Showing posts with label Elizabeth Shore. Show all posts
Showing posts with label Elizabeth Shore. Show all posts

Sunday, February 7, 2016

Sunday's Blurbs - Books by Elizabeth Shore #MFRWauthor #romance

Hot Bayou Nights
When corporate consultant Carla Saunders' work takes her from the skyscrapers of Manhattan to a research facility in Louisiana filled with king cobra snakes, she sees her dreams of a job in Paris sinking into the swamp. But unexpected desire burns hotter than a sultry bayou night. The snakes terrify her, but lust for the scorching hot research scientist has her dreaming less about the Champs Élysées and more about being coiled in his arms. 

Obsessed with finding a cure for multiple sclerosis, Jackson Rivard’s got zero time for relationships. But when a lush, efficient business advisor sweeps into his lab, zero spikes to a hundred before he can shut off the engine. In theory, no-strings-attached sex is scientifically feasible, but having an ex whose fangs make a cobra’s seem modest brings new meaning to the phrase “once bitten, twice shy.” How can he protect his heart when Carla’s charming it out of hiding?


The Lady Smut Book of Dark Desires
“Divine”
Locked in an abandoned mental asylum, an ambitious filmmaker soon discovers she’s trapped with a Dionysian god. He offers her a glimpse of astounding future artistic success that can be within her grasp—but it comes with a price. She must participate in an erotic ritual beyond her wildest imagination to set the god—and herself—free.



Saturday, February 6, 2016

Saturday - What She Was Before - Featuring Elizabeth Shore #MFRWauthor

1. What were you in your life before you became a writer? Did this influence your writing?
In my "day job" I work in the corporate world. The job itself hasn't influenced my writing, but working for a large company, as I do, means I meet some interesting people, and every one of them has a story to tell. So meeting and talking with people absolutely influences my writing. 


2 Are you genre specific or general? Why? I don't mean genres like romance, mystery, fantasy etc. There are many subgenres of the above.
I write in both contemporary and historical romance, and they tend to be either very sexy or erotic. I like other genres of romance but I don't think I'd be very good at writing them. I admire those who can spin a tale in a fantasy world built from scratch or keep reades on edge with a good romantic suspense. The only other genre that I'm thinking of exploring one day is horror. A big departure from romance for sure! But I'm intrigued by what scares us.

3. Did your reading choices have anything to do with your choice of a genre or genres?
I think what I read surely influences what I write, but maybe it's more accurate to say it influences how I write. There's so much to be learned from great writers and I feel like when I read them I'm always learning. My favorite writing influences are Ian McEwan and Michael Cunningham, but there are many, many others. 


4. What's your latest release?
I have an upcoming book with The Wild Rose Press called Desire Rising, an erotic historical novella. I don't have a release date quite yet, although it should be within the next few months. Here's the blurb to give you a taste of what it's about:

An arranged marriage to a wealthy and titled landowner should have been a dream for Lucy Kirkby, providing advantages she’d otherwise never have. But when those dreams become a nightmare and she’s falsely accused of murder, she flees home with her heart in tatters, vowing never to love again. Like a phoenix rising from ashes, she sheds her innocence and emerges as savvy and sophisticated Catherine Sheffield, a woman who keeps her liaisons purely physical and her heart closely guarded.

Lord Miles Hawkins knew love once—and it nearly killed him. Finally rejoining society after grappling with his tragic past, Miles feeds his passionate hunger but keeps emotional attachment strictly off limits. His red hot affair with Catherine satisfies them both, until an urgent summons from her former life threatens to rip it all away. Miles realizes Catherine has awoken in him the desire to love again, and he’ll do whatever it takes for her to be in his life forever.


5. What are you working on now? I'm working on the second book of my Bayou contemporary erotic romance series, called Hot Bayou Fire. The characters are glass sculpture artist Chase Durand, who had a cameo appearance in Hot Bayou Nights, and computer network engineer Autumn Rivette. Chase was raised in a close, loving, freestyle, almost "hippee" type of family. Autumn grew up on the wrong side of the tracks without any family support, has had trouble with the law, and trusts only one person in the world - herself. They are two very different souls who come together when both are employed by a hotel preparing for a giant grand opening. It's fun bringing the two different types together and building a relationship between two people who you'd normally not think could be a couple.    


6. Where can we find you?
All of the usual places - Facebook, Twitter (@renaissance11), or my website, www.lizshore.com

Saturday, April 5, 2014

Saturday's Excerpt from Hot Bayou Nights by Elizabeth Shore

Jackson held out a hand before her. “Dance with me.”
Her jaw nearly fell open with surprise—and excitement— never thinking for a minute that Jackson Rivard was a man who would dance. Maybe he’d been right about that unpredictable thing. Her gaze took in the sight of his strong, muscular arms and she imagined them wrapped around her, holding her tight as he guided her across the floor. His body would be pressed up against hers, and she’d feel the scorching rock hard wall of his chest...
Oh, but this was a bad idea on so many levels. Right?
She shrugged, embarrassed warmth creeping up from her neck to her cheeks. “I don’t know how.”
“I’ll teach you. Come.” He stood, apparently not accepting no for an answer. Carla’s heartbeat knocked against her chest, nervous anticipation fueling its speed. As discreetly as possible, she swiped her damp palms along the sides of her skirt before accepting Jackson’s outstretched hand and rising from the table, allowing him to lead. They made their way across the room and onto the dance floor, where Jackson found them room.
“The Cajun waltz is very similar to other kinds of waltzes,” he said, “except we tend to hold our women closer, and the music can be a lot slower than a Strauss waltz, for example.”
Carla shook her head. “I don’t know how to dance any kind of waltz, so it’s a waste of your time to explain the difference.”
Jackson smiled. “Then just follow me.”
“I’m going to make a fool of myself,” she said, trying to ignore the swirling butterflies in her stomach as Jackson placed his right hand against the small of her back.
“Think of it as part of your fear assignment,” he whispered in her ear. Carla’s heart leapt as the caress of his breath drifted against her skin.
“It’s three steps,” Jackson explained as he resumed proper posture. “Long, short short; long, short short. Let me lead you. You’ll be fine.”
With him as her guide, she believed him. The warmth of his body flowed to her through his hands, his strength and sureness like a beacon, guiding her way. She made a couple of missteps in the beginning, but Jackson turned out to be such a competent teacher he neatly covered for her.
“Relax,” he said. “And enjoy.”
She did her best. The music captivated her, its mournful beauty striking a chord in her heart. She opened her mind to everything around her: the band, the other dancers, the heat of their bodies, the aromas of the food. But mostly she embraced the man who held her, who led her around the room, making sure she looked like she belonged there.
“Don’t look at your feet,” he whispered into her ear. “Look at me.”
She did as he asked, raising her chin to look into Jackson’s blue eyes, and then she was lost. Her breath whooshed out as he trapped her in his gaze, like an insect in a spider’s web. Except unlike the insect, Carla never wanted out. She felt as if she could drown in him. Helpless, her mind drifted to thoughts of what he could do to her. His lips on hers, fingers skating across her naked skin, his body flush against hers on the bed while he held her down, sucking her breasts, his rock hard arousal pressed against her. She could reach down between their bodies and take him in her hands, stroking him, teasing, making him even harder. She would hear the ragged panting of his breaths against her skin, ready for her. His fingers would drift downward to slip between thighs, mercilessly stroking until her hips arched up, so hot for him, and then he would enter¾
The music stopped, dousing her fantasy like a bucket of cold water. Jackson stepped back to look down at her, smiling.
“Did you like it?”
Ooooh yeah. “Definitely. A lot.” She prayed like mad that she bore no telltale red face from her little mental visit to his bedroom and plastered on a giant smile. She needed to pull herself together and pay no attention to her trembling knees or the throbbing pulses between legs. Jackson Rivard was dangerous—to her career, her fear assignment, her sanity. She had to remember that.


Friday, April 4, 2014

Friday's How She Does It featuring Elizabeth Shore, #MFRWauthor

We all know there are six elements of fiction. Who, What, When, Where, Why and How. I believe the first five lead to the sixth which for me is plot. What's your take on this?
I'd have to go with theme. The central ideas that dominate the work. I think the message of the story is embedded in the theme, and theme drives the characters as well as the plot. So yeah, that's my take.
  
1.      How do you create your characters? Do you have a specific method?
I tend to create characters in layers. I think about the foundation of a person, head-strong man, for example. Then I give him vulnerabilities, traits he'd probably prefer to keep hidden. I think about when or why he'd have to reveal those vulnerabilities. I think about difficult situations characters could find themselves in and how they'd have to grow as a person to overcome obstacles. I have to be able to identify with each character in my book and they're always going to be multi-dimensional people, just as we all are in real life. It's important for me to feel like the characters are real and that their behavior, when placed in tough situations, is something readers can support and accept. It's disappointing to me when I read a book or see a movie and the protagonist behaves in such a bizarre manner that it just leaves me wrinkling my forehead in confusion. I don't need wrinkles.
2. Do your characters come before the plot?
Yes, pretty much always. I love plot-driven stories, but it's not interesting unless the people driving the plot forward are interesting. People are fascinating to me and I love creating characters.
3. Do you know how the story will end before you begin? In a general way or a specific one?
I'm definitely a plotter but not necessarily down to the last detail. I outline before I start writing, which mainly started because I have a time-consuming day job and I found myself spending way too much time trying to figure out where I'd left off from one week to the next. So outlining helps keep me moving and on track, but I leave plenty of flexibility for the characters to tell me where we're going in the story. They're the bosses, I'm just the worker in the trenches.
   
4. Do you choose settings you know or do you have books of settings and plans of houses sitting around?
I let my imagination do the choosing. In Hot Bayou Nights for example, Louisiana just came calling to me. It's hot and sultry and sensual . . . it seemed right, so that's where the book is set. But I don't have plans of houses sitting around, I just decorate in my noggin. :-)
  
5. Where do you do your research? On line or from books?
Both. Online is certainly handy, but you have to be careful. As everyone knows, there's a lot of misinformation on the web. I have a library of research books and utilize them fully.
6. Are you a draft writer or do you revise as you go along and why? Do you sketch out your plot or do you let the characters develop the route to the end?
I do a general outline all the way to the end, then I start writing and really listen to my characters. They tell me what we're doing. I don't think I've ever written a book that ended up being exactly as I'd outlined when I started. Characters help the story evolve, and often new ideas will come to me as I'm writing that I realize absolutely must be in the story. So it's a process, but one that I love. There's nothing like the satisfaction of completing a book, followed by the excitement of beginning the next one.