Showing posts with label Juliet Waldron. Show all posts
Showing posts with label Juliet Waldron. Show all posts

Saturday, September 29, 2018

Saturday's Blurbs featuring books by Juliet Waldron #MFRWauthor #BWLPublishing #Historical #Magic


Fly Away Snow Goose ~ Nits’it’ah Golika Xah: Northwest Territories and Nunavut (Canadian Historical Brides Book 8)

https://www.barnesandnoble.com/s/Juliet+Waldron?_requestid=1854149

Fly Away Snow Goose
Transport to Fort Providence residential school is only the beginning of their ordeal, for the teachers believe it is their sworn duty to “kill the Indian inside.” All attempts at escape are severely punished, but Yaotl and Sascho, along with two others, will try, undertaking a journey of 900 kilometers across the Northwest Territory. Like wild geese, brave hearts together, they are homeward bound.
Black Magic
Disappointed in love, weary of war, Goran von Hagen retreats to his idyllic alpine estate. He does not know the dark and ancient secret of the looming mountain--or that it will change his life forever.
Red Magic
https://www.smashwords.com/books/view/296867
Set in 18th Century Germany, RED MAGIC tells the story of a young woman’s transition from rebellious girl to adored--and adoring--wife. A forced marriage brings her to her husband’s mysterious mountain home, where she uncovers a legacy of magic. Preconceptions hinder the coming of love between the newlyweds, as well as the strange attraction the young wife feels toward her husband’s magnetic, foreign horse master.


Saturday, December 10, 2016

Saturday's Blurbs featuring Books by Juliet Waldron #MFRWauthor #Mozart #Hamilton

http://amzn.to/1YQziX0  A Master Passion   ISBN: 1771456744  The story of Alexander & Elizabeth Hamilton

http://amzn.to/1Nn8iOw  Hand-me-Down Bride    B00G8OYFG   A "mail order" bride story set just after our Civil War in German Pennsylvania
http://amzn.to/1qkFwTC  Black Magic  ISBN:  B00P9TW046   
A world-weary soldier returns to his alpine home, never suspecting that a powerful entity has been patiently awaiting his return.


amzn.to
Hand Me Down Bride (Sisters Book 1) - Kindle edition by Juliet Waldron. Download it once and read it on your Kindle device, PC, phones or tablets. Use features like bookmarks, note taking and highlighting while reading Hand Me Down Bride (Sisters Book 1).




Friday, December 9, 2016

Friday's Interview featuring Juliet Waldron #MFRWauthor #history #romance

. What were you in your life before you became a writer? Did this influence your writing?

Like many of us who write, I've always been a scribbler. I've always written poetry and short stories, so even while I was working full time, those interests got exercised on weekends and evenings, especially when work things got me down. I've worked all sorts of secretarial and administrative positions. As a Merrill Lynch "girl" I had a broker's license so I could assist clients when the boss was away--in between all the rest of the secretarial shuffle and type.  I've never tapped that world for a romance, but probably should.



2 Are you genre specific or general? Why? I don't mean genres like romance, mystery, fantasy etc. There are many subgenres of the above.

I like to write historical fiction. I've also written a little S/F, though never quite finished one. Something about right now I guess my imagination doesn't like. I prefer to create elsewhen. 



3. Did your reading choices have anything to do with your choice of a genre or genres?
Absolutely. I read a lot of non-fiction. History, biography, archeology, anthropology are favorites. From the material I gather in those fields, I get the inspiration to write a story.  I've been pretty character specific--Mozart's Wife, A Master Passion (Hamilton and Eliza Schuyler). In Roan Rose (Richard III), I moved away from the big blockbuster central character to a fictional witness. In the historical romances--or stabs at the genre--I've written about more or less fictional characters, although, again, research often gives me a life story to riff on.


4. What's your latest release?

Butterfly Bridehttp://amzn.to/2gvXVxl 
amzn.to
The Butterfly Bride (Sisters) [Juliet Waldron] on Amazon.com. *FREE* shipping on qualifying offers. In Hand-me-Down Bride, Sophie found her knight in shining armor, the miller’s son, Karl. He’s arranged to have her sisters come from Germany to seek their own happily ever-afters in 1870’s Pennsylvania. Little sister Elfie is cut from another bolt than her serious

which is #2 of the "Sisters" sweet romance family series set in Pennsylvania among German immigrants just after the Civil War. The first installment is Hand-me-Down Bride, which tells the story of the first sister to immigrate. The "Butterfly" is her little sister, also come to seek her fortune in America.

5. What are you working on now?

I've got a historical fantasy called Green Magic, a continuation of Red Magic and Black Magic, whispering inside my head. And, wouldn't you know it, another member of the "Sisters" has also begun to speak her piece too!) 

I'm just beginning to research my part of an installment of the Canadian Brides series for BWL which I will be writing with John Makowski. which will be a whole new experience for me.


6. Where can we find you?

Juliet Waldron's books at       http://amzn.to/1UDoLAi    at Amazon  & http://www.julietwaldron.com

Saturday, August 15, 2015

Saturday's Blurbs - Juliet Waldron, Mikki Sadil, Janet Lane Walters #MFRWauthor #Historical #YAfantasy #Medicalromance

Master Passion/Book #2/Glory Passes
 
Alexander Hamilton and Elizabeth Schuyler had a whirlwind Revolutionary War romance. The hard work of marriage, through the legendary founding of a nation, epidemics, endless separations, sacrifice and personal tragedy, would come next.  


http://amzn.com/B013OB20LS 
https://www.smashwords.com/books/view/567884
 http://www.barnesandnoble.com/w/a-master-passion-the-story-of-alexander-and-elizabeth-hamilton-juliet-waldron/1122329571?ean=9781771453851 
         

Night Cries (Beneath the Possum Belly Book 1) by Mikki Sadil


Cries in the night. Whispers against her cheek. Sixteen year old psychic, Gabriela Gaudet, is awakened night after night by crying and sobbing voices. Children’s voices.

The traveling carnival that Gabriela’s French-Creole parents own has come to the small town of Dead Man’s Crossing, Iowa. Now the cries and whispers have become loud and pleading. Three small girls. Their brutal murder. An entire town closed ranks and glossed over this terrible crime as though it never happened five years before. It’s up to Gabriela to find the killer, and put the children’s souls to rest. Remi, a handsome young man who appears out of thin air, and disappears just as fast, meets Gabriela and become her partner in seeking justice.

But there are strong forces in the town that want her gone. Just as strong are the forces that want her to stay and finish her mission. Then, there are the six gargoyles in the lobby of the high school who apparently come to life after dark, and the six women in the high school office who look perfectly normal…if you don’t count the tall, cone-shaped and brightly colored witch’s hat each of them wears. “Accidents” harass the carnival. Danger stalks Gabriela with every step she takes. A web of evil surrounds the town, and threatens to draw her into its sticky strands. Will her powers be strong enough to fight off this malevolence, or will the town win again? The Possum Belly waits.


Night Cries (Beneath the Possum Belly Book 1)
Divided Dreams (Book 4 of Moon Child Series) by Janet Lane Walters

Rob Grantlan has given up medicine to become an author. As a Gemini, having two careers seems just right. His quiet days are overturned by the death of his wayward sister and his taking guardianship of his two month old niece. When he learns the father of the infant is his old flame Andi Sherman’s brother a plan unfolds. Years ago, he hurt her. He still loves her and he wants to regenerate that love.

Andi Sherman is now a nurse practitioner in Pediatrics. She has vowed never to return to Fern Lake. The offer of a partnership in a friend’s practice is tempting. She refuses until she learns Rob has given up the practice of medicine. She believes he will leave town. On the day after her July birthday, she returns and comes upon the accident, finds the dying woman and the baby. When she learns the little girl is her niece and Rob hasn’t left town she is conflicted. She still loves him but she can’t trust him. News from her brother brings a threat.

Will Tammy’s presence in their lives find a way to allow them to love and trust again?

Divided Dreams (Moon Child Book 4)

Saturday, September 27, 2014

Saturday's Blurbs featuring Books by Juliet Waldron #MFRWauthor #BooksWeLove

ANGEL’S FLIGHT ~ A Revolutionary War Historical Romance
Forced to trust a mystery man who pledges to escort her on a dangerous war-time journey up river to her Albany home, Angelica expects to encounter brigands, Tories and Indians. What she doesn’t expect is to lose her heart along the way.
ROAN ROSE ~ English Medieval/Wars of Roses 
Loyalty Binds her! From childhood, maid-servant Rose bears witness to the passions, betrayals, battles and the reversals of fortune which shape Lady Anne Neville’s life—and, for better or for worse--her own.
RED MAGIC ~ Historical romance/fantasy
 Forced to marry a man she despises, Caterina, an impulsive, horse-mad teen, must grow up fast. Abduction, adventure, and a touch of magic, change this rebellious girl into an adored and adoring wife.
MY MOZART ~ Companion to Mozart’s Wife
Mozart was her teacher, her mentor, her rescuer--and, finally, fatally, her lover. A tragic and passionate love story, set in 18th Century Vienna.
HAND-ME-DOWN BRIDE ~ 19th Century traditional romance
Sophie agrees to marry a wealthy older man in far off America. Less than twenty-four hours after she arrives in German’s Mill, Pennsylvania, events take a stranger turn than anything she had imagined.



Friday, September 26, 2014

Friday's Guest Juliet Waldron - Talking about Heroes, Heroines and Villains #MFRWauthor #BooksWeLove

1. Do you write a single genre or do your fingers flow over the keys creating tales in many forms? Does your reading choices reflect your writing choices? Are there genres you wouldn’t attempt?

I prefer historical to everything else, although I’ve tried my hand at S/F a few times. Something to do with Time, I guess—one way or the other. I’ve never tried to plot a murder story or a police procedural, but probably because I’ve never done the research homework necessary. The “semi-biographical” is my favorite form of historical, because the plot is already constructed for you. That form also has burdens, too. Chief among them is that you really, really must immerse in your subject’s life. That means mentally swallowing a mountain of research followed by a long digestion period in which you assemble the character from all the bits you’ve collected.   

2. Heroes, Heroines, Villains. Which are your favorite to write? Does one of these come easy and why?

Heroines, hands down! Once again for me, the easy way—write what you know. I’m female, and that’s my experience of life. Strong women fascinate me as our sex has always been swimming against the societal tide. It’s still, in so many ways, a man’s world, and to be rewarded as a woman, just like the old saw, you must be “twice as smart and twice as fast” as the men against whom you compete.  Not that I’m one of these superwomen. My bold and brave heroines, I’ve begun to suspect, are a form of wish-fulfillment. 

3. Heroes. How do you find them? Do pictures, real life or plain imagination create the man you want every reader to love? Do they come before the plot or after you have the idea for the story?

Heroes can be a pain sometimes, especially when writing romantic fiction. To some extent, these are dream guys, so they aren’t allowed to have a lot of faults. Pardon me, but they can’t fart in bed, like real men sometimes do. I have taken up the practice of studying pictures, although contemporary fashions in “good looks” aren’t the same as those in the past, so the reader and I sometimes have a conflict of interest there. I’m currently writing a fantasy historical, however, in which the hero is the chief narrator, so there’s an exception to every rule. This charming guy, BTW, ‘came first,’ long before the plot, so in a very real sense, he’s the center of this story.

4. Heroines. How do you find them? Do pictures, real life or imagination create the woman you want the reader to root for? Do they appear before the plot or after you have the idea for the story?

In romantic fiction, I often use pictures (and astrology) to build a heroine and to instantly give her a shape. When I wrote Roan Rose, a medieval historical set in the now mega-popular English Wars of Roses period, I decided that instead of using the obvious narrator, one of the doomed royal principals, I’d use a fictional woman. She would be a ‘body servant’ who would naturally be—not a social equal, but, nevertheless, an intimate. Rose, an insider, could relate a “downstairs” view of events. She appeared with freckles, so many freckles that when she displeases her masters, they call her names like “spotted cow.” She’s definitely a girl with attitude.
 
5. Villains or villainesses or an antagonist, since they don’t always have to be the bad guy or girl. They can be a person opposed to the hero’s or heroine’s obtaining their goal. How do you choose one? How do you make them human?

It’s a tough job, making the bad guy a little more than a cardboard cut-out, particularly, again, in romantic fiction, which has certain conventions a writer must follow. I’d prefer to write stories in which people just are people, with good and bad mixed together, the kind who make enough messes just by themselves without some deadly exterior antagonist to cause trouble and plot twists. It’s helpful, though, to imagine a villain as someone who practices one of the seven deadly sins. That’s ‘human’ as all get-out! In a romance, first choices are lust, envy and greed, with drunkenness, avarice and hubris running close behind.  

6. What is your latest release? Who is the hero, heroine and or the villain?

Black Magic should be released in October. It’s a sequel to a book I never originally imagined would have one. The first, Red Magic, is historical/romance with fantasy elements, but the second book is more ‘creature-feature’ with a shape-shifting hero and villainous vampire with a long memory and a grudge. The love interest never really jelled, so perhaps, with the addition of sufficient Marvel-type bone-crunching and wrong-righting, this one treads closer to fantasy. The hero is one of a pair of noble twins born at the end of Red Magic. Handsome, disillusioned Goran von Hagen returns to a family estate after a decade of Napoleonic Warring to embark upon the life of an ordinary country gentleman. This definitely does not happen. 

7. What are you working on now?

What next? Another Magic character has already begun talking to me, as well as another of Sophie’s German sisters for a sequel to the Pennsylvania set Hand-me-Down Bride. I have an immense semi-biographical ‘drawer baby’ (as they were once called) about Alexander Hamilton and his wife, which I must polish. Note to self: Must, per Nora Roberts, get “fanny in chair.”

Thanks so much to Janet Walters, for such a kind invitation to blog on her excellent site!


8. How can people find you?

            Website http://www.julietwaldron.com

            Blog  http://yesterdayrevisitedhere.blogspot.com/

            Twitter  (Haven’t yet made it into the 21st Century.)

            Facebook   https://www.facebook.com/jwhistfic


Monday, February 18, 2013

Books We Love Blurbathon, Genesee by Juliet Waldron


Before "The Wild, Wild West," there was a "Wild, Wild East." In honor of


our First President, I'm sharing a book about a love story set

during America's revolutionary war as it happened in upstate New

York, a place which was then full of Indians and many different settler

traditions.



(Tried to place cover here.)



GENESEE by Juliet Waldron is an extraordinary book about love, hardship

and prejudice. It's well written and full of wonderful characters. Even

though they have many differences, Genesee and Alexander are true

kindred spirits. Ms. Waldron keeps you enthralled by, a little at a

time, giving tantalizing tidbits of their origins. This story isn't

sugarcoated, which is really refreshing. There are some instances of

violence, but they're brief and handled well. Anyone who enjoys an

honest, realistic story will love this one. Renee Burnette, Amazon

Reviewer



"Genesee is a fascinating look into the early life of upstate New

York during the [American Revolution]. Juliet Waldron makes you feel as

if you're experiencing Genesee's trials and tribulations right

alongside her…elements that meld very effectively to make this

outstanding story one well worth reading over and over."

~ Lani Roberts

Affaire de Coeur



`. . . The story of confidence in one's self, faith in love and the

resilience of the human spirit, "Genesee" is an entertaining

romantic adventure set in a young America, but its lessons are

timeless.'

~ Mary O. Bradley

Copyright 2003 The Patriot-News. Used with permission.



Buy Genesee @

http://www.amazon.com/Genesee-ebook/dp/B004BSH1R2/ref=sr_1_1?ie=UTF8&qid\

=1361112470&sr=8-1&keywords=Genesee

http://www.amazon.com/Genesee-ebook/dp/B004BSH1R2/ref=sr_1_1?ie=UTF8&qi\

d=1361112470&sr=8-1&keywords=Genesee>



And also @ Books We Love, LLP, in all popular e-formats.



http://www.bookswelove.net/julietwaldron.php

http://www.bookswelove.net/julietwaldron.php>



Sunday, January 27, 2013

BWL Blurbathon featuring My Mozart by Juliet Waldron

In Honor of Mozart's Birthday, January 27th, the BWL Blurbathon brings


you:



My Mozart by Juliet Waldron from BWLPP



"…Mozart was her teacher, her mentor, her rescuer, and, finally,

fatally, her lover."



"Mozart, Ich liebe dich. I love you. Love you."



"Come here, Nanina Nightingale. Come and give your poor old Maestro some

of your `specially sugary sugar."



My mouth on hisâ€`â€`the friction produced warmth and sweetness,

with a decided undertone of the expensive brandy he liked, flowing from

his tongue to mine. I slid my arms across the brocade of his jacket,

none too clean these days, and swayed a slender dancer's body against

him.



Let me assure you that my sophistication was assumed. It really doesn't

matter - then, or now. I was young, foolish, and drowning in love. I was

seventeen. He was thirty five.



He had once been boyishly agile, doing handsprings over chairs, turning

cartwheels of joy at a prima donna's kiss or a perfect performance

of his own celestial music. He was never tall, and was, like most men of

his age, working on a bit of a belly. Still, he kept more or less in

shape by a daily regimen which included running from bailiffs, dashing

out the back doors of taverns to avoid payment, and climbing in and out

of the bedroom windows of adventurous (and talented) musical

gentlewomen.



I believed he knew everything--that he could see right through me with

those bright blue eyes. He probably could. He'd been my music

master--and, more--my deity, ever since I'd met him, in my ninth year.



His jacket, now spotted and stained, must have been fine enough to wear

in the presence of the Emperor. Bright blue, it perfectly matched his

eyes. I can still feel the fabric sliding under my fingers as my arms

passed over his shoulders and around his neck.



I can still see himâ€`â€`a woolly frizz of blonde hair, long,

aquiline nose--a ram that had once been an angel. Sometimes, when he was

loving me in some exquisitely naughty way and joyfully smiling as he did

it, I could almost see horns…



Buy My Mozart at:



http://www.amazon.com/Mozart-Books-Historical-Romance-ebook/dp/B0089F5X3\



My


Mozartby Juliet Waldron, from Books We Love Publishing



Mozart

was her teacher, her mentor, her rescuer--and, finally, fatally, her lover. ..



At

dawn, in the marble palace of a Prince, a nine-year-old sings for Wolfgang

Amadeus Mozart, then at the peak of his career. Always delighted by musical

children, he accepts Nanina as a pupil. Gifted, intense and imaginative, she

sees the great "Kapellmeister Mozart" as an avatar of Orpheus and her

own, personal divinity.



His lessons are irregular and playful, but the teacher/pupil bond grows strong.

Mozart's The Marriage of Figaro premieres, and Nanina, now twelve, is given a

solo part. For her, this is the beginning of a long stage career. For Mozart,

it marks the start of his ruin. His greatest works will be composed in poverty

and obscurity.



During the composer's last summer, his wife has left him. Chronically in debt

and suffering the emotional isolation of genius, he takes refuge with his

disreputable Volksoper friends, who want him to write a "peasant opera"

for their audience. Nanina, now grown, and still in love with Mozart, is among

their number. As he seeks solace among the women of the Volksoper, the charms

of his young fan become increasingly alluring. No one, least of all the

composer, understands the depth of her obsession or how a brief affair will

permanently alter her life.



"This really knocked my socks off,

and so you don't have to know the opera or Mozart's music to love this book."

Kay Cochran



"The brilliance of the plot is that it is timeless ... Teenage fan falls

in love, has a brief love affair with her idol...The characters are as real as

today, once again underscoring the fact that people, after all, never change in

motives or behavior, only in time." Patricia A. Martin



Buy

My Mozart at:

http://www.amazon.com/dp/B0089F5X3C















Thursday, June 28, 2012

Thursday - Who I'm reading

Today I'll be talking about historical novels and one masterful writer of those I've been reading lately. I do read a lot and with the Kindle my reading has increased by leaps and bounds. Though I've been accused by my parents years ago of inhaling books, I do remember a lot of what I read and I re-read books. One of the new authors I've discovered is Juliet Waldron. She writes historical novels that make you feel you are living in the era she has chosen to write about and you are living the  lives of the characters. I haven't read all her books, but I will.

If you want to know more about the author and her books the following will take you to her author page andyou can explore her books. http://www.amazon.com/Juliet-Waldron/e/B004HIX4GS/ref=sr_tc_2_rm?qid=1340890739&sr=1-2-ent

Now to the one's I've read so far. Genesee is a story of a woman who had been captured by the Indians as a child and what happens after she's returned. Some of the characters are not nice to her but she perserveres and she finds a hero worthy of her.

Mozart's Wife was enthralling. I saw Amadeus on Broadway and also the movie, but the story of Mozart's wife brings a whole new picture to this musical genius' life and his music. She's written a new one called My Mozart that I'll be buying soon.

I've also read Red Magic. The time is about the same as Mozart's Wife and until I read Mozart's Wife I didn't know of the connection.

If you like history with a touch of romance, I'd definitely take a look at Juliet's Amazon page and find books that are well written and will carry you to a different era.

Saturday, May 5, 2012

Saturday's Chapter - Genesee - Juliet Waldron


CHAPTER I




"Genesee van Cortlandt," her cousin giggled. "Good Lord! What are you doing? You'll break your neck."

The prettily rounded figure of a young Dutch woman with rosy cheeks and an enviable head of tumbling honey brown curls leaned out an open window. Close by the substantial two-storey brick house a huge tree grew, an apple tree with spreading limbs, a tree her father had been so fond of that he had put his workmen to the trouble of enduring its presence while they built the house.

The speaker was in fashionable undress – a shift and stays covered by a crewel stitched morning gown that had, in quieter times, come from London. Behind her a couple of well dressed and well fed Black girls crowded, peering out the window and adding their exclamations to hers.

"Look at Miss Jenny," one of them cried. "Just like a cat!"

On a broad limb of the tree, a limb which had been rudely cropped in order to keep it from intersecting with the wall of the house, her long straight black hair held with a scarlet ribbon, without a cap and dressed only in a fine white muslin shift, was a slender, supple girl. For a heartbeat, she steadied herself and then proceeded on small brown bare feet along the mottled limb.

Genesee didn't acknowledge the others. All her attention was focused on balancing. There would be a whipping descent through a lattice of branches to a bone-snapping conclusion if something went wrong.

Jenny knew what she was doing was foolhardy. Still, it was always fun to play the wild frontier woman and shock her elegant Cousin 'Nelia.

When she reached the trunk, Jenny smiled triumphantly. A flash of even, healthy white glowed against nut-brown skin.

"And where are you goin', Miss Jenny?" asked one of the slaves, her round face and beribboned cap bobbing beside that of her young mistress.

"Down," came Jenny's casual reply as she indicated the grass, "and then I shall climb back up again."

"Never!" her pretty cousin declared with a giggle of disbelief.

"Wait and see." Jenny caught a lower branch and swung boldly down onto the limb below. The ease and daring of the maneuver led to gasps from the onlookers and a shower of apple blossom, for it was that time of year.

Although this descent was taking place by the window of an untenanted bedroom, Jenny was low enough now for caution to be in order. She didn't want one of the housemaids to catch sight of her.

Cousin Cornelia had accepted a proposal of marriage from a man her father, wealthy Stephan van Cortlandt, deemed unsuitable. Hence for the last month, she had been imprisoned in her bedroom. Only 'Nelia's maids and a few female relatives were allowed access.

No one will ever lock me up, Jenny thought.

"You know Papa's going to have an apoplexy if he finds you downstairs," Cornelia exclaimed. Her pretty face expressed a most unfilial pleasure at the idea.

Wrapping her arms around the trunk, Jenny stared into the spiral of limbs below. Perhaps if she went sideways she could see where next to go. It was still too far to risk jumping.

That was when two young men in the blue and buff uniforms of the Continental army came rapidly around the corner. Their gaze was aimed to the upper window, as if they had come expressly to speak with the lady imprisoned there. As soon as they spied Cornelia, they removed their hats.

"Do I have the honour of addressing Miss Cornelia van Cortlandt?" The shorter and fairer of the two politely queried the lady high above as she languidly leaned upon the sill.

"You have, sir," 'Nelia replied, coolly withdrawing her gaze from the limb upon which her cousin stood, imperfectly screened by white blossom and new leaves. "And who might you be?"

"Captain Alexander Dunbar of the Army of Independence, at your service, Miss Cornelia."

The taller officer kept looking over his shoulder, as if he were expecting to be caught. The speaker appeared unconcerned. His blue eyes were fixed upon the buxom girl framed in the window.

Jenny, peering down through the branches, saw a perfectly erect and slender young man of medium height. His fair skin and rosy cheeks gave him a china doll beauty.

Many young officers defied regulation with flowing locks, but in this case the cut was military, shorn close to the head. Alexander Dunbar's coppery hair was curly, doing its best to defy the extremity that had been worked upon it. There was only one nod to fashion, a thin braided queue which made a bright rat's tail down the back of his neat blue jacket.

"I would love to make your acquaintance further, Miss Cornelia, myself and Captain Troup," he gestured at his tall friend, who smiled and inclined his head. "For tales, not only of your beauty, but the charm of your conversation have reached our ears."

"Get to it, Alex," the other man urged.

"Miss Cornelia, I have been entrusted by a mutual friend with billets doux."

At this, Cornelia bounced like a puppy and clapped her smooth hands together. Both of the young men grinned, and theatrically raised fingers to their lips.

Jenny was praying that they would keep their eyes on Cornelia and not look into her tree. Beneath her shift was nothing at all. The faint breeze of this warm spring day was gently tickling bare flesh.

"Are you a good catch, Miss?" curly headed Dunbar inquired.

“Saucy!" Cornelia was merry, choosing to misinterpret. She tossed her curls. "What do you think?" She had missed flirtation dreadfully ever since she had been locked up.

"In two minutes' acquaintance you have taken his measure, Miss." Captain Troup wore a big grin.

Dunbar took what looked like a tennis ball from his pocket and waved it at Cornelia. "Ready!" he called, missile in hand. As he prepared to throw, he moved back, seeking a better angle. The black maids giggled in anticipation.

They were interrupted by the blowing approach of a hard ridden horse. Without so much as a by-your-leave, Captain Dunbar and his friend ran the other way.

Above, Cornelia wrung her hands. Jenny crouched, still as a hunted cat.

The horseman now in view was a fat young man who reined in his sweating animal just beneath the window.

"Still playin' Juliet?" he shouted. "If you'd say yes to the right fellow, you know, you could get out of there."

"Say yes to you, I suppose you mean, John de Laet," Cornelia retorted with a disdainful toss of her curls.

"Of course," the interloper replied. "What do you know about this Gray fella anyway?"

Jenny leaned her dark head against the tree, studied the top of de Laet's hat, not many feet away, and prayed he wouldn't look up. John would not only report to her uncle, but, she knew, do his best to see under her shift.

"Mr. John Gray is a gentleman of Oxfordshire," Cornelia retorted. "His family is not only high born but probably twice as rich as yours."

"Oh, that I doubt very much," cried de Laet, much nettled. "Why hasn't he proved it to your father?"

Cornelia didn't deign to reply. Instead, she scornfully flounced away from the window.

"Gotta talk to Miss Cornelia nicer den dat, Mr. John," advised Black Betty with an impudent white grin.

"'Nelia! Please!" The fleshy lover rose in his stirrups and gave a pitiful wail.

Another horseman rode up. This, Jenny saw, was 'Nelia's younger brother, Nick.

What luck, she thought. There had not been a soul around until she had climbed out here. Now it was like a market day.

"Do stop bawling," Nick chided. "You sound like a calf who has lost his mother. Come on, old fellow," he added a little more sympathetically. "If you dine with us, Papa will make her come down. Then you may gaze at the capricious creature to your heart's content."

Not waiting for a reply, Nick tapped his horse and trotted away. After a final yearning glance at the window, John de Laet sadly followed.

Cornelia reappeared hopefully. Jenny looked left and right, wondering what was next. The officers had, after all, dodged away in the direction of the heavily trafficked kitchen wing. If Mrs. van Cortlandt caught sight of them, they would be warned off, for 'Nelia's Mr. Gray was in the Patriot army too. Any blue coat near the rear of the house was suspect.

Catching hold of the limb above, Genesee began to pull herself up. Retreat, at this point, seemed prudent. It was impossible to know when or if the messengers would return.

She ascended a level, but wished that she hadn't. Here, hunkered down among the leaves and glowering from a nest, was an anxious mother robin.

At a near run from the back of the house, the blue coats made a rushing return. Jenny stood rock still, and pretended, to the bird and to herself, that she wasn't there.

This time with only the preamble of a wave, Captain Dunbar tossed the ball. The missile flew unerringly.

The smack of the landing was greeted by a muffled shriek of laughter. The young men took several judicious steps backwards, taking cover beneath the spreading limbs of the apple.

That was the moment the robin decided Jenny was not to be tolerated. Taking wing with a squawk, she made a swooping dive straight at her shiny black head.

Jenny, who had spent enough time tree climbing with her brothers to have felt the wrath of disturbed nest sitters before, instinctively flung up a hand to ward off the bombardment.

The gesture threw her off balance. Accompanied by a gasp of surprise and a rip of muslin, she fell.

Captain Dunbar, head up at the last minute, gallantly tried to catch the girl accelerating towards him. In the next instant they were sprawled upon the ground, the young officer on his back, Genesee across him.

For a dazed instant, Alexander Dunbar was drowning in a cascade of night, of black shining hair thick as a pony's tail. The girl, with a wild toss, threw it back over her shoulder.

The eyes that gazed into his were black as her hair. Though her features were delicate, he thought she was too brown, too all over dark, to even be Spanish.

Dunbar knew about more than what was normally exposed – face, neck and arms – because the loose fitting white shift, not held in place by stays, had slipped off her shoulders. The fine brown of her skin was the same everywhere, right down to one pert, girlish breast.

"Miss – ah – are you all right?" Alexander, still flat on his back, attempted a formal inquiry. He rested a hand upon one delectable bare silken shoulder.

He did not obey his impulse and seize the girl. He did not press his lips against that tender new-budded breast. He was a perfect gentleman, although a lusty voice inside was calling him a thousand kinds of fool for not taking advantage of the situation.

Stunned by the fall, Jenny stared at the young man beneath her. Apple blossom dotted his close-cropped head like confetti.

The cue came from his exotic eyes, a kind of hot spring blue flooding with black. Truth was felt and seen at the same time. The breath of this bright spring day – and of the young officer – warmly touched her nakedness.

Yanking her shift into place, embarrassed to her soul, she slapped him. Then, with a leap and a flashing flurry of white muslin and brown bare legs, Jenny dashed into the high grass of the orchard and vanished.

"Wait till I tell McHenry about this!" Troup grinned from ear to ear as he extended a hand to help his friend up. Alex took the offered hand, but not before pocketing a scarlet ribbon this Beauty had left behind.

From above there came a chorus of choking laughter.

"I didn't mean to offend your servant, Miss Cornelia," Alexander offered, stepping out from under the tree.

The lack of clothes and shoes – and especially the brown skin – all signaled this was the station of the pretty creature that had fallen upon him. Captain Dunbar was West Indian bred, a place where dark skin and servitude naturally went together.

"Even if she was climbing a tree in her nightgown, she's Miss van Cortlandt too, you wicked impertinent fellow!" Cornelia cried passionately, shaking a finger at Dunbar like a schoolmistress. "How dare you insult my cousin? 'Tis shameful behavior in one – one who professes to be a gentleman."

"Please – ah – excuse me, Miss Cornelia," Alexander replied, stammering with astonishment. "I – I did not know."

'Nelia spun away from the window, and then executed a sweeping return, for she'd remembered the precious letter.

"Nevertheless, Sirs," she amended in a voice that had gone sweet, "I owe you all my thanks for the treasure you have so trustily delivered."

Summarily, long pale hands pulled the shutters closed. The two men were left staring at each other in a shaft of light and idly drifting blossom.

"God, Alex, how ever do you merit such adventures?" his friend exclaimed, slapping him on the back. "Still, at least I was privileged to be your witness. A pretty, nearly naked lass did actually fall out of that tree. A gift better by far than an apple."

Alex, grinning, didn't answer. Instead, he bent his head and concentrated upon brushing petals from his hair.

"That must have been," Troup muttered, "the half-breed Miss van Cortlandt I've been hearing about."

"A half-breed Miss van Cortlandt?" Alexander asked, straightening.

They started a leisurely stroll towards the front of the house. The message for their friend Gray delivered, they could now present themselves to the master of the place, Stephen van Cortlandt. They actually had business, having been sent to discuss some matters of provisioning by their commander, General Schuyler.

"Odd that Gray didn't say anything about her," Alex remarked.

His mind was full of the girl. Those beautiful eyes, those white teeth, the spicy fragrance, the elastic feel of her body, had been violently arousing.

"Well, Gray did most of his courting before the war started, in New York City," Troup explained. "He and Miss Cornelia danced together for an entire winter season at the Governor's house. Then the war began and her Papa called her home, and a good thing, too, the way things are going."

"And Gray is still a gone man," Alex observed.

"A wealthy English Tory converted to our Cause – and all because of a fair Patriot lady," Troup agreed. His grin showed that he enjoyed the irony.

"Yes, the lady above is indeed fair," Alexander agreed. He unabashedly adored the fair sex, fell in love with comic whole-heartedness, a kind of pratfall of passion, like an unwary walker stepping into a hole. The ladies wholeheartedly returned the compliment, for Alexander was not only handsome and well made but utterly charming.

Still, most of these recent plunges had stopped well short of consummation. Since coming from Saint Thomas to a more puritanical New York to attend college, Alexander had sternly controlled this side of himself. It hadn't been easy, for he had a sensual nature and his schooling in the arts of physical love had been thorough, but he was too poor to marry and he had too much care for himself to join his college friends when they went to the New York brothels.

"So," Alexander asked, "did some van Cortlandt gentleman take an Indian wife and keep the child?"

"Well, it's something of a scandal, I gather, for everyone goes deaf and dumb any time she comes up," Bob replied, "but I'd assume she's a souvenir of someone's fur-trading days."

Alex nodded thoughtfully. The sun was high, warming him through his jacket. He had been in New York for four years, long enough to know that days like this were rare in an upstate spring.

He threw a wistful glance at the orchard. He wished he could see the girl again.

A fantasy was spinning, one in which he gave chase, caught her in his arms. He'd start by kissing her soft fragrant mouth and quickly move to taste that high breast, to savor the all over sweetness. Then, when she was panting and trembling, there'd be a paradisiacal struggle, ending in a hot, spilling conclusion.

Troup noticed the far away expression. "What's the matter, Alex?" he teased. "Did you think that was a pretty slave girl they'd thank a handsome fellow like yourself for jumping?"

"What do you take me for?" Alex grumbled. His friend's words had sent the fantasy up in smoke, not the least because it reminded him of things he wanted to forget, like the day his Master, Peter Cruger, had sold Diana off the island.

Fiercely, he thrust the bitter memory away. That he had been young, that he had been poor, that he had been unable to rescue the first woman to whom he had ever given his heart, did not bear thinking about.

"Oh, you don't fool me," Troup continued with a broad grin. "I know your taste for brown skin, Dunbar. Today, I think, you were tumbled upon by the queen of them all, a veritable nut brown maid, just like the old song."

"She was indeed a most beautiful girl. Her skin was like satin." Alex stopped himself from saying more. It was hard not to confide at least a part of what the encounter had stirred.

Troup looked knowing. "I believe I've heard she has a dowry," he offered. "Nothing like Miss Cornelia, of course. It's wild land I think, somewhere down the Mohawk where it's touch and go to keep your scalp."

"As you know," Alex retorted, taking a deep breath and attempting to chivvy himself back to sanity, "a poor man can't fool about with country virgins ‑no matter how delectable. My destiny, Sir, is a widow with a house in town."







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Friday, May 4, 2012

How She Does It - Juliet Waldron


Juliet is a fellow Books We Love LTD author and I have enjoyed several of her historical romances.

How do you create your characters? Do you have a specific process?


Historical fiction based on the lives of real people is a different ball game from fiction. In that case, ithe research will tell you who these people are. I did begin my Mozart’s Wife with a rather different image of the composer from the one with which I ended. I read his letters and masses of primary source material. These led me to the character I eventually created. Far less is known about his wife, Constanze, and so she is more fictionalized. Actions spoke louder than words in her case, and I found my way to her character by putting myself in her POV and looking for the reasons why she acted as she did.



Now, a character who is entirely fictional is very different animal. They fly in through the window. I sometimes construct astrological charts to help me get clear about them. Caterina, in Red Magic, is an Aries with plenty of other fire signs in her chart, and she is impulsive, opinionated and physically gifted.



Do your characters come before the plot? Do you sketch out your plot or do you let the characters develop the route to the end?



Oh, yes, my characters always come before the plot. My fictional characters show me where I’m going, but sometimes I have to wait for them to figure it out themselves and then tell me. Plotting without a historic framework to lean upon is sometimes frustrating for me. I’m thinking about a sequel to Red Magic at the moment, a kind of "Next Gen" story, but it’s sketchy at this point. Every now and then I set down a few paragraphs to nail down images, but I’m not really “writing” yet. My “dollies” need to flesh out a bit more before they can carry off walking and talking.



Do you know how the story will end before you begin? In a general or specific way?



Not always, even with a genuine historical. I’ve had my narrators go on talking long after the character who initially fired the story has died. (Their lives, after all, aren’t over!) I’d have to say “general idea” is more my style—probably a foggy one at that.



Do you choose settings you know or do you have books of settings and plans of houses?



I’ve had to research settings and adhere to what I discovered for my books like Mozart’s Wife. I think it’s important to have a strong sense of place in historicals. Setting is not just a painted-on backdrop, but an integral part of the world you are hoping to create. An authentic setting can be essential to the plot.



Where do you research? On line or books?



I began writing before there was the sort of ‘net we have now, so I incline toward books. Initially I researched through interlibrary loans and got my rarer books in State Libraries, sometimes having to read them with cotton gloves in the reading room while taking notes. It’s a lot easier to hit Google these days, and there is an absolute cornucopia of info piling up in cyberspace. It’s quite astonishing and wonderfully convenient. Readers are more sophisticated too, so it’s in a writers self-interest to do the scut work to “get it right.”





More later
Juliet

http://www.julietwaldron.com