Showing posts with label Story. Show all posts
Showing posts with label Story. Show all posts

Tuesday, September 27, 2022

Tuesday's Writer's Tip Tension and Plot #BWLAuthor #MFRWAuthor #writing #tension #plot

There are stories that tell a tale but without tension, they can fall flat. Tension is the first thing to turn a story into a plotted tale. Without tension what youhave is flat. Boy meets girl. Boy asks girl to marry him. Girl says yes or no. The story ends there. But put in a simple but of tension and the story takes shape. Perhaps she says yew but her father or guardian is absolutely against the marriage. This bit of tension adds and makes a plotted story. If she says no, immediately the reader asks why. What does he do then. He needs to find a way to persuade her to marry him. That means change and change makes the story. 

Tension can add spice to any story. This captures the readers tension. What I've talked about here is a simple addition to the story bringing questiosn that must be answered. Adding an element of tension to any simple story and you are beginning to develop a plot or a road map to the end. Other ways to add tension to story will be looked at later. 

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Tuesday, September 13, 2022

Tuesday's Writer's Tip Plot and Story #BWLAuthor #MFRWAuthor #writing

What does Plot have to do with Story? when our children are small they like to hear stories. We usually read from a book and sometimes we tell them a story from our childhood. What is the difference here? So let's look at what Story is.

A story is like a necklace of beads with each been being an incident in life. Story needs curiosity about what happens next. So story is about incidents causing the hearer to wonder what comes next.

What does Plot add to the story? Plot brings why into the recital. Why did this event happen? Plot brings the reader into questioning and wanting to know why the event happened. Plot means remembering what has already happened and  figuring the why for the reactions of the characters in the story. This leads to the outcome. 

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Tuesday, April 20, 2021

Tuesday's Writer's Tip - More on Exposition # Story comes first #BWLAuthor #MFRWAuthor #Exposition #Story

 What do you do when there is a lot of information you want to give to the reader? You could do pages of exposition. This might work but usually it doesn't. Often when you're writing, especially when dealing with the pastor the future, there are things you would like to share but you need to remember one point. The Story Comes First. Expositionneeds to be handled with care. Feed this in bit by bit and show with these bits of exposition what effect it has on the characters or the story. Use it in such a way that the reader wants to know this bit of information. Making a dump of lots of material isn't the way to go. The expositionneeds to be part of the action. And think of the ways it could be used. To develop the character is one way. Another is to advance the plot. To give a road into a character's thoughts. This can also be sued to foreshadow the coming action.

So use exposition in your storyes byt connect it to the plot or the setting or the characters. and keep it as active as you can.

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Tuesday, March 31, 2020

Tuesday's Writer's Tip _Story Needed #MFRWAuthor #BWLAuthor #Writing #Words #People #Story

There is a third element needed to write novels. Again, I'm inspired by John Gardner.

With Words and a love of them, constantly turning them around, you can become a poet. Creating pictures in short expositions of turning words and their meaning.

With People, you can master short stories for they are an incident in a life. They can become character stories giving pictures of a single moment in a person's life.

But to write a novel, you need a story. For a story must have a reason to keep the reader turning pages. There must be a progression shown. How does a character move from that initial incident is important. To keep repeating the same argument over and over does not a story make. Each incident needs to lead forward heading to some kind of conclusion.

Tuesday, December 3, 2019

Tuesday's Writer's Tip - The Where of Your Story #MFRWAuthor #BWLAuthor #Writing #Where #Scenery


Where does your book take place and how does this influence the story? Think about settings and how a change in the setting can change a book.

Whn I first began writing and sent off my first manuscript, it came back with a note from an editor. "Your characters exist in a vacuum." She was kind enough to take the time to show me how to put the scenery in and also to show how the characters interact with the setting and how the setting could effect the story.

What the where includes is the world of your story. Even if you’re writing a contemporary, you must build the world your characters are living in. Is it a city, a small town, a rural area. Each of these places had a different effect on the story. Are there mountains, forests, the beach, the ocean, a lake, or a river. These are included in the where. These things may be specific to the place your story takes place whether in the past, the present or the future, or a world existing only in your mind.

When developing the where in your story follow from the large to the small. The small where includes places where the characters exist and interact. For some of my contemporary books I have books of house plans and ones of apartment plans. I also hit the internet for thoughts on furnishings.

If you’re using an outdoor scene, such as a forest or a garden. Find one thing that stands out and make that the character’s focus on the scene. I’ve used places I’ve been such as a museum or amusement park, just using a bit of this as a hook to pull the reader and the characters into the scene.

So make a list of the various places in your story. When writing one of my series, a contemporary one, I used a hospital I was familiar with for a number of the scenes. I did a little moving around, including moving the hospital I really knew to another site because I wanted the cemetery across the street. I also often use a town where I live but I make changes like a city planner when I want to rearrange the location of houses or shops.

So make your list and fill it in as best as you can from the start. You will make changes as you go along but having the basic ideas and focusing on one or two more aspects you will bring the setting to life.

After you have your list then think about the characters in this setting. How do they react to what's around them. One character may be observent and another only skin the surface. There are things to avoid when placing your setting. 

I'm sure you're read books where the writer goes on and on and on about the setting. There can be paragraphs and even pages of description. The trick to keeping your reader interested is to bring the setting in by showing the character reacting to the setting. Another is to choose a feature or two that give meaning to the story and the characters. If you put your characters in a cave, show them relating to the darkness, even to the claustrophobia. Make the setting perform more than one thing in your story. Use dialogue, action and reaction as well as description.


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Tuesday, September 10, 2019

Tuesday's Writer's Tip - Showing place in your story #MFRWAuthor #BWLAuthor #Place #Writing

The reader needs to know where your characters are not only in time but in space. When I first submitted a manuscript, an editor wrote back saying she liked the idea for the story but the characters existed in a vacuum. She rewrote a small passage showing me what she meant. Took me awhile to rewrite that story putting the characters in places or settings. There were other problems but that one opened my eyes.

When do you need to establish the setting or place of the story. In the opening scene, if you use flashbacks, during the action scenes and when the main characters are together.

Establishing the place where the story takes pace fits with the time period you've chosen. You probably wouldn't find the hero or heroine in a dungeon if your story is a contemporary. If they are you need to let the reader see what they see through the character's whose viewpoint is being shown. Remember different characters see the setting differently.

Take the dungeon. A heroine might focus on the dark dankness of the place. The hero might see something different like finding a way out. So when you start your story, let the reader see, feel, taste, hear and all the senses about the place where the characters have landed.


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Tuesday, July 30, 2019

Tuesday's Writer's Tip - More on the Mood of your story-- Tone #MFRWAuthor #BWLPublishing #Mood #Tone

Another thing about establishing the mood of your book is tone,  Is the story bright or dark. To do this much depends on word choices. Today would be different. That's perhaps the opening words of the story. How do you expand this to make the story either bright or dark.

For bright, choose your wods with care. Sara glanced at the window. The bright sunlight filled her with energy. Excitement about the events of the day filled her with joy. Today was her wedding. These words express a certain bright tone to the word choices.

Now we look at the Dark tone. Sara glanced at the window. The bright sunlight didn't raise her spirits. A funeral should happen in gloom and rain. She searched the sky and saw no clouds. This wasn't right. Her mood sunk lower.

Both openings show what kind of story will follow. Words count when establishing a story's mood.

Tuesday, July 23, 2019

Tuesday's Writer's Tip Looking at Mood in your story #MFRWAuthpr #BWL Publishing #Writer #Tip #Mood

Setting the mood of a story. What form of mood will you use for the overall tone of your book. Not every scene has to follow the trend but take care when switching from one to another. So what are these forms.

Comedy means an amusing story with a happy ending. If you start a story in this manner, don't switch to tragedy in the second half of the book. Humor can be part of the story but it doesn't necessarily have to be funny for the entire book. Amusing us a better way to go.

Tragedy is almost the opposite of comedy. There is no happy ending. Think Shakespeare's tragedies. Macbeth is a one.

Melodrama appeals to the emotions often by exaggerations . Usually there is a happy ending but not always. The characters are usually larger than life.

So when you start your story you should decide on the form you will use.




Tuesday, January 16, 2018

Tuesday's Writer's Tip -Looking at the When of a story #MFRWauthor #Writing #When

There are six elements you need to have in your book- Who are the characters. What is the goal the characters want to achieve. When is the time the story takes place. Where is the place where the story takes place. Why is the reason the characters want to achieve their goals. How is the road they take to reach their goal.

Today, I'm looking at the when of a story. When the story takes place is very important to the writer. Let's look at the number of whens that go into a story.

When can be the century. The story can take place any time from prehistorical times to the future, The time period of a story can help create the story. I have a series set in an ancient alternate Egypt. The when had a part in determining the alternate world part of the story. I learned there were no camels in Egypt until around one AD. My story was set in BC centuries before. Thus I had to change the focus of the story.

Many of my stories are contemporary and what happens in the world around is important. I seldom mention the political events but looking at the medical advances is important.

So century does have an effect in a story and often means research.

The when also means things like season, time of day. I'll look at these Next week.

Tuesday, December 12, 2017

Tuesday's Writer's Tip - More on In the Beginning of the Story #MFRWauthor #amwriting #openings

 Here's more on beginning your story. Remember, the reader wants to be entertained and there are some questions you should address in the beginning.

Where are you? The reader needs to have a sense of where the story is taking place and this is fairly easy to establish with some words. The city sidewalks burned hot enough to fry an egg. This gives you a sense of where the characters are and even the season of the year. Through out the opening scene bits of the scenery, the time and the place can be woven in.

Who are you? This is the character who in this opening scene is focusing on. The reader needs to get a sense of this person. So let's continue with the above The City sidewalks burned hot enough to fry an egg. Sally Stevens danced along trying to take as few steps as she could. The cracked soles of her shoes couldn't take much more of this. Now we have a person to focus on,

What's happening? This element needs to be shown as well. So let's put this in the opening. The city sidewalks burned hot enough to fry eggs. Sally Stevens danced along trying to take as few steps as she could. The crackes soles of her shoes couldn't carry her much further. Her breath came in rapid pants. She had to reach her aunt's house before her father caught her.

So now we have something to interest the reader to continue to read on. The opening here gives the reader information but also raises questions.


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Tuesday, October 31, 2017

Tuesday's Writer's Tips _ Story Pattern in General #MFRWauthor #amwriting #Story


In general, the story has three parts. Beginning, Middle and End. When all the parts work and are connected, the story is successful. If one goes awry, then there is a problem. A story has a duration and that is the distance between the opening when the threat or change is evident until the end when the problem is resolved.

In the beginning, tension is built. The characters are introduces. One of these characters becomes the one who can gain or lose the most. Sometimes this become separated when one character can be the one who gains the most and the other the one who stands to lose the most. The beginning aslo brings in the general and specific settings. All this must be done while showing how the danger (large or small) will change the character.

The middle is the place where the character acts and reacts to various segments of the danger. Here the tension must build and the character needs time to digest what is happening. There can be gentle of sharp rises and falls in the material shown to occur but the tension in each new scene must build to a higher level.

The end is the resolution. The character either obtains his goal, realizes the goal he thought he wanted isn't what he really needs or loses the battle for the goal. Once this happens, the story should end.

Tuesday, October 15, 2013

Tuesday's Inspiration inspired by John Gardner


While reading On Becoming A Novelist by John Gardner, I came across this short passage. "Two things can keep the common reader going, argument or story." Had to think for a bit about what this meant. Engaging a reader is a must if the reader is going to continue writing and being read.

Recently I was reading a story that was well-written. Nothing wrong with the way the sentences were going and the story was a good one. But much of the story bored me and that was because of the repetitive nature of the internal dialogue. The characters thought the same things about each other through about two thirds or three quarters of the book and I found myself skipping those parts. Not a good way to keep the reader interested.

I've also read stories where there's been a lot of plot and good plot but the story has been too light to keep me reading. What do I mean by too light? There are only so many plots and it's what the writer makes of the story, the twists and turns that are unexpected that make at least me want to read on. Sometimes the story is so contrived a reader will shake their head.

So the moral of this to me was that the story must keep moving forward and if there is conflict between the characters there must be solutions to each argument or the story keeps rolling on the treadmill. So if your characters have the same argument or conflict and this doesn't change look for ways to change something, Or if the story lacks a forward movement toward the climax find ways to change an element.