Friday, June 6, 2014

Friday's How She Does It with Caroline Clemmons #MFRWauthor

HOW SHE DOES IT

We all know there are six elements of fiction. Who, What, When, Where, Why and How. I believe the first five lead to the sixth which for me is plot. What's your take on this?

 I agree, Janet. There’s also another, which is Why Not? That’s the plot’s conflict. What do the main characters want and why can they not achieve their goal? Writers have to make the hero/heroine battle obstacles that appear impossible to overcome so their victory becomes glorious and heroic.

1.      How do you create your characters? Do you have a specific method?

Usually, the two main characters appear to me in a scene as if I were watching a movie in my head. (No, I’m not certifiable. Yet. ☺) Then I work out the premise of the story from that scene. I use the plotting method taught by Laura Baker and Robin Perini in their Story Magic workshop. Several of my writer friends use the same method and we have plotting weekends where each of us plots several books. This last time, we plotted three books for me and various numbers for the other three. There are always characters talking to me and vying for their own book, so there’s no problem plotting several books on one weekend.  

 2. Do your characters come before the plot?

For me, the characters are primary and drive the plot. Occasionally, setting can be a character. As an example, a snowstorm or heavy rain with flooding can isolate a couple. Usually, I know more about one character than the other. For instance, in THE MOST UNSUITABLE COURTSHIP, hero Storm Kincaid spoke to me more than the heroine. In GABE KINCAID, heroine Katie Worthington was foremost in my mind.   

3. Do you know how the story will end before you begin? In a general way or a specific one?

Yes, I know how it’s going to end, but variations crop up as I’m writing. A plotted book is like having a road map for a trip that gets you from point A to point B. You can still take detours along the way as inspiration strikes, but you’re always heading toward that specific final destination.  

4. Do you choose settings you know or do you have books of settings and plans of houses sitting around?

All of my titles except one novella are set primarily in Texas, and I’ve traveled to all the settings I use. For several historical romances, a small portion of the book takes place in another state before moving to Texas. For those, I have to rely on memory if I’ve been to that state. Otherwise, I rely on the internet for location photos and facts. For instance, in THE MOST UNSUITABLE HUSBAND, the heroine is traveling back to Texas from her mother’s funeral. In Memphis, she saves three orphans. I wanted there to be snow, but I didn’t know about the weather in Memphis. I found weather facts online for the year of the story and relied on that information.

I save photos of houses that I’ve seen as we’ve driven around the state as well as magazines featuring particular homes. For historicals, I’ve also referred to library books detailing the restoration of old homes. Those give detailed information about plumbing (when there was any), ranges and heating, insulation (if any), and fixtures. I also have a reprint of an 1897 Sears Roebuck and Company catalog as well as several other reference books. I love e-books for reading fiction but for extensive reference, I prefer a physical book.

5. Where do you do your research? On line or from books?

Both. As I said, I love having reference books. Having several books on every subject would be too costly and take up way too much space. For instance, I have just researched vineyards for my work in progress, and also sorghum and peanut crops. Although the vineyard and winery research will be throughout the book, the sorghum and peanuts will be only a few lines. Still, whatever I incorporate has to be correct, doesn’t it? So I used online USDA sources for those facts. The internet is a great timesaver.

6. Are you a draft writer or do you revise as you go along and why? Do you sketch out your plot or do you let the characters develop the route to the end?

My characters are developed before I begin the story, but new aspects of their makeup crop up as I write. I try to just write the draft, but I can’t resist editing as I go along. Sigh. Our critique group meets alternate weeks, so I revise what I’ve written before I email it to my three critique partners the week we’re meeting in person. After they’ve given their critique, I incorporate their suggestions—those with which I agree. Usually, their advice is spot on, but it’s still my book.




Thursday, June 5, 2014

Thursday's Hero Dylan from Choices By Janet Lane Walters #MFRWauthor

A car horn blared. She froze. How dumb. Visions of being a patient in the intensive care unit flashed through her thoughts. An arm caught her around the waist and pulled her from the path of an oncoming car. Brakes screeched.
            “Lady, there are better ways to commit suicide. Lucky thing I stepped out for a breath of air before the lunch crowd descends. What in heaven’s name made you dash into the street like you’d been shot from a cannon?”
            Johanna’s feet touched the sidewalk. Her rescuer’s arm remained around her waist. He pulled her toward Blarney’s. The deep voice continued scolding. Unable to speak without revealing how scared she’d been, she studied his hands. Tanned, square fingers, short nails.
            The kitten squirmed. Needle claws raked furrows on her arms. They reached the door of Blarney’s. Instead of allowing herself to be dragged inside, Johanna sank on a bench. Reaction to the earlier surge of adrenaline made her body shake. She looked up and her eyes widened.
            He was like and unlike the warrior in her fantasy world. His unruly, auburn hair needed a trim. Green eyes tinted with blue reminded her of the sea. His rugged face bore laughter lines.
            “I’m waiting for an explanation of your rush toward oblivion.” His voice held concern and amusement. “Hope it wasn’t thoughts of the food.”
            Her cheeks heated. How could she deal with the glint of humor she saw in his eyes? “The kitten ran into the street.”
            “And look what the ungrateful creature’s doing to you. He’s not feeling an ounce of remorse. You’ll be lucky to escape with your skin intact.”
            Johanna tried to contain the kitten on her lap. “Guess it was a foolish thing to do.”
            “An act of kindness.” He plucked the animal from her hands. “See here, my boy, you’ve got to treat this lady with more respect.”
            Johanna smiled. She wanted to say something, but she didn’t know what would end the tension that pulsed between them.
            He put one foot on the bench and held the squirming kitten. “Dylan Connelly at your service. Next time you need a rescue, be sure to call me.”
            A bubble of laughter escaped. “Johanna Gordon.”
            “Aha. Hudson Community’s Director of Nursing. My niece has told me a lot about you.”
            “Your niece?”
            “Bridget Long.”
            When he laughed, Johanna knew her expression showed dismay. Bridget was a talented nurse and the most vocal of the union leaders. Johanna wondered if she and the younger woman would ever agree about anything.
            “Don’t look so shocked. The girl likes you.” He reached for Johanna’s hand. “You’re needing to see to your wounds. No telling where the wee beast has been.”
            Without a protest, Johanna rose. She frowned. Why was she following him? In ten minutes, she could be home using her own first aid supplies. When he opened the restaurant door, cool air rushed over her flushed face. She blinked to adjust to the dim light.
            Empty stools lined the curved oak bar. A younger version of the man whose hand cupped her elbow slid wine glasses into a rack above the bar. Dylan Connelly ushered her to the ladies room and vanished down the hall. Johanna attacked the multitude of scratches with soap and water.
            Dylan tapped on the door. “Peroxide. I’ve bandages if you need them. We have our share of kitchen mishaps.”
            “No need for them.” Probably not for the peroxide either, but she took the bottle.
            “I’ve boxed the kitten.” He paused with one hand on the door. “Would you be interested in joining me for a bit of lunch before you leave?”
            Not sure what she saw in his eyes or his smile, she nodded. “I’d like that.”
            “Then you’re on. I’ll put in our order.”
            “But—” The door closed leaving her with second thoughts. He hadn’t given her a chance to choose her meal. She poured peroxide on her arms. What had she done? When the liquid no longer foamed, she patted dry. She had to tell him she’d changed her mind. She opened the door and stepped into the hall. Maybe she could slip away.
            Dylan leaned against the wall across from the door. “I was wondering if you’d gone out the window.”
            She frowned. “There’s no window.”
            “Good thing you noticed before you tried to escape.”
            Had he read her mind? Johanna felt thankful the hall was dimly lit. “I wanted to be thorough.”
            He grinned. “Your lunch awaits.”
            What, no chariot? The frivolity of this thought surprised her. Maybe she was in shock from accepting his invitation. Having lunch with a stranger wasn’t her style.
            He showed her to a booth across from the bar. High back church pews formed the seats. She saw a shoebox on the bench and heard a faint meow. “What am I going to do with a kitten?”
            “Become a slave. The creatures have a way of creeping into your life and letting you know how much you need them. The pair of you are bonded for life. I’ve a memory of the time my oldest brought home a bedraggled cat. Next morning, there were six. Makes one think twice about rescue missions.”
            Johanna stared at the box. Did Dylan feel responsible for her? How could she tell him there was no need? Before she framed a reply, a significantly pregnant waitress set two plates on the table.
            “Dina, love,” Dylan said. “I thought you were hostess today.”
            She made a face. “You and Patrick...I’m not an invalid. Colleen’s late, so I’m filling in ’til she gets here.”
            “Make sure you’re not on your feet too long.”
            Johanna smiled. The caring in his voice raised a bit of envy. She wished someone cared for her in that way.
            She watched him drip catsup on his burger and fries. Did he realize how much fat the food contained? She inhaled and the aroma of the burger made her realize how hungry she was.
            As they ate, he related stories of the bar he’d bought from his father-in-law and how it had evolved into a restaurant. “First there were the snacks. Then a bit of soda bread. When Colleen’s husband graduated from the Culinary Institute, he was needing a job, so we bought the building next door and expanded.”
            Before she finished the savory burger, Johanna learned Dylan had been a widower for two years. His oldest children were his partners, and the youngest two were in college and spending the summer on work/study projects.
            The town clock struck twelve times. Johanna glanced around the room. The other booths and the tables near the windows were occupied and so were most of the seats at the bar. She slid toward the aisle. “I should go.”
            “Feel free to stay for a bit of dessert,” Dylan said. “Time I was headed to the bar. I’ll call and see how you and the wee beast are dealing with each other and if your wounds have healed.”
            “There’s no need. I’ll be fine.”
            He winked. “I’m not one for doing a thing I don’t want to do. Remember, if you need another rescue from an iron dragon, I’m your man.” He strode to the bar.
            Johanna waved the waitress away. “No dessert. Thanks.” She’d eaten more this noon than she had for months. She slipped a bill beneath her plate and rose. As she lifted the shoe box, she heard a mournful cry. What was she going to do with a kitten?
            “Take care crossing the street,” Dylan called.
            Johanna stepped outside. Forgotten were her plans for the antique shops and the library. She had a kitten, the promise of a phone call and lighter spirits. At the curb, she turned to look at the restaurant, saw Dylan and waved.

DYLAN PLACED TWO GLASSES of wine on one of the window tables. Instead of returning to the bar, he watched Johanna walk away. When she waved, he grinned.
            Why had he promised to phone? What he knew about Johanna Gordon came from his niece. Bridget admired the older woman, and often spoke about her fairness to the nurses and her uncluttered life, a thing Bridget’s certainly wasn’t. His niece worked full-time to support four children and a husband who tossed his shoes beneath any woman’s bed.
            The strength of his attraction to Johanna rocked Dylan. Though there was no logical reason, he knew he would call and invite her to dinner.
            Since Maureen’s death, he’d had no desire to become involved with another woman. If he could find one like her, he might reassess his notion that the coupled part of his life had ended. Maureen had met his passion, his laughter and his temper with her own.
            Johanna Gordon was nothing like Maureen.  There’d been shadows in the depths of Johanna’s  brown eyes. The sadness had stirred a need in him to see them gone.
            “Nice going, old man.” Dina poked his ribs with a finger. “Glad to see you haven’t lost your touch with the ladies.”
            “Get out of here with your nonsense. I was only being the gentleman.”
            “Looked to me like she got to you.” She danced away and collided with her sister-in-law. “Your father invited a lady to lunch.”
            “And I missed it,” Colleen said. “What’s she like?”
            “In her forties. Tall, slender, brown hair. Kind of stiff, but she had a sweet smile. He saved her life.”
            Colleen giggled. “My dad, the hero. What happened?”
            Before Dina had a chance to answer, Dylan put his hand on her shoulder. “Get to work, the pair of you.”
            Dina laughed. “This is for the way you teased Patrick and me. Payback’s a—”
            He put a finger on her lips. “Watch your mouth. If music can effect the unborn, just think what that kind of language can do. I don’t want my grandson arriving with a sewer mouth.”
            “What if he’s a girl?”
            “You’re having a boy. I’ve the second sight. It’s a family trait.”
            Patrick’s loud guffaw interrupted the verbal sparring match. “My lovely wife, you’ll never win a battle of words with Dad. Who do you think this place is named for?”
            Dylan winked at Dina and walked to the bar. He pushed Patrick to the opening. “Get out there and give your wife and sister a hand with the tables.”
            “On my way. I liked her looks. You know, I’m amazed an old man can move so fast.”
            “I’ll give you old. Three rounds in the backyard in the morning.”
            Patrick chuckled. “Be sure to call her. You need more of a social life than family gatherings and watching Colleen’s boys.”
            “Hey, he volunteers to babysit. Just wait ’til Dina pops and we’ll see who calls Dad.” Colleen patted Dylan’s arm. “I’ll add my vote for the lady.”

            Dylan laughed. Even thinking about Johanna made him eager to see her. He filled four mugs with beer and slid them down the bar. Tomorrow, he thought. Let her get used to life with a kitten.

Wednesday, June 4, 2014

Wednesday's Writer's Tip - Looking at Writing The Fiction Series - Take 2 #MFRWauthor #EPICORG

 Once again I'm digging into Karen Wiesner's book on the fiction series. Seems there are 3 ways series begin.
 1. The Unintentional Series.- This has happened to me and probably to other writers of series. The stand alone book suddenly becomes a series. Why? First the character may so involve the writer that there are other stories for the character to appear in. Or the writer may find a world that totally interests them and they want to explore other parts of that world. Then, the first story can be so successful with fans the writer decides to write a sequel and another and another.

2. The Planned Series. There are writers who can sit down and plan a series from the first moment they begin work on a story. They may or may not use the same characters as the leads, but the leads are connected through some agency. Writing this kind of series takes planning and problems can arrive. While the writer may not know what each story in the series will entail they need to have a plan for the series from the beginning to the end.

3. The Publisher's Idea. This is a series that is a bit different. The publisher or an editor has an idea for a series and seeks the writers to do each of the books in the series. This can be hard or easy. The location is usually one place, a town a group of connected characters. While each of the writers does their own story, they need to fit their story to the overall plan. Some writers find this easy but others can't do this kind of a story.


Tuesday, June 3, 2014

Tuesday's Inspiration - A story Is... #MFRWauthor


Once again, A quote from Dwight V. Swain. "A story is a succession of motivations and reactions."  Motivations are the reasons a character wants something. Reactions are the way they respond to what is happening around them. At least that's how I approach stories. While the goal may change and often does during a story the things driving a character and the way they react to situations remain the same. Most of the time.

While a character has a goal, remember the goal may change. An event occurs in a character's life. This event triggers reactions and the character can react in several ways. By feeling, by action or by speech. Usually in all of these ways. John sees Mary across the room. He has wanted her for years but she is with Joe. This triggers John into action. His feelings are engaged. He may cross the room and create a scene. He may use speech to create a diversion.

The same thing happens in any type of story the writer chooses to explore. There is an event that triggers a reaction. How the character reacts depends on how the character has developed by the writer. The reactions are emotional. That's the one thing to remember no matter how the character acts emotions are the first reaction. Then they choose either action or speech. Sometimes all three are displayed before the scene reaches an end.

During the journey to the end of the story where the character either attains the initial goal, has found a new goal or has lost the goal, there are segments of an event followed by reactions all resulting from the character's motivations.

Monday, June 2, 2014

Meandering On Monday with Janet Lane Walters #MFRWauthor


Meander 1 - Dance recitals. Three of the grandchildren had their dance recital this weekend. The school has many classes and students so there were 2 of the events to see on Saturday. Oldest grandchild was poised and really beautiful. Second grandchild was the surprise. I believe this is the kind of dancer who needs the audience to bring the performance to almost brilliance. The third grandchild was cute and perky. Interesting how even dancing showed their personalities. This also brought back memories of when my girls were young and involved in dance.

Meander 2 - Blogging. I try to blog every day but a lot of what I blog about is something others help with. Through their books on writing or their interviews. Makes life easy for me.

Meander 3 - Works in progress. I am working on getting two books ready for re-release. Bast's Warrior and Horu's Choice to be followed by a third in the trilogy Toth's Priest. Have nearly finished the first one for sending out and need to finish the book form. So very glad I looked at the story from beginning to end since I found some discrepancies from the last book I'm currently writing. I'm sure I'll find the same ones when I tackle the second of these books. Book 3 is progressing and I've begin the draft where I finish filling in the blanks and expanding or contracting some of the scenes. There's a lot of action in this one and some nice love scenes. I'm enjoying this adventure.

Sunday, June 1, 2014

Sunday - On Series - Affinities - The Main Characters - Janet Lane Walters #MFRWauthor


The first book of Affinities - Escape features the five main Characters in the story. Though in other books thee are other viewpoint characters introduced the first ones shown are viewpoint characters throughout the four books. The first book in the series is Escape

Ashlea's affinity is for Air. She has the ability to read the winds and to use other elements of Air to help the group in their quest for a safe place and mentors to help them learn how to use their affinities. She can influence the thoughts of others. She is the oldest of the first set of twins. Her artifact is the flute and her gem is clear white.

Brandien's affinity is for water. He is able to scry and see events that can influence their lives by looking into clear water. He can also read emotions and control them. He also has the ability to treat injuries. His stone is blue and a scrying cup is his artifact.

Jaydren's affinity is for earth and he has the ability to help plants grow and to find minerals buried in the earth. He wants to know everything. He can locate minerals in people's bodies. His artifact is a staff of living wood and his gem is green.

Kylandra's affinity is for fire. She also has the ability to control and attract animals. Sometimes acting in a rash manner she believes in action. Her artifact is a sword and her stone is red.

Alizand or Zand is the fifth of the characters introduced. His affinity is for Fire. A sword is his artifact and his stone is red. He is the son of the ruler of one of the Princedoms but though the oldest, he can never be the heir because of his affinity. His flight from home when his protector is sent away brings him into a friendship with the four.

These five are the focus of the four books. Next week the other viewpoint characters and the villains will be introduced.

Saturday, May 31, 2014

Saturday's Chapter from Pieces of the Past by Jamie Hill

Witness Security – The Series

Pieces of the Past – Book One

 

The past is closing in on Christine Scott. Uprooted from her pleasant life in Chicago, she and her two children are thrust into the Witness Security Program when the mistakes of her husband catch up with him. He lands in prison, while she and the kids are transplanted to a quiet Kansas town. Christine does her best to keep life normal for her active ten-year-old son and persistently moody seventeen-year old daughter. But when they start receiving gifts from an anonymous sender, reminders of their old life, it becomes obvious that someone has found them.

Doug Jackson's been in service with the US Marshal’s office for fifteen years. He hasn’t lost a witness yet, and doesn’t intend to start with Christine or her family.  If he can get them to cooperate, his job might be easier. Unfortunately, no one seems concerned about making Doug's life easy. Not the man in the white sedan who eludes him, nor the pretty Christine, thoughts of whom he can't seem to shake. Their lives depend on Doug keeping his head in the game, and he's determined to do just that.


Excerpt:

Prologue

Life is hard, then you die. He’d read that on a T-shirt once. It seemed like a fitting expression. Maybe I should get me one of those shirts. Then at least people would know what to expect when they saw him coming. If they saw him coming.
He chuckled and adjusted the air vent on the left side of the car’s dashboard so it aimed directly at his face. He’d started to sweat profusely, and wanted to nip it in the bud. He used a wadded-up fast food napkin to pat down his balding head.
The neighborhood seemed quieter than usual. From what he could tell, the oppressive heat had sent children in search of pools and adults inside, seeking relief. Even through his closed car windows, he heard the drone of air conditioning units as he drove slowly down the street.
He stopped a half a block away and studied the yellow house, its sidewalk framed by a red brick planter full of petunias. No bicycle in the driveway, no loose basketball lying at the base of the hoop, which sat atop a pole next to the house. For a moment, he wondered if the family was away. They can’t be. I saw those things here yesterday.
When the front door opened and the woman came out, he breathed a sigh of relief. I’m paranoid. Not uncommon for someone in his line of work. He adjusted the right vent so the cold air blew in his face, too.
The woman glanced in each direction before she inserted a letter into the shiny black mailbox and raised the small red flag on the side. She gazed toward his car and seemed to stare right at him.
He crouched down low in his seat. She can’t see me from there. A new bead of sweat formed on his temple, and trailed down his face. I hope.
Without missing a step, the woman walked back into her house and closed the front door.
He swabbed his forehead, straightened his shoulders and settled back against the rented sedan’s leather seat. The coast is clear. A bit too close for comfort, but no harm done. Plus, he got a good look at her, so there was no doubt he was at the right place.
He lifted several photos, and sheets of information accompanying them, from the passenger seat. Thumbing through the pages, he paused when he reached the picture of the woman and examined her closer. Straight dark hair framed her face, falling past her shoulders. Young. She looked much less than her purported thirty-five years. She’s a pretty dame. Clear brown eyes and a happy, innocent smile.
Bet she’s not so happy anymore. Reality had a way of taking that from people. I should know.
He flicked the photo back and forth against the steering wheel. If the woman was somehow happy again, after everything she’d been through, he’d be amazed. And sorry that someone was intent on blowing it. But that’s the way the cookie crumbled.
This is no big deal. Just another job. He tossed the photo back into the passenger seat and stared at the house once more. Same game, different players. There had to be different players, if he did his job right. If I ever mess up, I’ll be the one lying on the slab. He hadn’t screwed up yet, and wasn’t too concerned about it. He was very good at what he did.
He yawned, fiddled with the vents again, and settled back into his seat.


Chapter One


Topeka, Kansas


Christine Scott closed the front door and locked it out of habit. Their first August in Kansas was hotter than blazes outside. She didn’t expect either of her kids would be going out. Ethan was in the family room playing a video game. Peyton was in her room, where she spent most of her time.
Christine sighed. It had been a frozen day last January when she and the kids moved to the quiet city of Topeka. The state capital was large for Kansas but nothing like Chicago, where she and both children had been born and raised. The move had been quite a jolt, on top of changing identities and literally, their lives. The marshals in the Witness Security Program had encouraged them to keep their same first names and initials, hence the Stewart family became Scott. Seventeen-year-old Peyton, furious about the relocation, the divorce, everything, had taken it hard.
Jordan Burke, the US Marshal assigned to their case, did everything she could to make things easier. Christine liked the woman, even though a part of her was envious of the dark-haired beauty with her long, thick black hair and a figure people couldn’t help notice. She could tell Peyton was enthralled with Jordan, partly because of the woman’s looks, but also because the marshal treated Peyton like an adult. That scored major points. Christine watched them interact, saw her daughter was starting to idolize their protector, but didn’t really mind. Jordan was gorgeous and just plain nice. She understood that the kids weren’t thrilled by uprooting their lives and relocating from Illinois to Kansas.
Christine hadn’t been thrilled either, but she was an adult and could see the big picture more clearly. Her accountant husband of eighteen years had lied to her and put their family in jeopardy. He’d thought the cash he received laundering money for the Russo crime family would make up for the hardships they’d had to endure. He’d been wrong on so many levels.
No amount of cash could ever make up for the death threats Christine and the kids had received. They’d had no choice but to enter the protection program. Neither child seemed to believe it when she explained she was divorcing Daddy and they were entering the Witsec program. After they moved, they’d never see Daddy or Grandma and Grandpa again. Ten-year-old Ethan was devastated. Peyton had chosen anger, and remained angry for a very long time. Christine wasn’t sure the girl was over it yet.
The phone rang, startling her out of her thoughts. She grabbed her cell and recognized the number as one of Ethan’s classmate’s. “Hello?”
“Hi, Christine, this is Donna Ulinky. How are you today?”
She pictured the pretty, auburn-haired woman, with the freckle-faced red-headed son. Unlucky son. Roger had broken his arm in the early weeks of baseball season and had spent the whole summer in a plaster cast. “Hi Donna. Fine, thanks. How’s Roger? Did he get his cast off?”
“This morning. He’s so excited to finally be able to swim. He’d like to take some friends to the pool this afternoon. Is Ethan free? We could swing by and pick him up, and drop him off in a couple hours.”
“I don’t know.” Christine glanced toward the family room nervously. She usually preferred to take him places herself. “Maybe we could meet you there.”
“Nonsense. If he wants to go, we’ll pick him up. There’s no reason you should have to deal with the heat.”
Christine gripped the phone until her fingertips turned white. “I, uh—”
“Both my husband and I will be there. I promise you, we’ll keep an eye on the boys.”
She hated being thought of as an overprotective mother. She’d always prided herself on being cool and laid back. Another facet of her life her husband had stripped away and she had no choice but to live with it. She had a real reason to be protective of her children, but the people in their new lives could never know about it. “I’ll see if Ethan wants to go. Hang on, okay?”
Christine muffled the phone as she stood in the doorway of the family room. “Honey, Roger Ulinky got his cast off today. His parents are taking him swimming. Would you like to go?”
Her son’s bright brown eyes sparkled. “Really? Sure!” He proceeded to punch some buttons on the controller in his hand to close out the game.
Christine inhaled and lifted the phone. “Donna, Ethan would love to go. What time will you pick him up?”


And coming to print soon!

Friday, May 30, 2014

Friday's How She Does It with Jamie Hill #MFRWauthor


1. You write both romantic suspense and women's fiction. Do you have trouble shifting your head when doing this?

Romantic suspense is my favorite but it takes much more thought and effort. I like to have a twist in my stories so the reader is left wondering up until the reveal, and that takes work. With limited writing time I find myself starting and stopping a lot, then I have to go back and remember who all my main characters are and who is going to be the bad guy in the end! Straight romance comes easier but I must admit I love the added suspense.
2. You're mainly contemporary. Have you ever considered another genre and what would it be?

I don't enjoy historical books although there have been a few exceptions over the years. Jane Toombs' Golden Chances was a series that started in the past and followed a family up into the modern century. I loved that because I favor series works where I can see how a couple or family has progressed once their story ends.

I've always wanted to write horror but except for a couple of short stories, that never went far. I've done a couple science fiction shorts as well, and I like the freedom of creating my own world and rules. Then I found out from fellow BWL author Lee Killough how critical sci-fi readers can be and that if a person is going to write about vampires, they must learn the accepted vampire rules. That ruined it for me. So basically I've decided contemporary is my genre!
3. How do you handle reviews both positive and negative?

Negative reviews hurt, there's no denying they don't. I try not to dwell on them but I usually don't forget them, either. I understand reviews and tastes are subjective, so I always just hope there are more people who enjoy my work than those who don't. If I get a good review I do love to blog about it and crow a little bit on Facebook!
4. Do you have a library of research books and if so, are there favorites?

No research books, but the internet is invaluable. I Google different subjects for every manuscript, keeping in mind everything I read might not be true. But for the most part I think I can tell what is. If there's something I don't feel good about I'll leave it out before putting it in a book.
5. How do you come up with your villains? Do you find them as interesting as the heros and heroines?

As I mentioned above I like twists in my stories so the person who ends up as the villain was probably just another character up until the reveal at the end. Having said that, I think everybody has some good and evil in them, and it's the characteristic they choose to nurture that becomes prominent. I try to write real people, cops who are tired at the end of the day, who might drink a little too much or smoke cigarettes or swear. It's funny, I've gotten more criticism about characters who smoke than those who swear. I like to add some sex to my stories, too, and it's either too much or not enough, depending who you ask!
6. Are your settings places you're familiar with or do you make them up?

Lots of my stories are set in the Midwest because I know the area. But I enjoy visiting a place (like Seattle or L.A.) and then setting a story there, throwing in just enough about the town that it seems like I really do know something. A few years ago I read a travel article in a woman's magazine about the Cayman Islands and it gave me just enough facts (and lovely photos for my mind's eye) that I set a story there, and it worked nicely. Most of my stories are set closer to home, in my comfort zone, where we call soda 'pop' and the Arkansas River is pronounced 'Ar-Kansas'!

Thanks for having me today Janet. Readers can find all my titles on my website at http://www.jamiehill.biz or at Books We Love: http://bookswelove.net/jamiehill.php

  

Thursday, May 29, 2014

Thursday's Hero - Kristan from Amber Chronicles by Janet Lane Walters #MFRWauthor


The youngest prince of Rivand stared at the sky.  The moon had risen and was new.  He lifted the bottle of wine and drank deeply.  If only he could find something to be other than the wastrel prince, a man without a place in the kingdom.  He drank again and finished the bottle.  When he gestured for another, he saw the palace page appear.  Kristen tried to make himself invisible.  There could be no other man or woman in this tavern being sought by the king.
He watched the page search the faces of the men gathered around the tables.  Perhaps he wouldn’t be seen here on the balcony.  His hopes were dashed when the page hurried through the crowded room and appeared at Kristan’s side,  “Your sire requests your presence.”
Kristin rose and followed the boy to the tavern door.  At least he hadn’t imbibed enough to make his stagger.  He mounted his horse and rode through town to the imposing stone building that had been his home for all his life.
As he entered the throne room, she saw his father waited.  His oldest brother usually sat at the king’s side.  Where was the crown prince?  Did this mean his heir was about to be born?  Kristen shivered.  One day, a crown prince might be called to face the Witch of the Woods. He recalled the cryptic words he’d read in his grandfather memoirs and remembered his vow to free the woman caught in the amber gem.
“Kristen,”  his father’s voice was low and rumbled with anger.  “Your conduct is unbecoming to a prince.  I’m tired of hearing of your constant pursuit of wine, women and dice.”
Kristan straightened.  “What else is there for me?  My oldest brother follows you.  The second will be his advisor.  The third will head the army.  The fourth, the navy.  The fifth the treasury and the sixth the agriculture of Rivand.  There is nothing left for me.”          
“Not so.  There is marriage.  One has been arranged with the daughter of Wevald.  Put your affairs in order.  You leave at the end of the week.”
“I don’t want to marry someone I’ve never seen.”  Kristan turned and fled the room.
“You will do as ordered,”  The king shouted.
Kristan raced along the empty corridors until he reached his chambers.  He sat on the edge of the bed and wished the numbness of the liquor he’d drunk would return.  He had to make plans.  This marriage his father had arranged wasn’t for him.  From deep inside came the certainty that for him there was another destiny though what he didn’t know.
He rose.  He had to leave the palace tonight.  Where he would go, he wasn’t sure.  He found a haversack and quickly packed a few changes of clothes.  From the chest at the foot of his bed he took the sleeping blanket he had used on hunting trips.  His hand brushed a tear-shaped globe.  He lifted the amber crystal and held it to the candlelight.
“Emme,”  he whispered.  His thoughts flashed to the night his grandfather had died and how the valet had brought the amber orb to him.  For years, he had kept the globe beside his bed and stared at the woman trapped inside.  Without knowing why, he tucked the sphere in his haversack.  He stuffed coins in his boots where many men kept knives.  He hurried to the stable and saddled his horse.  He rode quickly through the town and exited the gates and rode toward the forest.
The crescent of the new moon rose but the light cast was dimmed by the trees.  Though the leaves were those of spring and small, the trees were crowded.  Kristan heard a rustling.  The wind or an animal, he thought.  The small light cast by the crescent moon cast shadows.
“Hoy.”  The shout startled him.  Someone leaped from one of the trees and knocked him from the horse.  The animal squealed.
Kristan was unable to free his sword.  His attackers slashed with knives.  He was able to land a few blows before something hit his head so hard he was dazed.  He collapsed and held his breath.
The thieves grabbed his pack and began to rummage in the contents.  He was glad he had thought to hide his coins.
“What’s this?”
“Amber and a large chunk.”  Suddenly one of the men screamed.  “No.”
The amber globe fell to the ground.  The men ran.  Moonlight illuminated the globe and the shimmer around the sphere appeared to grow.  Kristen tried to get to his knees.  His head felt as thought he’d been spinning for he couldn’t believe what he thought he saw.


Wednesday, May 28, 2014

Wednesday's Writer's Tip - Writing The Fiction Series by Karen S. Wiesner


For the next few weeks I'll be talking about writing series. The book was written by a friend and we've had lively discussions about writing series versus trilogies. I happen to like series and following the growth and development of characters over the years of their lives. I've been reading one science fiction series for years and am up to book 15 and hoping for more.

Series fascinate people and often are planned but sometimes happen because a writer finishes the story and the character, or another character in the book demands their own story. Sometimes it's the world that holds a fascination for the writer and the reader.

The benefits for the writer are interesting when they turn to writing a series. If the series becomes popular, there is an audience waiting for the next book in the series. There is also for the writer a knowing of the character and showing the character changing or developing, or not. Some series characters remain the same during the books of the series. This is often seen in mystery series where the hero or heroine remains the same. A new case is what turns the writer to write another story featuring this character.

Some series show a character beginning as a young adult and moving them through the phases of life. So the kinds of series are as varied as the writers who pen them and the reader who picks a certain series to read. The series follows that age old question "What happens next?"

So if you plan to write a series, stay tuned and see what comes next.