Showing posts with label Dialogue. Show all posts
Showing posts with label Dialogue. Show all posts

Tuesday, August 25, 2020

Tuesday's Writer's Tip - Revision - Dialogue #BWLAuthor #MFRWAuthor #Dialogue #Writing #Individual

This is the last bit about dialogue and revision. All characters need to sound like individuals. I often find when I do the rough draft of a story and look at the dialogue, everyone sounds the same. During the process of revision, I look carefully and ask myself some questions. Does Mary sound like Jim or Sue? Could the dialogue be said by any of the characters. If you listen to the people around you, you'll find many things influence their ways of speaking. Are they educated? Do they speak differently in a more formal situation than when hanging out with friends? Does their job influence the things they say? So when you're revising dialogue, put your character's life under the microscope and have them speak in a way that's natural to them and to the situation. What emotion comes through in the dialogue? Anger may influence the chosen words. There are many ways to consider the dialogue and to make each character sound different than the others.

Think of dialogue between two people as transitional. They aren't just saying words. There's a goal to the dialogue. There's action and moving the story forward. So make sure there's a purpose to the dialogue and the reader will understand what's happening both within and without the characters. Remember people may say one thing and mean something else. Using internal dialogue that gives a different meaning to the dialogue can really help.


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Tuesday, August 18, 2020

Tuesday's Writer's Tip - More on Dialogue - Attributes and Read Aloud #BWLAuthor #MFRWAuthor #Writing #Dialogue

In dialogue the words must be spoken by someone. As we saw before too many lines of dialogue without letting the reader know who's up can be confusing. Another thing that doesn't confuse the reader into asking who and the ones who might explicit a "What." So keep it simple. Some time you read things like she said merrily. Maybe this tells a bit about the person's attitude but there are better ways to show this. I can remember reading a book once that many me stop and scratch my head. "Go home," he ejaculated. Really, I thought. Or the bit with the heroine speaking She said with a sputter and spit all over the table. Too much information. Think of ways to get the mood across. The words can show this as well as the attribution.

When in doubt or even not, reading the dialogue aloud like this is a play can really help you catch the rhythm. People's dialogue has a rhythm and each person's is a bit different. Do they use a lot of uhs or ers. Are the words stretched out. There are ways of showing this. If you read the bits of dialogue aloud, youcan show the rhythm on paper. For example. I want uh you uh leave. Says one thing. If someone says. Leave. Now. That says something quite different.  Reading aloud can also sshow you how the dialogue is perhaps too long and wandering or one that says words but has no meaning. So become an actor and become your characters.


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Tuesday, August 11, 2020

Tuesday's Writer's Tip - Revision - More on Dialogue #BWLAuthor #MFRWAuthor #Dialogue #Revision #amwriting

Dialogue is essential to a story and making the dialogue shine is important.  Dialogue can be tricky. If you listen to what happens when two friends meet, there's often a lot of chatter that means little or nothing. This doesn't bode well when you're writing a story and two characters meet.

1. Decide what they're going to say that's of importance to the story. There might be a bit of chit-chat but keep it brief. Find a way to get to the meat of why they're meeting. Going round and round just makes the reader want to scream. But sometimes being too blunt can make the reader sit back and say what's going on. So you've revised the dialogue and cut it down to essentials but it still doesn't exactly say what you want to say. What can you do.

2. A little bit of prose can be of help. Show through the character's facial or body just what they're feeling when they're speaking can give the reader a better picture and make what;s being said gains importance.

3. Keep dialogue passages simple. There is nothing wrong with using she said or he said. Even he asked and she answered are great tags.  If the dialogue passage is a long one, you don't have to keep identifying the characters after every bit. Five or six exchanges can keep the reader straight as to who is speaking. There's a third way. Using prose to identify the speakers by showing them in action or showing their expressions. This will bring the reader into greater understanding of the story and the characters.

Tuesday, August 4, 2020

Tuesday's Writer's Tip - Revision - Dialogue #BWLAuthor #MFRWAuthor #Revision #amwriting #Dialogue

Part of looking at your characters is considering their dialogue. Have you ever read a book where all the characters sound like each other? Or one where the dialogue is so heavy with dialect you need a road map to know what people are saying. There's also the one where people talk and talk and say nothing. One way to look at your dialogue is to read it aloud. Just the speeches and not name the speaker. May mean a bit of extra work. Like typing out the dialogue lines on a sheet and reading them aloud. So revising dialogue is important to make your story sing. There are a number of points to consider. Practiced often enough and the writing becomes easier.

1. Remember dialogue is action and reaction. When your characters are talking to each other, what one say should bring a response from the one being spoken to. Means what they each says shows some kind of action and calls for a reaction. This doesn't necessarily mean a quarrel. Think of a heroine speaking to her best friend about choosing a dress to wear to an event. What she says triggers her friend's response. What if she's speaking to a non-friend. The answers would be different. Or speaking to her mother.

During the scene, there has to be movement as in body language, tone of voice. Without these, the words become flat. Does she scream, mumble the words. Are the responses emphatic or weak? If there's no interaction and no movement look at the passage again.

We'll be looking at more ways to enhance dialogue while revising in the next few posts.


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Tuesday, July 3, 2018

Tuesday's Writer's Tip - Check List for Dialogue #MFRWAuthor #BWL Publishing #Dialogue #Checklist


A lot has been said about Dialogue. Don't expect to get it right during the first draft. I know I don't. First or Rough Drafts for me are getting the story down and I often found there are many problems with the dialogue. Not so many as there were when I began writing. I have a checklist of things I do when I'm in the revision stages of a manuscript.

!. Check each character's words forindividuality. Do they sound different from every other speaker?

2.Check each speech for emotional impact. Is the way someone says something have an impact on the reader and is it the one you want?

3. Make sure the characters words are in character. Do they show his social status, his education, his age and all the other things that make up his character?

4.Check the tag lines. Get rid of adverbs. Find ways to use action to identify the speaker.

5.Ask your self these questions. Does the dialogue help bring the character to life? Does the dialogue give the information a reader needs? And does the dialogue advance the plot? Is this bit of dialogue necessary or is it a throwaway? Does the internal dialogue serve the purpose you intend?



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Tuesday, June 19, 2018

Tuesday's Writer's Tip - Dialogue Outer #MFRWauthor #BooksWeLoveLTD #dialogue

 Dialogue in fiction must serve a purpose. There are also several things to be aware of The choice of words, the pacing of what the speaker is saying and the tone. How do people choose their words in real life conversations. Take time to listen to people as they talk.

Different career choices bring certain words to a dialogue. Medical people choose words the average person might not. Cops have a distinct vocabulary. So when you're writing two people talking think of who they are, and what they are.

Men and women tend to speak differently. Women often use longer sentences and men shorter ones. This isn't always the case but be aware when you're doing dialogues.

Some characters use flowing sentences. They almost sound like poets. Others use terse remarks. Also what is happening will add  to the tempo of a sentence. Danger can cause terseness. Making love can evoke longer sentences. Dialogue is a good wat to show what the person is feeling.

Tone is part of dialogue and can be difficult. Sure adding an adverb like seh said lightly. He asked angrily. These give the idea but sometimes when writing dialogue putting those adverbs in can be intrusive. This can be done by putting a bit of action. For example "What are you doing here?" Mary asked angrily.  or What are you doing here?" Mary's hands fisted on her hips. Both set a tone but the second one brings the reader's imagination into the story.

There will be something next week on how to use dialogue in your story.


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Tuesday, June 5, 2018

Tuesday's Writer's Tip - People Talking - Dialogue #MFRWauthor #Becoming Your Own Critique Partner #Jane Toombs #Janet Lane Walters

 On to a new subject using a bit inspired by Becoming Your Own Critique Partner." This time it's to talk about Dialogue. Sometimes those reading your story can't figure who is talking without the tabs. All the characters sound the same.

There are some things to think about here. Your character's background, education, career choice. Also where are they from regionally. Not everyone in the US or any other country sound the same. There are little tells in their dialogue. When you're out, listen to other people and hwo they talk.

Another thing to consider is all those interruptions in dialogue. Uh is one. Those little remarks like Um. Sounds that people in real life use when they're forming their sentences. We all use them, "you know." This doesn't work in fiction except occasionally to showcase a particular character.

So when writing dialogue, try to make your characters sound natural and yet not speaking the way we usually speak.

Next time I'll talk about the two kinds of dialogue. Internal and external.

Tuesday, December 22, 2015

Tuesday's Inspiration - Dialogue - The Good, The Bad, The Ugly #MFRWauthor


Reading Bird By Bird and came to the chapter on Dialogue. This is a great book and inspires me every time I read it. Not going to talk much about what was found in the chapter but my take on Dialogue.

Good Dialogue flows and when read aloud sounds like real people talking. The speakers use some words that shwo their statue in society, their upbringing and their career choice. You can listen to what they're saying and suddenly know that's a doctor, a lawyer or a mill worker. Suddenly other pictures leap into your mind.

Bad Dialogue for me is where every character sounds like the other character. There's no sense of their gender or anything else that might give the reader a clue. Bad Dialogue is easy to write. It often flows from my pen onto the paper. Then I have to go back and look on the bits of speech and make then better.

Now the Ugly Dialogue is something I must explain. Using bits of dialect isn't bad. Overuse can be dreadful. I had a writer who I devoured every book she wrote until the last one of hers I ever read. The entire parts where dialogue was used was done in dialect. Before long I hadno idea what the characters were saying unless I sat and thought. The flow of the story was lost. I had no idea what the storywas about. I read three chapters and dropped thebook in the circular file.

Tuesday, September 10, 2013

Tuesday's Inspiration - On Dialogue


Perhaps this is more of a writer's tip but the essay by Bill Pronzini struck me as interesting. Years ago, when I began writing I discovered writing dialogue wasn't as easy as listening to people speak. When people speak, there are a lot of empty words or sounds. Here's the quote that set me thinking and made me remember something I read years ago, but can't find the article or book on writing where I read it.

Here goes with the quote. "There are, basically speaking, two schools in the writing of dialogue. One is "short dialogue; the other is "exposition dialogue."

Short dialogue is a back and forth conversation between two people and it bounces. The Exposition kind is a longer with twists and turns. This is what got me in trouble since I often had the speaker covering many subjects in his single bit of dialogue. If I lost myself during the exchange between the characters what was I doing to the reader. The bit I can't find where I learned how to separate my dialogue into manageable segments said when the character says something needing s response from the other character or characters stop there and allow the other character a voice.

Sometimes the short kind of dialogue becomes boring, at least to me. So I try to combine the two depending on the character. What I really try to do is fit the style of dialogue to the kind of story I'm writing and to the characters who are speaking.

So think of dialogue as an important part of your writing and a way to show the reader the character's development, give valuable information and advance the plot.

Wednesday, July 25, 2012

Wednesday's Writer's Tip - Dialogue - Eileen Charbonneau - Elements of the Novel


What's a story without dialogue? Dialogue is one of the elements that keep a novel moving forward. In Elements of the Novel, Eileen Charbonneau gives some hints for writing dialogue. Good dialogue does many things. Insite is one. Have you ever listened to strangers talking and formed judgments about their nature, the importance of what they are talking about? Do you sometimes use this to create a story?

Dialogue should move the story forward. One can't use dialogue in an idle fashion. There must be a  reason for the characters to talk to each other. Good dialogue can bring about change. One of the problems is to write in prose about what the characters will say in a later bit of dialogue. Redundancy doesn't work but leaves the reader saying, "I already know that."

Dialogue should show the characters relationship to the other characters and their reactions to the events that are happening. Dialogue should show the differences between characters, who they are, where they have come from and what their chosen direction in life happens to be. Men talk differently than women. A nurse will speak differently than a college professor. These things should be kept in mind when writing dialogue.

One little thing I find when the dialogue seems off is to take out all the background elements and write out the dialogue as if it were a play. Then read it aloud. This lets you hear if people sound the same or if one character is speaking out of character. Try it and see if your dialogue becomes more vital. As Eileen says, "Dialogue is the spine of the story giving your characters the chance to speak in their own voice."

Tuesday, March 27, 2012

Tuesday's Inspiration - Reminders about dialogue


Before I became a writer, I was a reader. I tended to be a binge reader. I would either choose a writer and read all their books or I would hone in on one kind of book. I remember doing this with mysteries and a read just about any kind you would find. This helped me when I turned to writing mysteries because I knew what kind to write. Some parts of writing became almsot instinctual but other parts were learned slowly and some of them I'm still learning though I've been a published writer for many years.

While leafing through The Writer's Handbook, I came across an article by Bill Pronzini. I remembered reading his books years ago and thought back to what I remembered. He wrote crisp, short dialogue. Though I admired that style I try to fit the dialogue in my stories to the character. Some people are crisp speakers and others tend to go on a bit. Trying to find the happy medium can be difficult

This article says a lot about dialogue but one of the things I've tried to remember and apply to something beyond dialogue and put into the scenes. Each piece of dialogue or each scene only needs to be there if it does one of three things. Advance the plot, define character or give needed information. Otherwise cut it. Hard to do. Of course but it's necessary.

Another thing gleaned from this article is about tags. Always nice when I really successful writer agrees with you. "Words are spoken." They're not rasped but voices can rasp. This is just one example from the article. There are many more. Most of the time said is perfectly good to use. It's kind of a word that people overlook. There are other good tags like asked, answered. Actions by a character to identify the speaker are also ways to keep the reader from being confused as to who is speaking. That's the reason for tags to keep the players straight. Then there are adverbs. She said sadly. He shouted angrily. Most of the time these aren't needed and can run into the Tom Swifty sort of thing. Not something a writer wants to do in a serious scene.

Re-reading this article set me off to look at the dialogue in my WIP and to make some kind of changes. For me it's looking at the characters and deciding what kind of dialogur is natural to them.

Friday, September 2, 2011

Friday's Writer's Tip - On Revision - Finishing Dialogue

Now that you've decided to look at dialogue to revise, how do you go about this. When I first began writing, I used to take segments where the dialogue was heavy and isolate it from the rest of the mss. The segment looked like the script of a play without stage directions.

First I went through and tightened everything. Getting rid of repetitions except where the repetition was needed. We've all seen segments of dialogue where one character repeats, maybe in different words, but it's the same thing that character A has already said.

Then I sharpened the dialogue, making sure each person said what I meant them to say. This meant sometimes adding and sometimes subtracting words.

The third step was to fill in the blanks. Sometimes a character was leaving out too much and making the reader guess. Those were often signified by the -- or the ... moments in the dialogue.

The next was to make sure the character's dialogue was true to their nature. People in different professions and different social milleaus use different words. Making sure their dialogue fit their nature helps individualize your characters.

Finally I read the lines aloud for rhythm and sense. I now read it in my head. Reading dialogue aloud can make people look at you in a strange fashion.

Friday, November 5, 2010

Writing Tip - Dialogue

Last night while flipping the challenges I stopped and listened to a bit about the lyrebird and was totally amazed to hear how accurately this winged creature could imitate sounds. Just like the mocking bird does other bird calls. This leads me to think about dialogue. When we write dialogue in a story, we're imitating the conversations we hear between people. Usually we clean them up and remove all the extraneous bits the ums, the ahas, and the wells to name a few. Dialogue in fiction is often not true to what we hear in everyday conversations. This is not to say it's artificial, for the most part. Some writers have a knack for making each of their characters speak with a different voice. Sometimes the speeches of the characters could be interchanged with the speakers and no one would notice. So just what use does dialogue have in fiction.

Dialogue should do one of three things or all three if you are a clever writer. Dialogue should define character, give needed information or progress the plot.

As you revise each scene, look at the dialogue to see if it's necessary. Throwaway dialogue has no purpose in the plot. Check to see if the person speaking has become an individual. Does his or her words show suck things as social standing, education, age, choice of career. Also look at your tag lines. Using adverbs can tell you what a character is thinking as he speaks but it's better to let your words show what the character is thinking or feeling.

When Jane and I wrote Becoming Your Own Critique Partner, we titled the chapter on dialogue as Listen to the Mocking Bird. That's what a writer should do when using dialogue.