Sunday, June 30, 2013
3 Blog Visit Sunday discovered by Janet Lane Walters
http://fallsintowriting.com/2013/06/28/newest-plagiarism-example-reveals-how-amazingly-broken-it-is/
http://barbaradonlonbradley.blogspot.com/2013/06/writing-down-bones-mixing-it-up-with.html
http://www.petitfoursandhottamales.com/2013/06/28/historic-iwo-jima/
Labels:
3 Blog visit Sunday,
Iwo Jima,
Janet Lane Walters,
Plagiarism,
Sentences
Saturday, June 29, 2013
Saturday's Excerpt from A Knight For Love by A. M. Westerling
Excerpt from A
Knight For Love by A.M.Westerling
Southern France
Icy water dripped
off Alyna Caperun’s cap to puddle between her shoulder blades where the coarse
woolen tunic touched her skin. She hunched her shoulders, shivering with what
she hoped was only cold and not sickness. For in this year of Our Lord 1251,
disease could cut down a man in his prime in a matter of hours.
As had happened to
her brother, David, only this morning. She sank to her knees as she watched
several men lower his shrouded body into a shallow grave by the side of the
road.
Panic at the
knowledge she was now alone far from home battled with hunger within her. And
overall, anger. Anger at David for dying. Anger at her aunt’s treachery that
had brought her here. And even anger at the unsympathetic skies that had
unleashed a downpour, chilling her and turning the road into a quagmire.
Someone pounded a
rough cross fashioned from two branches lashed together into the loose dirt at
the head of the grave before the tonsured priest waved his hand over it in one
last benediction. Then the group dispersed but not before casting anxious
glances her way – she knew very well they feared she carried the same
pestilence that had felled David.
Abandoned, Alyna
remained on her knees with head bowed over the grave of her brother. Tears
streamed down her cheeks but by now it rained so hard it was difficult to tell
where the rain stopped and the tears began. Her lips formed in prayer and she
took what comfort she could in the familiar words. Over and over, she repeated
the lines, always to stumble over the same one: “Dieu li volt.” God
wills it.
With gaze downcast
she knelt for some time, lost in sorrow, lost in dejection. Lost in despair of
the certain knowledge she now had no way to return home to England.
*****
After the heat of
the Holy Land, the rain mercilessly pelting Warin de Taillur was foul indeed.
Beneath him, the powerful muscles of his mount, Citadel, bulged and released as
the mighty creature plodded through the mud, pulling each hoof free from the
sucking earth that almost stopped them in their tracks.
Warin’s thoughts
towards the weather were most uncharitable and his lips moved silently as he
cursed the rain, the mud, and the loused porridge he had eaten earlier that day
that now threatened to sicken him. Moreover, the nasty occupants of the lumpy
mattress he had slept on last night left his body a mass of itchy red welts.
Wallowing in clammy
self pity as he scratched the offending bites, he took no notice of what appeared
to be a weathered tree stump by the side of the road until he was almost upon
it. The stump shifted and brilliant blue green eyes beneath a rain soaked cap
lifted to him for an instant before looking down again.
God’s blood, but
what he had first thought to be a lifeless bit of wood turned out to be a
sodden lump of humanity. He pulled his mount to a stop and peered down at the
pathetic creature, one of many he’d seen on his travels home. Doubtless there
would be many more. He shrugged and urged on Citadel. He had no time for rest
until night fell.
“Take me with you if you
will.” A thin, reedy voice wobbled through the air.
Compassion
assailed him at the feeble entreaty and Warin wheeled around.
“Did
you call me?” he asked politely, gazing down towards the slight figure hunched
in the rain.
The
person, a child judging by size, appeared not to hear him, so Warin tried
again, raising his voice several notches. “Are you alone? Do you need help?”
Still
no reaction, so Warin tried one last time, endeavoring not to let irritation
creep into his voice – the child had hailed him, and if Warin had the decency
to stop in this miserable weather, then the child should have the decency to
answer. “Are you lost?”
The
bowed head bobbed with a quick nod. “I beg you to take me with you. I’m alone.”
Warin
frowned. Shepherding a forsaken soul was the last thing he needed.
Responsibility for another was not a task he took on gladly; in fact, he had
vowed to avoid it at all costs.
“I
only have one horse,” he replied brusquely. “The road is soft and the extra
weight will burden the beast.”
“I
can walk.” The child, a lad, actually, by the looks of his travel stained tunic
and hose, kept his head bowed.
Warin
groaned and inspected the piteous figure. A weakened lad would only slow him.
“You don’t look strong enough.”
“I
won’t be a bother.” The boy lifted pale trembling hands, clasped in
supplication. “I beg you, I have no one.”
Neither
do I,
thought Warin, and that is the way I would have it. He glanced longingly
at the road winding away through the trees. He couldn’t waste any more time,
already darkness threatened.
“Don’t
leave me here.” Panic edged the thin voice.
Common
decency demanded he offer aid. That and the thought of receiving favor from
above for his kindness to a stranger.
With
a sigh, he slid down from his saddle, landing with a squishy thump in the muck
of the road. “I’ve not seen your face, how do I know you’re not scarred with
pox?”
The
lad raised his face, slowly, as if expecting to be boxed about the ears, and
regarded Warin through gem-colored eyes widened with fear.
Eyes
that stood out in dazzling contrast to the grey mist hugging the earth around
them, eyes that captivated Warin, eyes that stopped him in his tracks.
Until
he realized he stood there, witless and silent, like a sack of grain. Warin
shook his head and shut his own eyes to break the spell.
“Let
me help you up,” he barked, annoyed at himself with his momentary lapse. He
extended a hand, but the lad leaned back. “I’m not going to hurt you.”
The
youngster grasped the outreached hand and stood up awkwardly, as if he had been
sitting in the cold and the damp for some time. He jammed his hands into his
pockets and stood silent, swaying slightly, teeth chattering with cold and gaze
fixed on the ground.
He
was a bit taller than Warin had expected, reaching perhaps to his shoulder and
so he pegged his age at about eleven or twelve.
A
thought crossed Warin’s mind – how like the capricious heavens to hand him a
squire when he no longer had need of one. A year ago, he would have been
overjoyed to have a squire accompany him on Crusade, to clean Warin’s armour
and polish his shield, to serve his food and run his errands, to care for his
horse. But now? He had no need of a squire as he intended to lay down his sword
and serve the Almighty in the monastery at Mont St. Michel.
However,
squire or no, he couldn’t leave the child stranded at the side of the road and
mayhap a good deed would begin to wash the stains of war from Warin’s soul.
“How are you called?”
The
lad’s lips moved but Warin couldn’t hear for the rain pelting his helmet.
He
leaned closer. “Eh, what’s that?”
“Alyna.
Alyna Caperun.”
Alyna?
He must have heard wrong. Alyna was a girl’s name and a grubby young boy stood
before him, not a girl. It must be Alan, then.
“Alan?
A fine name to be sure.”
The
lad shook his head and opened his mouth to speak but Warin held up a hand.
“You’re a child, you must only speak when spoken to.”
The
lad stared at him for a few seconds then shrugged.
Warin
inspected him more fully. He guessed the youngster had not entered puberty as
yet for the voice had been high-pitched and girlish and the cheeks, what he
could see of them, were downy smooth. Just as well, for he wouldn’t have to
concern himself with the lad chasing skirts. However, he recognized the blank,
staring eyes and dull expression as shock – he had seen it many times on the
Palestinian battlefields as the mind tried to block what the eyes had seen. He
dropped his hand on the youngster’s shoulder.
“I
am Warin de Taillur,” he said simply. He gestured with his chin to the fresh
mound and crudely fashioned cross, taking a stab in the dark. “Your travelling
companion is now in a better place.”
Alyna
nodded, mute in her misery, the words slowly penetrating her mind. Travelling
companion. David. She blinked hard, once, twice, against the tears, forcing
them back. She had no time to cry anymore.
She
sucked in a huge, ragged breath. How rude the man must find her. First she had
hailed him, now sorrow over David’s death held her tongue. In truth, she hadn’t
expected the knight to stop but he had. She opened her mouth to thank him and
lifted her gaze enough to finally look him full in the face.
And
froze, mouth yet gaping.
He
radiated power. It emanated from his every pore, permeating the area around him
with a tangible force she could almost reach out and touch.
She
could barely see the glint of his eyes behind the shielded helmet and she
wondered why he would travel with it on for it must be uncomfortable.
Belatedly, realizing she must look a fool, she clamped her mouth shut and again
lowered her gaze, all the while inspecting him.
His
surcoat, albeit of fine material, was stained and dirty, as were his hose. He –
what did he say he was called? Warin? – wore a stained and dirty hauberk, badly
in need of repair. All in all, not a particularly reassuring display but
something about him had driven her to call out to him as he plodded past her on
the road.
She
had taken a risk in stopping the knight on the mighty destrier but some
nameless quality had drawn her to him – mayhap the white flag with the red
cross pinned to his helmet signifying he had been on Crusade. It hung limply in
the rain to puddle on his shoulders yet it was the only clean thing he
possessed. Someone who had chosen to serve the Almighty in the Holy Land and
made sure all knew of it must be trustworthy.
Warin
spoke again. “Alan? Are you well?”
Alyna
looked around her. Alan? Who was Alan? Comprehension seeped through her when
she saw no one, only mist draped trees and the muddy, rutted road. He must have
misunderstood her. With the cap pulled low over her forehead and her
nondescript, grubby clothing, he must think her a lad.
She
at first thought to correct him then changed her mind. Mayhap it would be safer
for her to let him linger with his misconception of her identity a while
longer.
“I
am well,” she replied, her voice husky and barely more than a whisper thanks to
the chill air.
“You
may ride.” Warin pointed towards Citadel. “I can walk faster than you.”
The
horse stood forlornly, chewing on the bit. Rain dulled his normally shiny black
coat, and mud clumped his tail and coated his legs up to his hocks. Like his
master, the animal also needed cleaning and care.
Alyna
flicked a dubious glance towards Warin but he ignored it and gave her a slight
push towards the huge destrier.
“I
will give you a leg up.”
“Thank
you.” Alyna squelched through the soft mud to acquaint herself with the horse,
warily scratching him behind the ears, which she could only do because the
animal’s head drooped with fatigue. She ran her fingers down the white blaze
between his eyes then patted him on the neck.
“What
a lovely fellow you are,” she murmured. The massive animal raised his head then
turned to look at her as if in acknowledgement of the compliment.
Surely
only a knight of good repute would own an animal this fine. Besides, what
choice did she have? To sit, hungry and cold, in the rain until another group
came by? And even so, would they take her along? Or would they view her with
suspicion and simply another mouth to feed? Or go it alone, with only her
dagger for protection?
Again
she stroked the horse’s nose before gathering her courage to turn and face the
knight.
“A
Knight For Love” now available at Amazon:
http://www.amazon.com/A-Knight-for-Love-ebook/dp/B00C8HC146/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1371748603&sr=1-1&keywords=a.m.westerling
Find
me at www.amwesterling.com
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Friday, June 28, 2013
Friday's How She Does It featuring Astrid M. Theilgaard
\
We all know there are six elements of fiction. Who, What, When, Where, Why and How. I believe the first five lead to the sixth which for me is plot. What's your take on this>
Hmm, well, there is no story without a who, and then of course you need setting which covers when and where. What and why would be goal and motivation, leaving the how as to how it all five come together so yes, I think you could call that plot.
We all know there are six elements of fiction. Who, What, When, Where, Why and How. I believe the first five lead to the sixth which for me is plot. What's your take on this>
Hmm, well, there is no story without a who, and then of course you need setting which covers when and where. What and why would be goal and motivation, leaving the how as to how it all five come together so yes, I think you could call that plot.
.
1. How do you create your characters? Do you have a specific method?
Not really. I have a file folder filled with pictures of people I've cut out of magazines. I'll pick one for what I think the heroine should look like, and one for the hero and paste them on a sheet of paper, then pick names. I start by jotting down 3 positive character traits and 3 negative character traits for each. Then I'll start adding other things about them ie. favorite expressions, their back story, what they like, what they dislike, etc. etc. As the story progresses, I'll keep adding details. It gives me a good reference sheet for how my characters will react, plus helps me keep details straight.
Not really. I have a file folder filled with pictures of people I've cut out of magazines. I'll pick one for what I think the heroine should look like, and one for the hero and paste them on a sheet of paper, then pick names. I start by jotting down 3 positive character traits and 3 negative character traits for each. Then I'll start adding other things about them ie. favorite expressions, their back story, what they like, what they dislike, etc. etc. As the story progresses, I'll keep adding details. It gives me a good reference sheet for how my characters will react, plus helps me keep details straight.
2. Do your characters come before the plot? Do you sketch out your plot or do you let the characters develop the route to the end?
Both. I always jot down a simple outline, maybe one page. I'll start with that but I find that as the story progresses, the characters take over and they don't always say or do what I think they're going to! It makes writing the story fun for me, too, because sometimes they really surprise me.
Both. I always jot down a simple outline, maybe one page. I'll start with that but I find that as the story progresses, the characters take over and they don't always say or do what I think they're going to! It makes writing the story fun for me, too, because sometimes they really surprise me.
3. Do you know how the story will end before you begin? In a general way or a specific one?
I write romance and of course the readers expect a happily ever after ending so boy always gets girl. And yes, the happily ever after will extend to the sub plots. I want to leave my readers with a satisfying, positive experience after reading one of my books.
I write romance and of course the readers expect a happily ever after ending so boy always gets girl. And yes, the happily ever after will extend to the sub plots. I want to leave my readers with a satisfying, positive experience after reading one of my books.
4. Do you choose settings you know or do you have books of settings and plans of houses sitting around?
A little bit of both. I've written 2 Regency set books although I've never set foot in England! For those, obviously, I've used reference books. However, part of one of my stories takes place in Fort St. James, which used to be a fur trading post in northern B.C. I visited there a number of years ago while on vacation and loved it so much I had to write about it. I'm now working on a Viking romance. My husband and I traveled through Denmark a year ago and I dragged him to a replica of a Viking village just outside of Ribe. Needless to say, I took a lot of pictures. ;)
A little bit of both. I've written 2 Regency set books although I've never set foot in England! For those, obviously, I've used reference books. However, part of one of my stories takes place in Fort St. James, which used to be a fur trading post in northern B.C. I visited there a number of years ago while on vacation and loved it so much I had to write about it. I'm now working on a Viking romance. My husband and I traveled through Denmark a year ago and I dragged him to a replica of a Viking village just outside of Ribe. Needless to say, I took a lot of pictures. ;)
5. Where do you do your research? On line or from books?
I'm amassing a lovely reference library that I can use for general purposes. ie. Books on clothing, history of furniture (yes, really!), medical uses of herbs, the English language and usage through the ages, history books of time periods relevant to what I'm doing. I also do a lot of research on line and will even email museums, websites. etc. with specific questions. I find people are always very willing to help. I'm very particular about details, it comes from my technical background. And I love history so research for me is enjoyable.
I'm amassing a lovely reference library that I can use for general purposes. ie. Books on clothing, history of furniture (yes, really!), medical uses of herbs, the English language and usage through the ages, history books of time periods relevant to what I'm doing. I also do a lot of research on line and will even email museums, websites. etc. with specific questions. I find people are always very willing to help. I'm very particular about details, it comes from my technical background. And I love history so research for me is enjoyable.
6. Are you a draft writer or do you revise as you go along and why?
I revise as I go along. Sometimes it will slow me down because I'll keep redoing the same chapter over and over until it feels right to me. However, it pays off in the long run because my first draft is usually pretty clean. I've also discovered that it's easier to write something properly as far as plot structure first time around than it is to go back and redo it. That was the case with my latest release, A Knight For Love. I had written it a number of years ago and thought it just needed a polish. I've learned so much more about the craft of writing in the meantime that the quick touch up turned out to be a major rework - I spent a good 6 months on revisions and rewriting, which is almost as long as it takes me to write a manuscript from scratch! Live and learn, I suppose.
And thank you Janet, for the opportunity to appear on your blog! :)
I revise as I go along. Sometimes it will slow me down because I'll keep redoing the same chapter over and over until it feels right to me. However, it pays off in the long run because my first draft is usually pretty clean. I've also discovered that it's easier to write something properly as far as plot structure first time around than it is to go back and redo it. That was the case with my latest release, A Knight For Love. I had written it a number of years ago and thought it just needed a polish. I've learned so much more about the craft of writing in the meantime that the quick touch up turned out to be a major rework - I spent a good 6 months on revisions and rewriting, which is almost as long as it takes me to write a manuscript from scratch! Live and learn, I suppose.
And thank you Janet, for the opportunity to appear on your blog! :)
"From vikings to viscounts, join the adventure, live the romance." www.amwesterling.com www.facebook.com/A.M.Westerling www.twitter.com/AMWesterling
Labels:
Astrid M. Theilgaard,
Friday,
How She Does It
Just a Few Lines from Magic of the Chimes by Pat Dale
A Few Lines From . . .Pat Dale
What is it with this guy and my chest?
His focus remained at that point when she set the food before him, random thoughts flitting through her mind.
“Here’s your breakfast, Mr. Williams. Howie. I hope everything is done to your satisfaction.” She knew instantly her choice of words was wrong again when he leered up at her.
“Oh, yes. Very much so.” Returning his focus to her chest, he added, “Full and firm, and very nicely formed.” He grinned and winked.
http://bookswelove.net/dale.php
Please stop back next week for a few lines from Shirley Martin.
Labels: a few lines from, Pat Dale
Labels:
Just a Few Lines,
Magic of the Chimes,
Pat Dale
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