Showing posts with label Beverley Bateman. Show all posts
Showing posts with label Beverley Bateman. Show all posts

Saturday, August 1, 2020

Saturday's Blurbs feature Books by Beverley Bateman #MFRWAuthor #Suspense #New Orleans #Serial Killer



Death Southern Style by [Beverley Bateman]

Death Southern Style
Blurb
When Perrine Dupré dies under suspicious circumstances her daughter, Julie Ann Dupré, returns to New Orleans to find the truth about her mother’s death. She uncovers a family secret, hidden for years. Now someone is trying to kill her. Will the little dog who appears after her mother’s death help her? Is the sexy detective out to help her, or is he part of police corruption?
Detective Connor O’Reilly, a native of New Orleans, comes from a family of police. He’s an honest cop but realizes there is corruption in the division. His father may have died as part of that corruption. He meets Julie Ann, checks out her mother’s death and finds it was badly handled. Julie Ann deserves the truth and he wants to find it for her.
Julie Ann and Connor work together to unravel the real reason behind Perrine Dupré’s murder, Julie Ann’s mysterious past, and why people want her dead, while developing their challenging relationship. Can they both survive? And can their relationship survive?
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The Foundation
Blurb
Sara’s emotionally abusive husband dies unexpectedly. She’s struggling to reclaim the intelligent, independent person she was before she married.  She vows never to let a man take over her life again. Now she’s part of a special team, training to help other women and on the track of a serial killer.
Mac is responsible for training women in special ops techniques, so they are prepared when they are challenged to save other women. When he meets Sara, sparks fly between them. He wants her to quit the training and let him take care of her.
Can Mac step back and trust her in a dangerous situation? Can Sara and Mac resolve their issues, or will they go in opposite directions?
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Targeted
Blurb
Kye Hawkins has loved Janna since he first met her. They were married but a few weeks later she ran away, without an explanation. He still hasn’t figured out why. Now she’s coming back. Does she still love him? Can he rekindle the romance and also prevent her from being killed?
Janna doesn’t want Kye’s help in anyway, yet he always seems to be there when she’s in trouble. Can they work together to find a killer, save the Native burial ground and home of the spirits, and find romance again?

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Friday, July 31, 2020

Friday Beverley Bateman is Visiting and Talking Abiut Being a Plotter or Panster #Plot #Characters #MFRWAuthor


Day 1

1. Are you a panster or a plotter or perhaps a bit of both?

A bit of both. I get an idea for a plot. Then I try to figure out the appropriate characters.
I sketch about one line per chapter, or maybe even per scene. Then I start writing.  I don’t always follow those one lines either.

2. Which comes first - characters or plot for you?

Oops, I just covered that on the previous question. The plot always comes first for me.

3. What are you working on now? Is this a book in a current series or something totally new?

I’m working on Liability Wife, Lydia’s story.  It’s the second book in The Foundation series. I’m also looking at a novella, maybe involving Covid.

4. Do you have some kind of object or place that figures in most of your books? I use gems a lot, hospitals and caves.

I frequently, almost always, have a dog somewhere in the story.

5. Do you write everyday or just when the spirit hits?

I used to try and write every day, but often I’d miss for all sorts of reasons. Now I’m writing every day. I belong to a loop where you write 100 words a day and report in.

6. Where can we find you?

Twitter @kelownawriter

7. Who are your favorite authors? What about a book you’ve enjoyed?

I have to admit I’m a J.D. Robb addict. I’ve been reading her series for years.
I also enjoy Loreth Anne White, B.J. Daniels, Terry Odell, and Toni Anderson.


The Girl in the Moss by Loreth Anne White is a gripping romantic suspense. Her characters are unusual and well-developed, her plot draws you in and keeps you guessing right to the end. I enjoyed her book.


Saturday, March 2, 2019

Saturday's Blurbs featuring Books by Beverley Bateman #MFRWAuthor #suspense #romance

The Fourth Victim: Sara's Story (The Foundation Book 1)


The Fourth Victim – Sara’s Story
BLURB
Sara’s emotionally abusive husband dies unexpectedly. She’s struggling to reclaim the intelligent, independent person she was before she married.  She vows never to let a man take over her life again. Now she’s part of a special team, training to help other women and on the track of a serial killer.
Mac is been responsible for training women in special ops techniques, so they are prepared when they are challenged to save other women. When he meets Sara, sparks fly between them. He wants her to quit the training and let him take care of her.
Can Mac step back and trust her in a dangerous situation? Can Sara and Mac resolve their issues, or will they go in opposite directions?
BUY LINKS

Targeted – Hawkins’ Ranch Series - Kye’s Story
Blurb:
After an eleven-year absence Janna Kincaid inherits a ranch and is forced to return to a town she only remembers with unhappiness, a man to whom she was briefly married and never wants to see again, and someone is trying to kill her.
Kye Hawkins has loved Janna since he first met her. They were married but a few weeks later she ran away, without an explanation. He still hasn’t figured out why. Now she’s coming back. Does she still love him? Can he rekindle the romance and also prevent her from being killed?
Janna doesn’t want Kye’s help in anyway, yet he always seems to be there when she’s in trouble. Can they work together to find a killer, save the Native burial ground and home of the spirits, and find romance again?
Buy Links

Missing Hawkins’ Ranch Series - Luke’s Story
Blurb
Running from a disastrous engagement, and an over-powering father, Dr. Allie Parsons agrees to help  an old friend and travels to Duster, Montana. She’s agreed to help the local doctor until he can find a permanent new doctor.  A city girl, Allie is greeted with culture shock in small town Duster, but she also finds a warm, friendly community. And the doctor turns out to be young, tall, dark and handsome. He sends her emotions shooting sky high. She’s welcomed into the Hawkins family and develops a relationship with the doctor’s daughter. A mysterious stranger leaves notes at the clinic and Allie fears they are a warning he’s going to kidnap the doctor’s daughter.
Luke Hawkins, one of the Hawkins’ brothers, is looking for a doctor to take over half the practice from the retiring doctor. He’s not expecting his temporary replacement to be a young, sexy, single woman from New York. He knows she’s the woman he’s been searching for all his life, but he also knows she won’t stay in Duster. Now he has to convince the woman he loves that she really is a small-town doctor at heart.
Buy Links





Friday, March 1, 2019

Beverley Bateman is Visiting Today and Talking About Who She Was Before #MFRWAuthor #Romance #Nurse


1. What were you in your life before you became a writer? Did this influence your writing?
I’ve been writing my whole life, but my actual career was nursing. I worked in hospitals, (mostly obstetrics), as a public health nurse and then as an administer of Community Care Facility programs.
And it did influence my writing. I’ve incorporated some of the skills involved in all my positions. From community health I used a lot of investigation techniques and appeared in court as a witness. And in public health I met and visited a lot of very different types of people which I’ve used in building some of my characters.

2. Are you genre specific or general? Why? I don't mean genres like romance, mystery, fantasy etc. There are many subgenres of the above. 
I write romantic suspense, but I also write in their sub-genes. I have a western series set in Montana. I have a private investigator series and I also write the police detective. My latest, The Fourth Victim, is a little more in the women’s fiction genre.

3. Did your reading choices have anything to do with your choice of a genre or genres? 
Yes. I love to read romantic suspense. I enjoy mystery or suspense, but I miss the relationship and character building in romantic suspense and of course the HEA.

4. What's your latest release? 
My latest release is The Fourth Victim – Sara’s Story. It’s a group of women who train to help other women in danger, whether life-threatening or emotional abuse. 

5. What are you working on now? 
I’m working on the fourth book in my western romantic suspense series, the Hawkins’ Ranch series. It’s called Escaped and it’s Gabe’s story.

6. Where can we find you? 
Facebook -https://www.facebook.com/beverley.bateman.18 
LinkedIn - babateman@shaw.ca https://www.linkedin.com/in/beverleybateman/
Pinterest  http://pinterest.com/okwriter
Instagram Beverley.Bateman

Saturday, March 29, 2014

Saturday's Excerpt from A Cruise To Remember by Beverley Bateman

The steamy Puerto Rican air slapped Eric Peterson in the face as the sliding door automatically opened. He hesitated at the sudden temperature change, before he proceeded outside into the heat of the upper deck of the ship. Leaning on the rail, the sun beating down on the back of his neck, he scanned the diorama from the dock area to old town San Juan.
The old and the new intermingled amongst the ongoing construction, forming an interesting panorama. He wished he’d come in a day or two earlier to tour the area. He’d only received the information on the assignment a few days ago. He needed to get up to speed before the cruise ship sailed.
Eric turned his attention to the dock below, where boarding had commenced. A staggered line of passengers shuffled toward the main gangway.
His gaze snapped back to two women who stopped briefly for the ship’s photographer. The older woman was well dressed in a white, semi-tailored skirt and a pinkish blouse. She wore her silver hair in an elegant bun at the base of her neck. The jewelry around her neck and her wrist sparkled as it caught the sun’s rays, magnifying the light, shooting it back toward the sky. He had no doubt they were diamonds, probably high quality. If she was trying to draw attention to herself, she was certainly going to accomplish it.
Jewels were one of his areas of expertise and the main reason he’d managed to pull this assignment. That, and the short time he’d spent as a medic in the army.
His eyes lingered on the younger woman. She shone like a jewel in her own right--white-blonde, shoulder-length hair, gleamed in the sunlight. Her green colored sundress fit her body, revealing the promise of well-rounded breasts and a tiny waistline.
A strong desire to meet this attractive young woman gripped him.
He’d never felt anything like this before. He gave himself a mental shake.
It’s probably the motion of the ship. Yeah, that, or I’m just plain horny. It’s been awhile since I scored.
Eric’s continued to observe her as she proceeded up the gangway. The sundress she wore was some kind of soft material that draped and clung to that perfectly proportioned figure. He wondered if the color of the dress matched her eyes.
She glanced upward, smiling. He felt she was smiling just for him. Eric smiled back, resisting an urge to wave. This assignment was looking better and better. He watched her disappear through the entrance.
Work was his life. He was damn good at it and respected by his peers. To him, women were an enjoyable pastime. A smile flickered across his face. Yes, they were enjoyable, but that was all. He’d never let any woman interfere with his work. That’s why it had been awhile since he’d been with anyone.
Eric’s attitude toward women was based on what they could do for him. Usually it was sex, but occasionally they could help him with his job, like this time.
He glanced back toward the gangway, but the two women had disappeared. An elderly man with a cane had replaced them.
Disappointment slipped over him. This was a feeling that he knew well, although it wasn’t one he normally associated with women.
Because of his background and upbringing, he’d decided years ago that he wanted a career, with no strings or attachments, and no permanent involvements. He’d even taken a vow when he was in college, to remain single--though not celibate--his entire life. He had seen far too many bad marriages to even consider the possibility. It wasn’t in the cards for him.
Besides, there were too many beautiful girls to charm. It would take a lifetime to get around to most of them. And none of them wanted their man to be away on dangerous missions after they were married. They wanted a stay at home, family-orientated husband.
That left him out of the picture.
No, he was independent, happy to travel to different parts of the world, playing different roles, depending on his assignment. He had no one to worry about but himself. He had no intention of ever changing his lifestyle, but that didn’t mean he couldn’t meet and enjoy the company of a beautiful blonde.
Eric strode back to the sliding glass door. When it opened, it was the cool inside air that blasted him. He didn’t hesitate and stepped quickly inside. He chose the stairs instead of the elevator. He hurried down the steps, running his hand over the teak railings. He enjoyed the feel of the well-crafted wood. They were polished to a mirror-like shine with brass accents.
He took the steps two at a time and arrived at the main lobby area within minutes. Stopping before the last few stairs he paused where he had a good view of both the entrance and the lobby. It gave him a clear view of the passengers who boarded.
He relaxed against the wall and scanned the entire room. There was no sign of the blonde in the green sundress. She must have gone to her cabin. Slightly disappointed, he looked back to the entrance and skimmed over each person entered.
The passengers would appreciate the lobby with the huge teardrop crystal chandelier hanging over the comfortable pink sofas and glass coffee tables. Large bouquets of colorful arranged flowers in hues of pink and purple and blue sat on the corner tables. It had that welcome-to-my-home feeling.
A couple burst into the room. The man wore red plaid shorts, a yellow and orange floral shirt, brown socks, and black shoes. A straw hat was smashed onto his head, and a camera with a large lens swung around his neck. His large paw-like hand clutched an economy, used to be white, handkerchief, which he used to mop his florid face.
“Hurry up, Myra. Don’t take all day. We don’t want to waste any time. Not at these prices.” He yelled at the woman behind him.
A short, thin woman shuffled through the entrance, a dozen steps behind him.
She wore a large, lime-green tee shirt with the map of Alabama on the front. It hung over a pair of brown cotton shorts, one size too small. A red scarf was tied over her mousy brown hair. She carried a humungous green plastic purse hooked over her shoulder. Large black sunglasses perched partway down her nose.
They both carried huge shopping bags that kept banging first into each other, then into the crew who were there to welcome them. An air of not--so--quiet desperation hung over them.
“So, where the hell do we go now?”
“Welcome aboard, sir. Do you have your boarding passes?” One of the female crewmembers asked.
“Yeah, yeah, you got them Myra?”
“Yes, George, I think so.” The woman put down her shopping bag, slipping the large green plastic handbag from her shoulder and balanced the bag on her knee. She started to fumble through it, yanking out a comb, then a pocket book, then shoving them back again, pushing things around inside the bag with her hands.
“I know I got them somewhere, George. Hold on, I think it’s here.” She wiped her forehead with a fist then dove back into the bag again.
“Damn it, Myra. I gave them to you so as you could hold them, not lose the damn things. You can’t ever find anything in that damn purse of yours.”
“Here they are.” She pulled them triumphantly out of her bag.
“It’s about time, damn it. I can’t depend on you for anything, gimme.” He grabbed the boarding passes and shoved them at the crewmember.
“Here, so, where the hell do we go now?”
The woman crewmember read the passes. “You’re cabin is to the right sir, on the main deck.”
“Okay, fine, hotshot, how do we get there?” The man mopped his face.
“The porter will show you.” She waved, and a porter appeared in front of them.
“Welcome aboard, sir. Follow me and I’ll escort you to your cabin. Can I carry anything for you, sir?” The porter flashed a bright smile.
“Y’r damn right, here take these bags.” The man shoved the shopping bags at the porter.
The man, George, sighed loudly. “I don’t know, Myra. I don’t know why people keep saying cruising is so great. Damn it, give me Nashville any day.”
“Once you’re settled in, sir, I’m sure you’ll enjoy the cruise.” The porter headed toward the corridor, with the couple shuffling along behind him.
“They took the damn passports, too. Damn it, Myra, I don’t know why a United States citizen should have to carry a passport on a cruise. You didn’t need one to go to Nashville. And then when you arrive at the damn ship they take it away from you. What the hell are they going to want from us next?”
Eric smiled. He could relate to these people. Maybe not the outfits they wore, or the man’s negativism, but the unknown. This was Eric’s first time on a cruise ship also.
He shifted his position and continued to watch passengers entering in a slow, steady stream. Many were well-dressed, wealthy passengers.
The right corner of his upper lip curled upward into a sneer. In his experience, the wealthy were mostly leeches and bloodsuckers, who took from society and gave nothing in return. They were too wrapped up in their own importance, separated from any vestige of the real world.
His father had worked for such a man when they lived in Switzerland. Eric had gone to school with his son, Philippe. Because of that, he’d had to cope with on-going public humiliation because of Philippe and his superior attitude toward the middle class and the poor. Philippe had been a snob and a real prick, taking great delight in pointing out Eric’s class distinction to everyone.
Eric’s smile was tinged with bitterness. He preferred the couple from Alabama. They were down-to-earth, real people. They looked like they were from a small farm somewhere out in the country. They may have been dressed in their brilliant floral shirts right off the souvenir shop rack, accompanied by those clashing Bermuda shorts, but they were real.
He might smile at their typical tourist appearance--the big camera slung around the man’s neck--but Eric had more respect for them than he did for the nouveau riche. He respected people who worked hard for their money. They were usually family-oriented and contributed to their community. They were the ones that kept a country together.
He shifted his position again, unconsciously pulling his shoulders back and tightening his abdomen. A tall, leggy, redhead with large breasts sidled through the main doorway. He found himself admiring a pair of shapely legs that seemed to go forever until they finally joined with an equally shapely body, most of which was displayed for the public to appreciate. She wore a pair of brief, tight white shorts and a sleeveless black tee shirt with a low cut V-neck. Her designer sunglasses hung from the V of her t-shirt.
The woman paused. She surveyed the room with a lazy gaze. She stopped to look at Eric an smiled. She bent down, supposedly to tie the shoelace on one of her runners. She wasn’t wearing a bra. She didn’t need one, and he appreciated the large, firm breasts that were exposed to him--and anyone else who wanted to look. Little was left to his imagination.
Eric felt his body respond. He smiled in appreciation. She straightened up and looked in his direction. She tilted her head to one side and made direct eye contact. She smiled an invitation in his direction and waited expectantly. He knew she expected him to come over and introduce himself. He doubted if many men ever refused her invitation.
He held the eye contact and struggled with himself. It was a tempting offer. Eric started to take that first step and then jerked back. He was interested, but he wanted to wait and check out the other women who came on board. He wouldn’t have much spare time, and he wanted to spend it wisely. Red was certainly near the top of his list at the moment, right behind the petite blonde.
He returned her smile and imperceptibly shook his head. She shrugged and glided across the room to the elevator, hips swaying invitingly.
God, the way she moves promises so much. I must be a fool to turn it down.
She stopped in front of the elevator door, glanced over her shoulder to make sure he was watching. She licked her finger and ran it over her lower lip. When he still didn’t respond, she shrugged again. She gave him a slight wave and she stepped inside the elevator. The doors closed in front of her.
Eric continued to stare at the closed doors, remembering the beautiful, exciting view when she bent down to tie her shoe. He hoped he hadn’t made a damn mistake. It wouldn’t take her long to find a man that showed more interest than he had.
This could definitely be his best assignment yet, but it didn’t look like he was going to have any time to enjoy it. If he did manage to find a little time for the pleasures of life, his gut told him he would prefer to find that attractive young blonde and get to know her a better.
Eric grinned to himself. If he wanted to keep his job he’d better find the man, or woman, he was here to catch. Interpol had been working this case for months with nothing to show for it but some angry victims. This latest tip was the best thing they had come up with since the case started. He needed to review the passenger list again and identify his top suspects. He was sure the tip was solid. They were close. He would get them this time.
He turned back to the entrance in time to see a tall, swarthy, gentleman, probably in his mid to late thirties, saunter into the room. The hairs on the back of Eric’s neck stood on end and an electric shiver gripped his spine, creeping down vertebrae by vertebrae, as he observed the man.
A snake, the man reminded him of a well-oiled snake, ready to strike.
With his olive skin and black hair, slicked back, he was probably Latino.
His perfectly pressed white slacks and a white short-sleeved, designer golf shirt with a green and gold crest over the pocket looked expensive. The golf shirt was open at the neck revealing a thick gold chain. A navy cardigan hooked on one finger, hung casually over his shoulder. He carried a Pierre Cardin gym bag in one hand with his tennis racquet attached to the side.
The man nodded to the crew. He appeared familiar with them. It wasn’t his first cruise. He shook his head at the porter who approached.
Before leaving the area he moved to a corner on Eric’s left, opposite the entrance. He also had a clear view of the people who milled around the lobby, as well as those still coming on board.
He stood quietly, surveying the passengers, much as Eric was doing.
Eric watched the man skip quickly over the ordinary tourists. He concentrated only on the well-dressed passengers. Those who appeared to have money. The man’s eyes narrowed as he spotted a middle-aged lady wearing a diamond necklace and matching bracelet.
Interesting; I wonder whether he’s searching for women or jewelry or both. And what does he plan to do with whatever he finds?
Eric continued to observe the man, trying to read his mind, curious about his reasons for being aboard. He wasn’t here for the cruise, Eric was sure of that. He would have loved the older woman in the diamonds Eric had seen earlier.
What was his game? Was he a gigolo?
The swarthy gentleman appeared to be a man with a purpose. There was something about him...it bothered Eric. He couldn’t quite put his finger on it. He searched his memory for anything that might have showed up on the pre-sailing search, but nothing popped.
He’d check with Mickey later and see who the guy was and what his purpose was on the ship.
After a few more minutes, the man turned, proceeding quickly down the closest corridor.
Eric stepped down into the lobby and walked down the opposite corridor on the right--no that’s the starboard side of the ship. He needed to start using ship talk.
He checked his watch before he proceeded slowly along the corridor, becoming familiar with the ship’s layout. He moved meticulously up the ship, one deck at a time.
The corridors were longer than any hotel corridor where he had stayed. The ship had to be the size of two or three large hotels, at least. On the eighth deck he noticed the cabin style changing, becoming larger, with more window space and balconies. These were the suites.
On deck nine, the Bridge deck, were the most expensive suites: the owners’ suite and the four family suites. At the end of that corridor, with doors tightly closed, was the Royal Suite: the largest and most expensive accommodation onboard. This was the one he was particularly interested in checking out. If there were going to be any thefts, it would probably be here.
He stopped in front of the solid oak door, staring at the elegant paneling. He wondered who would be staying behind those closed doors.
Eric checked his watch again, and realized he was officially on duty. He raced down the hall, and punched the elevator button. He didn’t want to start his assignment off by being late. Not when he was already concerned about whether the woman, who knew his real reason for being here, was going to accept her role and support him or sabotage him.
***


Friday, March 28, 2014

Friday's How She Does It featuring Beverley Bateman


We all know there are six elements of fiction. Who, What, When, Where, Why and How. I believe the first five lead to the sixth which for me is plot. What's your take on this?

Good question. As a plotter I’m afraid I’d have to disagree. I come up with the What, then I work on the Why and the How. That’s my plot. Then it’s the Who. The
Where can depend on the plot or the character or maybe someplace I’ve been or read about.  

1.How do you create your characters? Do you have a specific method?

 After I have my plot I think about the characters. I could start with either hero or heroine. I do a draft of some of their characteristics and goals. Then I think about who the other main character should be. How can they challenge each other? What’s the conflicts? I do a character sketch with their habits, good or bad, and their goals.

2. Do your characters come before the plot?

No, my plot always comes first. I love to plot and once I get an idea for a plot I think about for a little while, get a feel for it and then I start to work on the type of characters that would work in the story.


3. Do you know how the story will end before you begin? In a general way or a specific one?

Sometimes. Sometimes I think I have it figured out and as I’m writing the story different ideas come to me, or the line I’m following doesn’t work with the characters and I end up with a different ending.
   

4. Do you choose settings you know or do you have books of settings and plans of houses sitting around?

I’m not sure about books of settings and plans of houses sitting around. Some of my stories are placed in settings I know. I’ve taken several Caribbean cruises so the setting for A Cruise to Remember comes from that. I have a few set in New Orleans and I’ve been there. Others I’ve set in Miami and I really don’t know the area. So it’s a combination of both.


5. Where do you do your research? On line or from books?

Most of my research is done online, although I do use books. For Witness Protection I used the book WITSEC. For one on online chat rooms I used information sent to me from a sheriff who works in the chat rooms. So once again, it’s a combination of both. Hopefully whatever makes it the better story.


6. Are you a draft writer or do you revise as you go along and why? Do you sketch out your plot or do you let the characters develop the route to the end?

Wow, that’s a lot of questions. Let me see, I’m a draft writer. Once I have the plot and an idea of the characters I usually do a one line sentence for each scene then I start writing and I write the book. When it’s finished I go back, add more detail, edit and delete. I think I’ve already answered about sketching out my plot. I do a very short sketch of each scene, but if the characters show me a better route, I’ll follow their guideline.