Showing posts with label Carolyn Smith. Show all posts
Showing posts with label Carolyn Smith. Show all posts

Saturday, August 9, 2014

Saturday's Excerpt from Gabe Kincaid by Carolyn Smith

“I brought you out her to tell you something.” He clasped her hands in his. “Don’t go pale on me. I wanted to warn you that the newspaper is running a story on Fred’s murder. I tried to keep your name out of it, but John Wiley blabbed about the brawl and how his son supposedly had been erroneously accused. I’m afraid your name will be in the paper along with your description.”
“I appreciate you preparing me.” What sort of distribution did the newspaper have? Would the story be picked up in Austin and wired to other cities? Self-consciously, she twirled a lock of her ebony hair.
He echoed her thoughts. “You’re thinking your description will say you have black hair. And it will. But the story is just odd enough to make news across the country.”
“It doesn’t bother me as long as it doesn’t say I started the brawl or that I killed the barber. I can’t help what people write as long as it’s the truth.” And Dorothy Duncan with black hair should offer no threat.
“It will be honest. Our newspaper is owned by a good man, Preston Youngblood. He’s keen on keeping to facts and not embellishing them. But he includes interviews, and you can imagine what John Wiley will tell him. Oh, no you can’t, can you? He’s the father of the guy who attacked you. One of those ‘My son does no wrong’ types. Also beats his wife, but that’s another matter.”
“Oh, dear, he sounds horrid. He’ll say I enticed the son, provoked him. But I give you my word I didn’t.”
“I know that. The other two boys confessed, but Wiley won’t drop it. He’s determined to show everyone his son is innocent and the other two framed him. It’s not that he cares about the son, but only about himself and his standing in the community.”
“That’s sad. If I ever have kids, I won’t be that kind of parent.”
A frown creased his brow. “You have someone lined up to be the father?”
“Certainly not. Probably won’t ever marry. A woman doesn’t meet a lot of eligible males in the circus.”
“Do I detect a hint of snobbery?”
She sensed the heat of a blush creep across her face. “I won’t deny it. There are some wonderful people in the circus, but that’s not the life I want forever. I want a home. It doesn’t have to be as grand as Judge Kincaid’s, but solid and in a nice community. With stability. I hope it’s not denied me forever.”
“Why would it be?”
She pressed her hand against his arm. “Don’t, Gabe. It’s such a nice afternoon. Don’t spoil it by prying.”
“All right. But I wish you’d trust me with all your secrets, Shimza. I feel like a fool calling you that, but I don’t even know your real name.”
“Shimza will do. And I do trust you to keep me safe here.”
“But you don’t think I could if you told me more, is that it?” He gently clasped her shoulders and turned her to face him.
She met his gaze, pleading with him, “Please, it’s too . . . complicated.”
Slowly he slid his hands across her shoulders, lightly up her neck. He caressed her face with his thumbs while he rested his hands gently on either side of her face. “Then let’s make it a little more complicated.” He leaned forward and claimed her lips.
She dissolved against him. His gentle kiss increased in fervor. Her arms slid around him and her fingers weaved into his hair.
His hands slid across her back. Stroking. Touching. Hugging.
One of his strong hands skimmed her ribs beneath her breast. Brazenly, she wished he’d move higher where she ached to be touched. As it was, the heat of his touch near burned through her clothing.
He broke their embrace, his chest heaving. “I’ve never kissed a client. Grandpa will have my hide.”
She rested her head against his powerful shoulder. “Mmm, I don’t think so. Perhaps you noticed we were seated next to one another at dinner. I could be wrong, but I think the Judge and Mrs. Kincaid are conspiring. Judge Kincaid smiled when we left the dining room together.”
“You don’t say? Then, if it’s all right with you, I’m kissing you again.”

And he did. Not that she was an expert, but her verdict was he kissed very well indeed.
 
GABE KINCAID buy links:
Google Play  bit.ly/RZZeCI
iTunes – the book is there but I do not have a Mac to get the link 


Friday, August 8, 2014

Friday's How She Does It with Carolyn Smith #MFRWauthor

We all know there are six elements of fiction. Who, What, When, Where, Why and How. I believe the first five lead to the sixth which for me is plot. What's your take on this?

As a former newspaper reporter and columnist, I agree. How is the plot, specifically the obstacles the h/h must overcome. The greater the obstacles, the more intriguing the plot. But not everyone likes complicated plots. Many readers want just enough to keep the h/h moving toward the happily-ever-after. Other readers like seemingly insurmountable obstacles and constant action that make the h/h virtually super human. As writers, we have to know our readership’s expectations and write to fulfill those. 

1.      How do you create your characters? Do you have a specific method?

I have two methods. The first is when the characters appear to me fully formed as if in a movie and they act out a scene from the story, usually the first scene or first obstacle. This is my favorite and what happened in GABE KINCAID and most of my other books.

The second is when I have one character and must develop the second. For instance, in THE MOST UNSUITABLE COURTSHIP, the hero, Storm, was in two previous books so his character was formed. His heroine needed to be unusual, so I chose one entirely different than any I’d ever written. I had to develop her by deciding her backstory, her goals, and her personality. I have a character sheet for this with some basic questions to develop the character.


2. Do your characters come before the plot?

 Yes, they do. For me, the characters create the plot. I work hard to make the characters realistic, yet a little over the top as far as their ability to cope. I want them to encourage readers who are facing obstacles to believe they can overcome just as my characters did. Yes, it is fiction, but we read for encouragement as well as enlightenment.

3. Do you know how the story will end before you begin? In a general way or a specific one?
   
Since my books are plotted, I always know how the story will end. My plot is a road map and leads me to my goal/finish line. That’s not to say I don’t take detours along the route.

4. Do you choose settings you know or do you have books of settings and plans of houses sitting around?

Both. All my books are set primarily in Texas, and I’ve been to all of the settings. Having at least driven through the locale gives me a good feel of the land. Even my imaginary towns are set in a real location. A fictional town lets me add whatever features and businesses I need for my stories.

When I started writing western historical romances, I did tons of research on houses of the period. Fortunately, in my local library I found books on restoring Victorian houses. These were unbelievably helpful because they showed heating, ventilation, plumbing, stairs, and everything imaginable about the homes. I still refer to my books on costumes for descriptions of the dresses, but I think I have the houses down pretty well in my head.

Various members of my family and I have toured a lot of Victorian and older homes. Seeing them is so much more helpful than trying to imagine from photos in a book. I’ve been fortunate to tour everything from mid 1800’s through early 1900’s homes. Seeing them is such a treat for me. At one time I wanted to live in an old home, but now that I’ve seen how much maintenance goes into them, I think I’m lucky to have my snug little home.

5. Where do you do your research? On line or from books?

 Everywhere. As I said above, I love touring homes and museums. To refresh my memory, I have tons of books on early life in the Old West that encompass everything from food to guns to slang and more. The Texas State Historical Association’s online Handbook of Texas is a great help with locales. Also Fehrenbach’s LONE STAR: THE HISTORY OF TEXAS AND HER PEOPLE has proven helpful. Like many other historical authors, I read history books like kids read comics.


6. Are you a draft writer or do you revise as you go along and why? Do you sketch out your plot or do you let the characters develop the route to the end?

Years ago I attended the all day workshop “Story Magic” by Robin Perini and Laura Baker. What a great day that turned out to be. Those ladies helped me so much, and I use their method to plot. Friends and I go on plotting weekends and each plot several books. We’ve modified the Story Magic method to suit our particular styles and needs.

Once I have the plot, I make a detailed outline and then write away. Occasionally, I take detours that my muse inserts, but I always come back to the planned plot I’ve outlined.

I’d like to say I am a draft writer, but I can’t let the book alone. :-D I edit what I wrote the day before and then start with that day’s pages. After my critique partners make comments, I edit again. When the book is finished, I go back again and again to edit before I send it to my editor. Although the book won’t be perfect when I publish, it’s as error free as I can achieve.