Thursday, April 16, 2015

Thursday's Heroine is Deborah from Sanctuary's Ending by Janet Lane Walters #MFRWauthor #BooksWeLove

On the late afternoon of the day of the spring equinox celebration, Deborah sat on the women’s side of the meeting house with the Healers. The hardness of the stone bench made her wish for a cushion. She shifted so she could see the open wooden doors. Would her twin arrive in time? Would he join those who had been his childhood friends?
Ruth sat with the Sensitives. Deborah saw her friend’s ashen skin and the way she bit her lower lip. Deborah wished they sat together for courage and reassurance. The roiling meotions in of the gathered people must responsible for Ruth’s tensions. 
She turned from the door and glanced at the platform where the Singers and Elders sat. She spotted Gabriel with the Singers and Paul on a chair beside the eleven older men. In the center of the stage the Seat of Judgment stood beneath the round glass window.
Where was her brother? He had to arrive. There were few reasons any man, woman or child could be absent from one of the four ceremonies. Punishments were always meted out. A night in the stocks could be ordered or banishment with a stoning was also possible.
Paul had vowed they would leave the community without her twin. Could they survive without someone used to living away from the village and their sheltered houses? Her fingers tightened into fists as a frission of fear walked her spine. What if Paul had been mistaken? What if an accident had prevented David’s arrival?
Deborah turned her head toward the door. Her gaze met the icy blue stare of Paul’s older brother. In that instant she saw lust and anger. Her gut lurched. He would be glad if her brother failed to arrive. Elder Jeremiah’s older son had hated David and would have used his position as Teacher to somehow undermine the testing process.
The first peal of the summoning bell rang loud. David, where are you? She tried to  reach him on the long unused connection of their childhood. She failed.


Wednesday, April 15, 2015

Wednesday's Writer's Tip - Using your ideas #MFRWauthor

One question people who haven't written a book ask is "Where do you get your ideas?" My answer is  that there are many ideas. Getting ideas for stories isn't hard. They're everywhere. Using those ideas takes some consideration.

The idea appears and triggers a reason to use it in a story. I've had many ideas but not all of them have developed into a story. The strangest idea I ever had was what is someone could see and read the meaning of lines of fire on a person's skin. Somehow I knew I wanted this to become a story told and it did.

Not I had the intention and the next thing was my attitude toward my desire to write a story. After thinking this over, I decided the lines of fire went to a person's good or evil. Could the lines be tainted and what did it mean if they were. So now I had another level to my idea.

Then came a real question. What was the purpose of my story. The world I envisioned began to evolve and the purpose was found. This purpose was to show how power can be corrupted and the effect it has on the main characters in the story.

Another step in using the idea involves research and was I willing to research what was needed to create a new world. Part of the research came from my imagination, and delving into where the idea would lead me.

Knowing the people is another way to develop the idea. I looked around me and I studied people trying to find those who had the qualities I might need in the characters. Here I also used my interest in Astrology to develop the characters.

So while there are hundreds of ideas for stories out there, some of these ideas aren't useable for my but they might for another person. So when you have an idea explore it before you start writing the story.

Tuesday, April 14, 2015

Tuesday's Inspiration - Writing For An Audience #MFRWauthor


This quote is from an editor I do not know, Hugh McNair Kahler. I do not know him or who he edited for but his words struck home with me. "Nobody can write for an audience to which he does not belong."

Early in my writing days I tried to write science fiction. Though I had read some I wasn't a fanatic about reading them. The stories and novels came back with some compliments about the writing but not about the stories.

One day I sat down and looked at the kind of stories I liked to read and came up with these areas. Romance in all the variations, fantasies and mysteries. Though I bill myself as an eclectic writer I mainly write in some variation of these. I found writing what I enjoyed reading really made me move toward success.

Just what does this mean. One of my friends loves horror and reads as much as she can of this kind of book. She loves Stephen King and Dean Koontz so when she began to write horror stories, she already belonged to that audience. This is the same for my friends who write romance read romances.

So what does this mean to you. If you're just starting to write, look at what you read. If you've been writing and never getting anywhere, check your reading habits. Reading is one thing that helps a writer write. This doesn't mean copying or trying to imitate a favorite author what it does is tell you where you might be comfortable writing.

Monday, April 13, 2015

Meandering On Monday with Janet Lane Walters #MFWRauthor


Meander 1 - Bike riding season has begun. Today they were riding three or four abreast. Guess that makes them as wide as a car. What happened to single file. I followed them for two blocks at ten miles an hour. When I beeped and tried to indicate they move to single file all I received was the finger. The law here says you can pass them but you must be two feet away from them. That puts the car in the range of the oncoming traffic. I'm sure they want to be fit and all that but sure would be nice if they had some common courtesy. Bike riders - Bah.

Meander 2 - I have lost a book, one I wanted to use for my Wednesday's Writer's Tip feature on the blog. I'm sure one day I will find it but it's not anywhere near the last place I left it.

Meander 3 - I have finished formatting and getting another rights back book for my publisher. This is a great thing. There is one more in this series still to commit to the process and one the publisher already had that will need to be updated and a new cover designed. I hope she will agree or I will have to write four more rather than three. Three is possible. As my husband said, "You will still be writing when you're a hundred." Divided Dreams is going well. I'm adding words to the rough draft.
When that's finished I'll start the Mages of Fyre.

Sunday, April 12, 2015

Sunday's Book - Horu's Chosen by Janet Lane Walters #MFRWauthor #BooksWeLove

 Romance, action, Ancient Egypt


Seth, an undercover cop has been betrayed by his handler. To escape he calls a number on a flyer and is transported to an ancient Egypt he doesn’t understand. He must rescue the Daughter from the evil priests of Aken Re.

Merin is the Daughter. She must find the man who by wedding her will become Pharaoh. She plots to escape the priests of Aken Re and flee to those who years ago saved her life.

Can Seth and Merin find a way to defeat the priests? Is love the answer to their problems? Can they join with the Warrior of Bast and of Horu to bring unity to the Two Lands?

RT Review
Following on the heels of The Warrior of Bast, this story is filled with magic and fascinating characters. Those interested in ancient Egypt will find this an enthralling tale. A satisfying ending is presented for the hero and heroine, with a promising lead-in to the next story.

Saturday, April 11, 2015

Saturday's Blurbs featuring books by Jude Knight #MFRWauthor

Farewell to Kindness

Regency noir
Price: USD3.49 from 9 April 2015
For three years, Rede has been searching for those who ordered the murders of his wife and children. Now close to end of his quest, he travels to his country estate to be close to the investigation.
He is fascinated by the lovely widow who lives in one of the cottages he owns. A widow who pays no rent. A widow, moreover, with a small daughter whose distinctive eyes mark her as as the child of his predecessor as Earl.
Six years ago, Anne blackmailed Rede’s predecessor at arrow-point for an income and a place to livein hiding from her guardian’s sinister plans for her and her sisters. He no longer has legal rights over her, but the youngest sister is still only 18. He cannot be allowed to find her.
Rede is everything she has learned not to trust: a man, a peer, a Redepenning. If he discovers who she is, she may lose everything.
To build a future together, Rede and Anne must be prepared to face their pasts.
Heat: PG13 edging towards R in places

Buy links
                            

 Candle’s Christmas Chair

Price: free ebook in multiple formats at all eretailers
When Viscount Avery comes to see the best invalid chair maker in the southwest of England he does not expect to find Minerva Bradshaw, the woman who rejected him three years earlier. Or did she? Older and wiser, he wonders if there is more to the story. 
For three years, Min Bradshaw has remembered the handsome guardsman who courted her for her fortune. She didn't expect to see him in her workshop, and she certainly doesn't intend to let him fool her again. Even if he is handsomer and more charming than ever.
Free download links on Jude’s book page: http://judeknightauthor.com/books/candles-christmas-chair/
Heat: PG
Buy links:

Friday, April 10, 2015

Friday - Jude Knight Talking About Heroes, Heroines and Villains #MFRWauthor

1.      Do you write a single genre or do your fingers flow over the keys creating tales in many forms? Does your reading choices reflect your writing choices? Are there genres you wouldn’t attempt?
I read a lot of genres: romance, both contemporary and historical; sci fi; fantasy; mystery; thriller. But I’m currently focusing my writing efforts into historical romance set in the early 1800s. That’s not to say I mightn’t branch out in the future. I have some ideas I’d like to explore: the bath house at Rotorua would be the perfect setting for a murder mystery set just before the first world war; I have a couple of post-collapse futuristics scenarios in half outline form; I’ve half written a sci fi novel based vaguely on the little mermaid.
Still, for at least the next two years, I’m in the fictional world I started with Candle’s Christmas Chair and Farewell to Kindness --- England in the early 19th Century.

2.      Heroes, Heroines, Villains. Which are your favorite to write? Does one of these come easy and why?
I enjoy creating characters of any kind, and I’ll happily spend days answering questionnaires about my main characters. I really enjoy seeing the people in my head coming to life on the screen as I type, and I’m often surprised by how strong their opinions are about the way the story should go.
But I particularly love listening to and watching my villains. I find villains easiest, which might be worrying if I think too hard about it. The brakes come off, and I give them the kind of dialogue that suits their personality: sociopath, or spoilt young man, or self-centered society beauty, or thug.


3.      Heroes. How do you find them? Do pictures, real life or plain imagination create the man you want every reader to love? Do they come before the plot or after you have the idea for the story?
The story usually starts with a situation. Whether the hero or the heroine comes next depends on what the situation demands. I start by mapping out the plot in my head, but the hero doesn’t really come to life until I answer a detailed character questionnaire that forces me to think about his preferences, his habits, his early family life, his hobbies, and his motivations. I usually don’t start writing till I’ve finished the character questionnaires for all of my main characters.
I tend to go looking for an image for visual inspiration once I have an idea of the character in my head. A picture that fits the person I’m creating then helps me to provide descriptions that are consistent as I carry on with the story.

4.      Heroines. How do you find them? Do pictures, real life or imagination create the woman you want the reader to root for? Do they appear before the plot or after you have the idea for the story?
I follow the same process for heroines; rough plot outline, then character questionnaire, then first draft. I write strong, determined heroines, but they all have their own characteristics and personal histories.

5.      Villains or villainesses or an antagonist, since they don’t always have to be the bad guy or girl. They can be a person opposed to the hero’s or heroine’s obtaining their goal. How do you choose one? How do you make them human?
In each book so far, the villain has emerged from the story as I wrote. As soon as I know who the villain is going to be, I go back and do a character questionnaire for them. Here’s how I write villains:
(a)   I pick up things that frighten, worry, or annoy me - in characters on shows, or people in real life. What are the character flaws that cause this response in me? What would the people be like if those flaws were magnified and their good qualities absent or reduced?
(b)   I think about the villain’s past. What terrible things have they done in the past? What terrible things have been done to them? Are they victims lashing out or are they just trouble makers? Were they deprived of love as children or were they born that way?
(c)   What are their redeeming qualities? Do they love their cat? Collect bone china? Have a soft spot for orphans?

When a reader tells me that they loved to hate my villain, I know I’ve done a good job.

6.      What is your latest release? Who is the hero, heroine and or the villain?
On 31 March, I released Farewell to Kindness. The hero is Rede, more properly Stephen Redepenning, 8th Earl of Chirbury. He has returned from Canada, where he was a fur trader, to take up the title and also to hunt down the people responsible for the murder of his family. The heroine is Anne, a mysterious widow who lives rent free in one of his cottages, and whose daughter has the distinctive eyes that run in Rede’s family. The villains are Rede’s enemies, the ones he is hunting, and Anne’s cousin, the person from whom she is hiding.

7.      What are you working on now?
I’m currently writing a novel that will be published in October. It tells the story of David and Prudence, operatives for one of England's shadowy spymakers. They are sent to investigate a spying ring that is stealing secrets for the French by blackmailing aristocrats. Among those they investigate are David's legitimate brothers (the sons of the Duke who sired him) and the husband of one of Prue’s three sisters.
I’m also writing a novella set seven years before Farewell to Kindness, with Rede’s cousin as the hero. Called Gingerbread Bride, it will be published in November as part of a box set with novellas from each of the Bluestocking Belles.
And I’m writing a couple of made-to-order stories for readers who won one of my competitions. They’ve chosen three characters and a story trope, and I’m writing the story to that specification.

8. How can people find you?
Jude Knight is the pen name of Judy Knighton. After a career in commercial writing, editing, and publishing, Jude is returning to her first love, fiction. Her novella, Candle’s Christmas Chair, was released in December 2014, and is in the top ten on several Amazon bestseller lists in the US and UK. Her first novel Farewell to Kindness, was released on 1 April. It is number one in a series: The Golden Redepennings.
Follow Jude on Twitter: http://twitter.com/JudeKnightBooks
Friend Jude on Facebook: http://facebook.com/judeknightbooks
Subscribe to Jude’s blog: http://judeknightauthor.com
Subscribe to Jude’s newsletter: http://judeknightauthor.com/newsletter/
Follow Jude on Goodreads: http://www.goodreads.com/judeknight

Thursday, April 9, 2015

Thursday's Heroine - Arana from Dragons of Fyre #MFRWauthor #BooksWeLove

Arana shielded her eyes against the glare of the sun. Four blue dragons circled a single combatant. She stared at the changing pattern of the battle. There could be but one ending. How could the lone dragon from High Peaks Tower survive when he fought with no speaker? She closed her mind to the multiple voices she heard.
One of the creatures dove. The embattled one turned and raked his claws along his opponent’s side. A second blue attempted to swoop from above. The besieged whirled and caught the edge of the attacker’s wing with his foreclaws and pulled free. The injured dragon joined the first in retreat.
Arana began to hope. She knew nothing of battle strategy. Though she could have spoken to the High Peaks blue she couldn’t distract him for she had no advice to give.
Her hopes plummeted. The remaining opposing pair dove toward the High Peaks blue. Though her favorite twisted, he was too slow to prevent the largest of the others from clamping teeth-filled jaws on his neck. Arana’s scream was echoed by a piercing roar from the pens. She watched as the embattled dragon tumbled to the rocks. She ran to the far side of the landing field. The blue’s broken body lay on the rocks where Arana had witnessed the death of her foster mother.
Gone, she thought. Now all that remained of High Peaks’ lineage was one red and one green dragon. And her, but she was only a foster child.
Arana leaned against the wall and fought to stem her tears. The cool autumn breeze carried the briny scent of the sea. In the distance she saw the sails of an approaching ship. Did it carry traders or wizards? If the ship belonged to either group, Lagon would leave the tower to bargain with them. The wizards welcomed any chance to obtain the hide of a dragon.
She rubbed her arms. Since the battle had ended, her services would be needed by the dragons and the speakers. She was the only one of the slaves who had no fear of the huge beasts. Her ability to hear and speak to the creatures allowed her to move freely in the pens.
She was also one of the few slaves who knew the ingredients of the antidote for the tea made from fyrethorn berries. Most of the men suffered from headaches after a speaking session. None of the four who had controlled the battle were like her for she spoke to the dragons without drinking the tea.
One after another the blues landed. Hisses and pain-filled cries filled the air. Arana was torn between going to the beasts or the men. A keening cry rose to a piercing shriek and vibrated through Arana’s bones. A red dragon emerged from the doorway to the pens. Arana ran across the landing field dodging the hissing beasts to reach the surviving red of High Peaks Tower.
A smaller green dragon scurried after the red. *Soothe her. She will not heed me.*
Arana blocked the other voices and send words of comfort to the red. As the beast’s cries softened, Arana stroked the leathery hide. Her mouth flew open. She sensed the presence of eggs. When had the pair mated? Somehow they had managed to slip free from the pens for a mating flight.
*I hid them.* Verde’s voice held laughter. *I am of their lineage and do not want to be the last of the High Peaks dragons.*
Arana stood on tip-toe and stroked his neck. *When will she lay the eggs?* She couldn’t hide the fear rippling through her thoughts. Lagon, lord of Sea Cliff Tower would surely destroy the eggs before they hatched.
*Soon.*
*How can we keep Lagon from learning?*
*I will mask her so the evil one will not know.*
Though Arana had no idea how she could hide two dragonets or care for them, the news brought hips. *Return to your pen. The blues are settling. I must deliver the potion to the men and tend to the wounds of the dragons.*
Arana crossed the landing field and strode past the entrance to the tower. She opened the door of the stillroom. Unlike High Peaks, the tower here was surrounded by a wall. Halls connected the various buildings that abutted the walls.
She filled a basket with linen, needles and ointments needed to care for the dragons. She took a flask of water and added herbs for the antidote. Arana carried both through the halls to the room where the speakers lay on padded lounges.
Arana poured the contents of the flask into a pot of hot tea. One of the slaves filled cups and gave the liquid to the men. One by one they roused. Arana turned toward the door.
“Dragon slave.”
She stiffened but turned to face the lord of Sea Cliff Tower. The man had taken away the freedom she had earned at High Peaks for her ability to speak to the dragons. When he had killed the lord and his sons, Lagon had made the women of that tower into slaves. She bowed her head to hide the hatred in her eyes. “What is your command, my lord?”
He lifted her chin. His ice blue eyes glittered with remnants of pain. “After you treat the beasts, you will seek me.” A cruel smile curled his thin lips.
She nodded. “I hear and will obey, my lord.”
He grasped her arm. “Soon you will do more.”
“As you command.” The words nearly choked her. She pushed the door open and entered the central hall. From there she left the tower and crossed the landing field to the massive stone building that housed the dragons. The hisses and growls of the four blues reached her. Where should she begin?
*I will tell you,* Verde said.
He directed her to the dragon with a long row of talon slashes along one flank. She cleaned the ichor away and slathered a numbing ointment around the edge of the wound. When she finished the creature’s roars ceased. She daubed healing salve on the open areas and spread strips of linen over the anointed places.
She left the first pen and entered a second and set about mending the tear on the dragon’s wing. A finely woven cloth was placed beneath the tatters. By the time the wing healed, the stitches would disintegrate and the cloth would drop away.
Once the minor injuries of the other dragons had been treated, Arana left the pens. *Verde, thank you.*
*When they are hurt they listen to me.* Verde sighed. *Maybe that’s why I was born green.*
*Could be. As you mature you will learn more.* Arana repacked the basket. She wished Verde could persuade the blues to defy their speakers.
*Arana, no. The evil one would kill the speakers and find new ones. Or he could destroy the dragons and sell their pelts to the wizards. As long as he lives I will not do this.*
*I know but I wish we could free them.* As she crossed the landing field and walked toward the still room, a prickling moved along her spine. Her hands formed fists. She steeled herself to face Lagon.
“Arana.” His hand clamped on her arm.
The basket thudded on the ground. “My lord.”
“How fare the beasts?” He turned her to face him.
“The wounds will heal. Two will need several weeks of rest before they can fly.”
“The High Peaks blue was a mighty fighter. Does the red of that lineage grieve?”
Arana nodded. “In the confusion after the flight she would have flown away but I calmed her.”
“Don’t dampen her spirits too greatly. I want her to rise to mate.” His gaze drilled her. “When she does my blue will follow. With eggs of her get my dragon stock will improve.” He shoved Arana against the wall. “On that day you will drink the tea and fly with her.”
Arana bit her lower lip. She couldn’t let him see how her fear verged on the edge of terror. “What if she won’t rise?” She couldn’t let Lagon know the red was with egg.
His thin lips curved into a smile that held no hint of humor. “When you speak to her she will have no choice.” He scraped a fingernail along her cheek. “You are as ripe as the dragon. You will bear my son.” He clamped his teeth on her lower lip.
She winced. A sullen anger built inside. She sought to hide her repugnance toward him. He liked his women to cower and obey his commands. In the ten years and one of her captivity here, she’d seen ten women ordered to his bed. She’d seen the bruises and witnessed the lashings as each one failed to produce the son he desperately wanted.
He caught a lock of her hair and wound it around his finger. “Hair the color of flames. Fire is what I demand from you.” He pressed his mouth over hers. His body touched hers and his phala remained flaccid. Once again she was spared a mauling.
Lagon laughed. “Soon.” He held one hand against her throat. “Let your fears grow so I can feast on them when the dragons rise.” He released her.
Though relief threatened to bring her to her knees, she pressed against the wall for support. She thought of her fellow slaves. Most feared him, but one or two lusted to be in his bed. She didn’t understand their fascination. Though handsome, his icy blue eyes and thin lips spoke of his cruel nature.
The blue gem in his ear was said to be a payment for the youth he’d sold to the slavers. The boy had been from High Peaks Tower. Had he been the youngest son of the lord, the boy who had been her friend? Lagon had announced Drakon’s death when the women from High Peaks had reached Sea Cliff.
Her eyes closed. Though she tried to form a picture of her friend, she failed. For several years after her captivity had begun, she had dreamed of the young man and of being rescued.
The sound of boots against the stone floor announced Lagon’s departure. Arana released her held breath. She returned the basket to the still room, and then ran down the inner hall to the bathing room. There she scrubbed away the odors of her labor and the stench of fear. She dressed. Instead of going to the rooms where the slaves were housed she walked to the landing court. At the edge she stared at the sea. Waves crashed against the rocks. Far below servants removed the dragon’s hide.

The ship she’d seen earlier had docked at the wharf in the nearby village. She noted the green flag and knew the ship belonged to the wizards. She breathed a sigh of relief. Their arrival meant Lagon would leave the tower once the hide had been scraped and the curing begun. He would eagerly negotiate a sale.

Wednesday, April 8, 2015

Wednesday's Writer's Tip - Rules and Writing #MFRWauthor


Now some people say there are no rules to writing. Others write books with a lot of rules contained within. I'm even guilty of writing one with Jane Toombs. Becoming Your Own Critique Partner, I hope, is more suggestions than rules.

Now there are some rules - grammar ones. But as a writer you can break them. Of course you have to know them first. There are also conventions in the various genres of fiction. Knowing them can help you decide if you're going to follow those ideas about the genres developed by other people or if you're going to set your own rules.

Setting your own rules is important but you're not going to develop them the first time you write a story. Then it's mostly fumbling or following a recipe book written be an author who may or not be famous as an author, an editor or a teacher. I've read many of these books. When I started I wasn't sure what I was doing but in reading these books, I found some of the rules worked for me and some didn't. When you just begin writing you want to produce a work that will sell. So you flit from how to write book to how to write book.

My the third or fourth book, you realize that there are rules. They're your rules and they may happen by pulling a trick from book A and another from book B, and as many as you have read. You begin to grow comfortable with breaking some rules of genre or grammar. Some readers won't like this and they may critique what you've written. Maybe you made a mistake and maybe you didn't. Your rules are the ones that help you produce a good story or even a bad one. So learn the rules first and then shatter them as you will.

Tuesday, April 7, 2015

Tuesday's Inspiration - First Drafts - James Michener #MFRWauthor


This quote really struck me and I agree with it 100%. "I have never written anything that could stand in the first draft." James Michener.

I have read and enjoyed many of his books but my first drafts are those only I can love. Sometimes they ramble. Sometimes they are more outline than anything else. There are scenes that are filled in with a few words like. Fight scene. Love scene. Must look up what kind of food they would be eating at a particular restaurant. Things like that. Maybe there are some people who can sit down and write their entire book and never have to re-write or revise.

For me getting down the substance of the story is important. The details come later. Sometimes the scenes that were jotted down don't work and they are discarded.

There is nothing wrong with re-writing. Taking a scene and restructuring it to make the story stronger. Scribbling all over the rough draft works and the re-write always is an improvement.  For me this  is fun. What about you.

Revision for me is looking at the structure of the sentences, checking the words to make sure they're the ones I want to use. Catching those little mistakes before the editor or a reader finds them. Revision is also fun. During this phase, I look at the little notes like the time line. Found some notes for the last chapter of a book where timing was everything.

"Five days to forest. 2 days through forest.14 plus days to the old man's place." Making sure I had all these times correct allowed the characters to reach their destination on time and added a bit of tension to the story. In the rough draft all these times were vague and didn't work. So like Mr. Michener the storny didn't stand on the rough draft.