with label Rue Allen. Show all posts
Showing posts with label Rue Allen. Show all posts

Saturday, December 14, 2013

Saturday's Excerpt from One Day's Loving by Rue Allen



  At 2:30 PM James W. Collins V examined his pocket watch for the fourth time before he opened the door to the outer office of his law firm. “Harry, has Miss Alden sent any word as to why she’s late or let us know if she’s canceled our appointment?”

   “Not that I know. . . Oh, I clean forgot. I found this letter on the floor about an hour ago. I must not have heard the messenger, and he probably slipped it under the door thinking we were closed for lunch.”

   James bit his tongue to keep from shouting his irritation at the old clerk. Harry had been with the firm since the beginning.  While he had occasional lapses in memory and did not see as well as he once had, he knew everything about every case and client that the firm ever had. His knowledge was invaluable; putting up with minor lapses was a small price to pay.

   “Let me have it.”

   “What, sir?”

   “The letter you found on the floor.”

   “Oh yes. Now where did I put that?” Long moments were spent in searching through the various stacks of papers on Harry’s desk. The letter was finally found on the seat of his desk chair.

   “Here you are, Mr. Collins.”

   The paper was warm and slightly creased, but James took it anyway.

   Dear Mr. Collins,

   We have…”

   “Harry get the police here at once.”

   “Why?”

   “I will explain later.”

   “Yes, sir.” Harry donned his coat and hat then searched for and found his umbrella.

   “Would you hurry, man? Miss Alden’s been abducted.”

   “What? When? How? I’d better go for the police.”

   James ground his teeth. “Excellent idea.”

   Harry made for the door, but it opened before he could touch the knob.

   A woman stood framed in the doorway. Her rain sodden hair dragged down her face and across her shoulders. Her dress was muddy, crumpled, and her neckline askew. She smelled like a whiskey factory.

   “This is no place for the likes of you. Get on your way,” ordered Harry. He shifted to block the door. “I’m going for the police.”

   “No, please. You don’t understand.” Her elocution was at odds with her odor and appearance. Tremors shook the timid voice, and James finally noticed the shivers racking the woman’s small frame. “I’m Persephone Mae Alden.”

   Harry snorted. “I doubt that. Miss Alden is a well bred miss and would never. . .”

   James finally recognized the delicate bone structure obscured by the mass of wet hair and moved Harry aside. “Forgive my clerk, Miss Alden. He’s somewhat over protective.”

   “Sir!” objected Harry. “You cannot believe this drab’s claim.”

   “If you wore your spectacles as you should, you would see that Miss Alden is no drab. I’m surprised you didn’t hear her identity in her voice. Come into my office, Miss Alden. I gather you escaped your captors.”

   “Mae, please. With all that’s happened, standing on ceremony is more effort than I can handle. And, yes, I did manage to escape, but how did you know, Mr. Collins?”

You can read more about One Day’s Loving at my website or purchase directly from Amazon.

About Rue Allyn

 

Author of historical, contemporary, and erotic romances, Rue Allyn fell in love with happily ever after the day she heard her first story. She is deliriously married to her sweetheart of many years and loves to hear from readers about their favorite books and real life adventures.  Learn more about Rue at http://RueAllyn.com

 






 

Friday, December 13, 2013

Friday's How She Does it with Rue Allen


We all know there are six elements of
fiction. Who, What, When, Where, Why and How. I believe the first five lead to the sixth which for me is plot. What's your take on this>
 
 
 
1.        How do you create your characters? Do you have a specific method?
 No specific method. I discover them as I discover the story.
 
2.        Do your characters come before the plot? Do you sketch out your plot or do you let the characters develop the route to the end?
I sometimes (depending on the length or complexity of the story) write out a scene chart with very brief statements of POV character; Goal, Motivation, and Conflict for each character in the scene; the purpose of the scene and it’s place in the story’s timeline. The chart rarely has more than 20 entries of 2 or three lines each.
 
 
3.        Do you know how the story will end before you begin? In a general way or a specific one?
Only the HEA. I almost never know how my characters get from opening problem to the HEA.
 
 
4.        Do you choose settings you know or do you have books of settings and plans of houses sitting around?
No. I do use settings I’ve been to but I also use imaginary settings, and I never use house plans. I’d go crazy trying to make the story fit a specific architecture.
 
5.        Where do you do your research? On line or from books?
Yes. I also use first person accounts (interviews), movies, television and radio.
 
6.        Are you a draft writer or do you revise as you go along and why?
Yes.Because I leave myself notes as I write to cover details and plot decisions that I’m not certain of, I will draft as long as I can keep the storyline clear in my mind. If I start to lose focus because I’ve got too many blanks—spots where notes are the only story clues—I’ll go back and fill-in (which is sort of revising) until my focus is restored and the storyline is once more clear in my mind.